Judas Priest has such a huge week approaching in San Antonio and South Texas, it might elicit shrieks of excitement similar to the one Rob Halford gave on The Ripper off the band's live Unleashed in the East album in 1979:
- On Oct. 10, Judas Priest releases The Complete CBS/Columbia UK Singles Collection, a 52-song package spread over 20 -- yes, 20 -- CDs from 1977-92 that includes previously unreleased live recordings.
- On Oct. 11, an album of Priest favorites as selected by some of metal's biggest names, The Chosen Few, will come out.
- The big one. On Oct. 12, the mighty Priest kick off the United States portion of their Epitaph world tour here at the AT&T Center with special guests Black Label Society and Thin Lizzy (details at bottom).
The trek continues Oct. 14 in Corpus Christi, Oct. 15 in Houston and Oct. 16 in Dallas.
For good measure, Halford's solo band, which has included San Antonio's Bobby Jarzombek on drums since the band's inception in 2000, releases Live at Saitama Super Arena, a concert DVD from Japan, on Oct. 10.
Judas Priest has been coming to San Antonio for decades. But is this really the final time? Is K.K. Downing's shocking retirement a temporary thing or the be-all-end-all? What should fans expect from his replacement, 31-year-old Richie Faulkner?
Original bassist Ian Hill, 60, spoke exclusively with the SAMME from Brasilia, Brazil:
Q: Of all the times you've played San Antonio, does anything stick out?
A: We've always had a soft spot for San Antonio in our hearts. Texas was a huge market for us before we got to the States, mainly through the efforts of the great (former disc jockey) Joe Anthony. When we got there, we found out how popular we were, in '77 or so. It was a great surprise. Like you say, since those days, we've always enjoyed coming to San Antonio.
A: We've always had a soft spot for San Antonio in our hearts. Texas was a huge market for us before we got to the States, mainly through the efforts of the great (former disc jockey) Joe Anthony. When we got there, we found out how popular we were, in '77 or so. It was a great surprise. Like you say, since those days, we've always enjoyed coming to San Antonio.
Q: It's bittersweet, though. It's wonderful that we're the first city this time, but also sad that we may never see Priest tour again. Do you feel that way?
A: Well, it's not the last time we're going to play. We all love it too much. Intense touring is what we're going to discontinue. We just did three months in Europe. We go to the States, Japan, Australia. After this tour, we're going to go on. It's just a bit more selective with our dates. But it will be the last time some see us in their hometown. There will be a few dates here and there, and if it makes sense, we'll go and do it. You know, when you put your instruments away, after about a month you want to go at it again. So we'll continue playing in some way shape or form.
A: Well, it's not the last time we're going to play. We all love it too much. Intense touring is what we're going to discontinue. We just did three months in Europe. We go to the States, Japan, Australia. After this tour, we're going to go on. It's just a bit more selective with our dates. But it will be the last time some see us in their hometown. There will be a few dates here and there, and if it makes sense, we'll go and do it. You know, when you put your instruments away, after about a month you want to go at it again. So we'll continue playing in some way shape or form.
Q: Is there anything on The Chosen Few that surprises you?
A: Not really, no. We're absolutely self-flattered. There's no higher attribute when you get Lemmy and Ozzy on there. We're a bit isolated, unfortunately, from the news, but from what I've seen of the early draft a month old, it seems like a fantastic list.
A: Not really, no. We're absolutely self-flattered. There's no higher attribute when you get Lemmy and Ozzy on there. We're a bit isolated, unfortunately, from the news, but from what I've seen of the early draft a month old, it seems like a fantastic list.
Q: If you had to pick one song for it, what would you choose?
A: You want me to pick one? (laughs)
(Laughing) Well, yes, that's what they had to do!
A: I tell you what, we're playing Blood Red Skies live, and it's one of those great production pieces that's been overlooked over the years. It's got slow parts, fast parts, heavy parts -- a little bit of everything.
A: You want me to pick one? (laughs)
(Laughing) Well, yes, that's what they had to do!
A: I tell you what, we're playing Blood Red Skies live, and it's one of those great production pieces that's been overlooked over the years. It's got slow parts, fast parts, heavy parts -- a little bit of everything.
Q: Priest is playing at least one song from every album, including Rocka Rolla. How difficult has it been selecting the setlist?
A: I tell you what. It's always a nightmare. With every new song, you have to drop a favorite. To fit everything in, we had to extend the set to 2 1/4 to 2 1/2 hours. But it's not that hard, rather more enjoyable. We're trying to put new songs in there with Breaking The Law and other favorites. Then we have others like Never Satisfied off Rocka Rolla that I don't think we ever played in the States (Note: Halford and Jarzombek played it on Halford's 2003 Live in Anaheim CD/DVD that was released in 2010). Starbreaker we haven't played in a long time.
A: I tell you what. It's always a nightmare. With every new song, you have to drop a favorite. To fit everything in, we had to extend the set to 2 1/4 to 2 1/2 hours. But it's not that hard, rather more enjoyable. We're trying to put new songs in there with Breaking The Law and other favorites. Then we have others like Never Satisfied off Rocka Rolla that I don't think we ever played in the States (Note: Halford and Jarzombek played it on Halford's 2003 Live in Anaheim CD/DVD that was released in 2010). Starbreaker we haven't played in a long time.
Q: How is Richie working out, and what can we expect of someone we've never seen play with Priest before?
A: Yeah, Richie is an altogether great talent. An absolutely excellent guitarist. He does what Ken did, plus his own little traits. He's a great performer and character. We've been really lucky to find him. Even the way we found him -- we weren't even looking (laughs). Someone (else) was going to take over for Ken, and they couldn't do it, and it was him. You find what you can. We had a chat with him and gave him a go, and thank God. The crowd is taking to him well, and with all due respect to Ken, no one's missing him (laughs). No one's asking about Ken.
Q: Really, you're not getting any feedback about K.K. not being there?
A: No, and you'll know why when you see Richie perform.
A: Yeah, Richie is an altogether great talent. An absolutely excellent guitarist. He does what Ken did, plus his own little traits. He's a great performer and character. We've been really lucky to find him. Even the way we found him -- we weren't even looking (laughs). Someone (else) was going to take over for Ken, and they couldn't do it, and it was him. You find what you can. We had a chat with him and gave him a go, and thank God. The crowd is taking to him well, and with all due respect to Ken, no one's missing him (laughs). No one's asking about Ken.
Q: Really, you're not getting any feedback about K.K. not being there?
A: No, and you'll know why when you see Richie perform.
Q: You go back with K.K. during your schooldays, I believe, so it can be said that you're the closest to him. What was your first reaction when he made it known he was stepping away?
A: We were all absolutely stopped in our tracks. When he came up and announced that he didn't want to carry on . . . Richie knew for a month that he had the job, but God bless him, he kept his mouth shut (laughs). We said, 'Richie, if he doesn't come back, you've got the job.' He must have been waiting to tell somebody.
A: We were all absolutely stopped in our tracks. When he came up and announced that he didn't want to carry on . . . Richie knew for a month that he had the job, but God bless him, he kept his mouth shut (laughs). We said, 'Richie, if he doesn't come back, you've got the job.' He must have been waiting to tell somebody.
Q: K.K. made it clear that it wasn't his health or his golf interests. Was it songwriting differences or a disagreement on whether this should be the final tour?
A: I don't know. Anything I say would be speculation. Personally, I think he had enough. Out of all of us, maybe he's the one who enjoyed it the least. If you ever get the opportunity, that's something you'd have to ask him.
A: I don't know. Anything I say would be speculation. Personally, I think he had enough. Out of all of us, maybe he's the one who enjoyed it the least. If you ever get the opportunity, that's something you'd have to ask him.
Q: Does the door remain open for K.K. to return to the band at any point if he chooses?
A: Oh yeah. There's too much water under the bridge to kill our friendship.
A: Oh yeah. There's too much water under the bridge to kill our friendship.
Q: Rob reportedly said the other day that you all have made significant progress on the next album. How far along are you, and what can you tell me about the songs or direction of it?
A: We pretty much finished three tracks. Obviously, we did this before Richie had come along. Rob and myself and Glenn (Tipton) and Scott (Travis). There's still Richie's input to go on top of that. Rob and Glenn have got a lot of songs knocked out. My ideas, too, this time around and with Richie's input, we'll start on completing this album sometime next year. We're going to carry on from where we left off with Angel of Retribution. After the concept album (Nostradamus), we're going to get back to the heavy metal that Priest is known for.
A: We pretty much finished three tracks. Obviously, we did this before Richie had come along. Rob and myself and Glenn (Tipton) and Scott (Travis). There's still Richie's input to go on top of that. Rob and Glenn have got a lot of songs knocked out. My ideas, too, this time around and with Richie's input, we'll start on completing this album sometime next year. We're going to carry on from where we left off with Angel of Retribution. After the concept album (Nostradamus), we're going to get back to the heavy metal that Priest is known for.
Q: Has Priest been asked to perform on the 70000 Tons of Metal cruise?
A: Not really, no one has made mention of it. I've never been on a cruise. Never got around to doing it. With family, 10 of us go on vacation and rent a big house by the beach. That's about the extent of our vacation (laughs). So not as far as I know, but it sounds interesting.
A: Not really, no one has made mention of it. I've never been on a cruise. Never got around to doing it. With family, 10 of us go on vacation and rent a big house by the beach. That's about the extent of our vacation (laughs). So not as far as I know, but it sounds interesting.
Q: I have a social media question for you from one of my readers. Bill from Chicago wants to know, what's your favorite piece of gear?
A: Probably my basses. I've been playing Spectors for over 10 years. They're very kind to me as well. They've been great over the years. I couldn't wish for anything better. They're built like a tank.
A: Probably my basses. I've been playing Spectors for over 10 years. They're very kind to me as well. They've been great over the years. I couldn't wish for anything better. They're built like a tank.
Q: You and I spoke in 2008 by phone when you called me from your hotel in Romania during the Nostradamus tour. I asked then how much longer Priest would go on, and you said that the world is supposed to end in 2012, so that would be it. What would you say now?
A: I think it's open-ended, to be honest. We absolutely have no intention of putting the band off. We'll continue in one form or another. We've been at it so long; it's all we know how to do. It' s like taking a drug. It's a way to get our music fix (laughs).
A: I think it's open-ended, to be honest. We absolutely have no intention of putting the band off. We'll continue in one form or another. We've been at it so long; it's all we know how to do. It' s like taking a drug. It's a way to get our music fix (laughs).
Thank you, Ian. We are looking forward to seeing you guys here for the first American show of the tour. Best of luck with everything.
It's been a pleasure, Jay. Take care.
It's been a pleasure, Jay. Take care.
- WHO: Judas Priest with Black Label Society and Thin Lizzy
- WHEN: 6 p.m., Wednesday, Oct. 12
- WHERE: AT&T Center
- TICKETS: $40-$95
Continue reading on Examiner.com Q&A: Ian Hill, Judas Priest raring to go for possibly final S.A. concert - San Antonio Metal Music | Examiner.com http://www.examiner.com/metal-music-in-san-antonio/q-a-ian-hill-on-judas-priest-s-final-san-antonio-concert-possibly#ixzz1YYjNuuKA
According to Billboard.biz, Rondor Music Publishing has signed Alice Cooper to a worldwide publishing agreement and renewed the company's publishing agreement with producer Bob Ezrin, who has worked with Cooper as a producer, co-writer, arranger and musician, as well as other artists like KISS, NINE INCH NAILS and THE DARKNESS.
"Bob played some of the new Alice Cooper record last December and I was literally blown away by the quality of the production and the songwriting collaboration between the two of them," said Rondor Music Publishing president Lance Freed. "At Bob's suggestion I spoke with Alice, and I told him we absolutely had to publish his music. He agreed to join us!"
Alice Cooper's new album, "Welcome 2 My Nightmare", is likely to sell between 20,000 and 22,000 copies in the United States in its first week of release, according to industry web site Hits Daily Double. The estimate was based on one-day sales reports compiled after the record arrived in stores on September 13 via Universal Music Enterprises.
Cooper's previous CD, 2008's "Along Came A Spider", opened with just under 10,000 copies to debut at position No. 53 on The Billboard 200 chart.
Recorded with longtime collaborator Bob Ezrin, who produced the original multi-platinum "Welcome To My Nightmare" album in 1975, "Welcome 2 My Nightmare" picks up right where they left off, with Alice trapped in his own warped mind.
That original album is an all-time rock classic that spawned a worldwide theatrical tour and pioneering U.S. TV special and cemented Alice Cooper as a visionary trailblazer whose influence persists today in rock, metal, pop, punk, theater, television, film and much more.
More than 35 years later, Alice and Ezrin have resurrected the horror and humor for a new generation.
"Bob played some of the new Alice Cooper record last December and I was literally blown away by the quality of the production and the songwriting collaboration between the two of them," said Rondor Music Publishing president Lance Freed. "At Bob's suggestion I spoke with Alice, and I told him we absolutely had to publish his music. He agreed to join us!"
Alice Cooper's new album, "Welcome 2 My Nightmare", is likely to sell between 20,000 and 22,000 copies in the United States in its first week of release, according to industry web site Hits Daily Double. The estimate was based on one-day sales reports compiled after the record arrived in stores on September 13 via Universal Music Enterprises.
Cooper's previous CD, 2008's "Along Came A Spider", opened with just under 10,000 copies to debut at position No. 53 on The Billboard 200 chart.
Recorded with longtime collaborator Bob Ezrin, who produced the original multi-platinum "Welcome To My Nightmare" album in 1975, "Welcome 2 My Nightmare" picks up right where they left off, with Alice trapped in his own warped mind.
That original album is an all-time rock classic that spawned a worldwide theatrical tour and pioneering U.S. TV special and cemented Alice Cooper as a visionary trailblazer whose influence persists today in rock, metal, pop, punk, theater, television, film and much more.
More than 35 years later, Alice and Ezrin have resurrected the horror and humor for a new generation.
Legendary WHITESNAKE singer David Coverdale is going to celebrate his 60th birthday on September 22. His latest studio record, "Forevermore", released on March 25, shows experience, musical maturity and a personality that is far from jaded after an almost-40-year career. It is also evidence that WHITESNAKE's career is far from finished, even if Coverdale evoked the end quite a few times in the last years.
"I've retired more times than Frank Sinatra — but luckily, I didn't tell many people." he laughs. "The music business can be so exhausting and destructive on a person, which makes you think sometimes, that you have to step back and take stock of your situation and circumstances," Coverdale confessed.
Today David Coverdale is happy that he never threw totally stepped away. He recently wrote a song called "Best Years" that he says still perfectly fits describes his life with him turning 60 years old. He explains: "It's great that I'm able to still work as a musician. And with it came consistency in my career and also in my private life. I really am experiencing the best times of my life these days, and believe me, I've seen a lot."
"Forevermore" is WHITESNAKE's eleventh album released on Frontiers Records. The band is still known as one of the most successful acts of all times with several platinum awards. Through his eloquent, always cultivated, British-charming personality David Coverdale is not only known as a rock patron, but a highly regarded gentlemen within the rock business. There are not many other musicians that deal with love and passion in their lyrics like he does. And also there are just a few acts that are able to highlight lyrics perfectly and successfully with thrilling blues and soul anthems like he does.
Before Coverdale, who's originally from Saltburn-by-Sea area, founded WHITESNAKE, he was the lead vocalist for DEEP PURPLE. When Coverdale celebrates his 60th birthday on September 22, he's able to look back at a musical career that is almost 40 years long.
"I'm going to celebrate my birthday with my private family and my musical family," he reveals, "I will party several times on several different continents. Even if it sounds a little un-rock and roll, I will use the day to reflect and be thankful for what I achieved in my life so far. I'm incredibly grateful to still be experiencing professional success and to be so physically active in what I do, after all these years."
"I've retired more times than Frank Sinatra — but luckily, I didn't tell many people." he laughs. "The music business can be so exhausting and destructive on a person, which makes you think sometimes, that you have to step back and take stock of your situation and circumstances," Coverdale confessed.
Today David Coverdale is happy that he never threw totally stepped away. He recently wrote a song called "Best Years" that he says still perfectly fits describes his life with him turning 60 years old. He explains: "It's great that I'm able to still work as a musician. And with it came consistency in my career and also in my private life. I really am experiencing the best times of my life these days, and believe me, I've seen a lot."
"Forevermore" is WHITESNAKE's eleventh album released on Frontiers Records. The band is still known as one of the most successful acts of all times with several platinum awards. Through his eloquent, always cultivated, British-charming personality David Coverdale is not only known as a rock patron, but a highly regarded gentlemen within the rock business. There are not many other musicians that deal with love and passion in their lyrics like he does. And also there are just a few acts that are able to highlight lyrics perfectly and successfully with thrilling blues and soul anthems like he does.
Before Coverdale, who's originally from Saltburn-by-Sea area, founded WHITESNAKE, he was the lead vocalist for DEEP PURPLE. When Coverdale celebrates his 60th birthday on September 22, he's able to look back at a musical career that is almost 40 years long.
"I'm going to celebrate my birthday with my private family and my musical family," he reveals, "I will party several times on several different continents. Even if it sounds a little un-rock and roll, I will use the day to reflect and be thankful for what I achieved in my life so far. I'm incredibly grateful to still be experiencing professional success and to be so physically active in what I do, after all these years."
Legendary rock band RUSH has announced details for the first offerings through their recently announced partnership with Roadrunner Records. On November 7, Anthem/Roadrunner will simultaneously release a two-disc live album entitled "Time Machine 2011: Live In Cleveland" as well as "Moving Pictures: Live 2011" on vinyl and digital formats.
Captured in April at Cleveland's Quicken Loans Arena during the renowned trio's extensive "Time Machine" world tour, "Time Machine 2011: Live In Cleveland" marks the band's first live album recorded at a U.S show, a deliberate nod of gratitude to the first city to support Rush on its radio airwaves. The wildly popular tour featured a set filled with classic hits, fan favorites, and a glimpse into RUSH's forthcoming 20th studio album, "Clockwork Angels". As a centerpiece for the concerts, the band performed their landmark album "Moving Pictures" in its entirety — a first in the band's long and illustrious career. Rave reviews of the tour included The Hollywood Reporter's declaration that "the current 'Time Machine' jaunt is nothing less than a must see… for nearly three hours, with intermission, RUSH proved why it remains among rock's elite live acts."
"Moving Pictures: Live 2011" marks the first live recording of the band's most successful album to date. Originally released in 1981, this year marks the 30th anniversary of "Moving Pictures", which features some of RUSH's most well-known songs like "Tom Sawyer", "Limelight" and "YYZ".
In related news, RUSH is also releasing "Time Machine 2011: Live In Cleveland" on Blu-ray and DVD formats on November 8 via Rounder Records in the U.S. and Eagle Rock Entertainment abroad. VH1 will be airing a two-hour concert culled from the footage as part of their annual "Rushashana" program on September 29.
This fall, RUSH will be returning to the studio to resume work on their highly anticipated 20th studio album, "Clockwork Angels", due out in 2012.
Track listing:
Set One
* The 'Real' History of Rush Episode No. 2 "Don't Be Rash"
* The Spirit of Radio
* Time Stand Still
* Presto
* Stick It Out
* Workin' Them Angels
* Leave That Thing Alone
* Faithless
* BU2B
* Free Will
* Marathon
* Subdivisions
Set Two
The 'Real'' History of Rush Episode No. 17 "...and Rock and Roll is my name."
* Tom Sawyer
* Red Barchetta
* YYZ
* Limelight
* The Camera Eye
* Witch Hunt
* Vital Signs
* Caravan
* Moto Perpetuo (featuring Love For Sale)
* O'Malley's Break
* Closer To The Heart
* 2112 Overture/The Temples of Syrinx
* Far Cry
Encore
* La Villa Strangiato
* Working Man
Bonus Material
* Outtakes from "History of Rush, Episode 2 & 17"
* "Tom Sawyer" featuring the cast of "History of Rush, Episode 17"
* "Need Some Love" Live from Laura Secord Secondary School
* "Anthem" Live from Passaic New Jersey
Captured in April at Cleveland's Quicken Loans Arena during the renowned trio's extensive "Time Machine" world tour, "Time Machine 2011: Live In Cleveland" marks the band's first live album recorded at a U.S show, a deliberate nod of gratitude to the first city to support Rush on its radio airwaves. The wildly popular tour featured a set filled with classic hits, fan favorites, and a glimpse into RUSH's forthcoming 20th studio album, "Clockwork Angels". As a centerpiece for the concerts, the band performed their landmark album "Moving Pictures" in its entirety — a first in the band's long and illustrious career. Rave reviews of the tour included The Hollywood Reporter's declaration that "the current 'Time Machine' jaunt is nothing less than a must see… for nearly three hours, with intermission, RUSH proved why it remains among rock's elite live acts."
"Moving Pictures: Live 2011" marks the first live recording of the band's most successful album to date. Originally released in 1981, this year marks the 30th anniversary of "Moving Pictures", which features some of RUSH's most well-known songs like "Tom Sawyer", "Limelight" and "YYZ".
In related news, RUSH is also releasing "Time Machine 2011: Live In Cleveland" on Blu-ray and DVD formats on November 8 via Rounder Records in the U.S. and Eagle Rock Entertainment abroad. VH1 will be airing a two-hour concert culled from the footage as part of their annual "Rushashana" program on September 29.
This fall, RUSH will be returning to the studio to resume work on their highly anticipated 20th studio album, "Clockwork Angels", due out in 2012.
Track listing:
Set One
* The 'Real' History of Rush Episode No. 2 "Don't Be Rash"
* The Spirit of Radio
* Time Stand Still
* Presto
* Stick It Out
* Workin' Them Angels
* Leave That Thing Alone
* Faithless
* BU2B
* Free Will
* Marathon
* Subdivisions
Set Two
The 'Real'' History of Rush Episode No. 17 "...and Rock and Roll is my name."
* Tom Sawyer
* Red Barchetta
* YYZ
* Limelight
* The Camera Eye
* Witch Hunt
* Vital Signs
* Caravan
* Moto Perpetuo (featuring Love For Sale)
* O'Malley's Break
* Closer To The Heart
* 2112 Overture/The Temples of Syrinx
* Far Cry
Encore
* La Villa Strangiato
* Working Man
Bonus Material
* Outtakes from "History of Rush, Episode 2 & 17"
* "Tom Sawyer" featuring the cast of "History of Rush, Episode 17"
* "Need Some Love" Live from Laura Secord Secondary School
* "Anthem" Live from Passaic New Jersey
According to NME.com, London Underground has banned promo posters for the forthcoming musical collaboration between Lou Reed and METALLICA, "Lulu", from being displayed in stations.
Transport For London bosses made the decision not to allow the image on tubes or in stations after a spokesperson claimed it looked too much like graffiti.
The album cover features a limbless mannequin with a realistic expression on a photograph and the album name "Lulu" written across it.
An audio sample of the song "The View" — taken from "Lulu" — can be streamed at Amazon.com. The track, which will be released as a digital single on September 27, is also available for preview in the YouTube clip below.
"Lulu" will be released on November 1 in North America via Warner Bros. Records and one day earlier (October 31) in the rest of the world through Universal Music. The CD was co-produced by Reed, METALLICA, Hal Willner — who has produced albums for Reed, Marianne Faithfull, and Laurie Anderson, among others — and Greg Fidelman. Fidelman also mixed the record.
"Lulu" final track listing:
01. Brandenburg Gate (4:19)
02. The View (5:17)
03. Pumping Blood (7:24)
04. Mistress Dread (6:52)
05. Iced Honey (4:36)
06. Cheat On Me (11:26)
07. Frustration (8:33)
08. Little Dog (8:01)
09. Dragon (11:08)
10. Junior Dad (19:28)
The idea for these two giants of modern music to work together was born after the 25th anniversary Rock And Roll Hall Of Fame concerts in New York City in October 2009. METALLICA — singer/guitarist James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett and bassist Robert Trujillo — played with Reed on VELVET UNDERGROUND classics "Sweet Jane" and "White Light/White Heat". "We knew from then that we were made for each other," Reed says.
After that triumphant performance, Reed suggested they all make a record together. At first they planned to record an album of Reedfraven's older material, what Ulrich describes as "some of Lou's lost jewels — songs that he felt he'd like to give a second spin, and we could do whatever it is we do to some of those songs." That idea "hung in the air for a couple of months." Then, a week or two before that session was to begin, "Lou called up and said, 'Listen, I have this other idea.'"
That idea was to record a series of songs Reed had written for American avant-garde theater director Robert Wilson and German theater group the Berliner Ensemble's production of the "Lulu Plays", which premiered in April at the Theatre am Schiffbauerdamm in Berlin, founded by Bertolt Brecht. The songs are inspired by German expressionist Frank Wedekind's early 20th century plays "Earth Spirit" and "Pandora's Box", and were a rewrite of Edgar Allan Poe's "The Raven", which emerged as a graphic novel on Fantagraphics Press.
"We were very interested in working with Lou," says Hetfield. "I had these giant question marks: What's it going to be like? What's going to happen? So it was great when he sent us the lyrics for the 'Lulu' body of work. It was something we could sink our teeth into. I could take off my singer and lyricist hat and concentrate on the music part. These were very potent lyrics, with a soundscape behind them for atmosphere. Lars and I sat there with an acoustic and let this blank canvas take us where it needed to go. It was a great gift, to be asked to stamp 'TALLICA on it. And that's what we did."
"We had to bring 'Lulu' to life in a sophisticated way, using rock," Reed says. "And the hardest power rock you could come up with would have to be METALLICA. They live on that planet. We played together, and I knew it: dream come true. This is the best thing I ever did. And I did it with the best group I could possibly find. By definition, everybody involved was honest. This has come into the world pure. We pushed as far as we possibly could within the realms of reality."
"It's definitely not a METALLICA album, or a Lou Reed album," adds Hammett. "It's something else. It's a new animal, a hybrid."
Transport For London bosses made the decision not to allow the image on tubes or in stations after a spokesperson claimed it looked too much like graffiti.
The album cover features a limbless mannequin with a realistic expression on a photograph and the album name "Lulu" written across it.
An audio sample of the song "The View" — taken from "Lulu" — can be streamed at Amazon.com. The track, which will be released as a digital single on September 27, is also available for preview in the YouTube clip below.
"Lulu" will be released on November 1 in North America via Warner Bros. Records and one day earlier (October 31) in the rest of the world through Universal Music. The CD was co-produced by Reed, METALLICA, Hal Willner — who has produced albums for Reed, Marianne Faithfull, and Laurie Anderson, among others — and Greg Fidelman. Fidelman also mixed the record.
"Lulu" final track listing:
01. Brandenburg Gate (4:19)
02. The View (5:17)
03. Pumping Blood (7:24)
04. Mistress Dread (6:52)
05. Iced Honey (4:36)
06. Cheat On Me (11:26)
07. Frustration (8:33)
08. Little Dog (8:01)
09. Dragon (11:08)
10. Junior Dad (19:28)
The idea for these two giants of modern music to work together was born after the 25th anniversary Rock And Roll Hall Of Fame concerts in New York City in October 2009. METALLICA — singer/guitarist James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett and bassist Robert Trujillo — played with Reed on VELVET UNDERGROUND classics "Sweet Jane" and "White Light/White Heat". "We knew from then that we were made for each other," Reed says.
After that triumphant performance, Reed suggested they all make a record together. At first they planned to record an album of Reedfraven's older material, what Ulrich describes as "some of Lou's lost jewels — songs that he felt he'd like to give a second spin, and we could do whatever it is we do to some of those songs." That idea "hung in the air for a couple of months." Then, a week or two before that session was to begin, "Lou called up and said, 'Listen, I have this other idea.'"
That idea was to record a series of songs Reed had written for American avant-garde theater director Robert Wilson and German theater group the Berliner Ensemble's production of the "Lulu Plays", which premiered in April at the Theatre am Schiffbauerdamm in Berlin, founded by Bertolt Brecht. The songs are inspired by German expressionist Frank Wedekind's early 20th century plays "Earth Spirit" and "Pandora's Box", and were a rewrite of Edgar Allan Poe's "The Raven", which emerged as a graphic novel on Fantagraphics Press.
"We were very interested in working with Lou," says Hetfield. "I had these giant question marks: What's it going to be like? What's going to happen? So it was great when he sent us the lyrics for the 'Lulu' body of work. It was something we could sink our teeth into. I could take off my singer and lyricist hat and concentrate on the music part. These were very potent lyrics, with a soundscape behind them for atmosphere. Lars and I sat there with an acoustic and let this blank canvas take us where it needed to go. It was a great gift, to be asked to stamp 'TALLICA on it. And that's what we did."
"We had to bring 'Lulu' to life in a sophisticated way, using rock," Reed says. "And the hardest power rock you could come up with would have to be METALLICA. They live on that planet. We played together, and I knew it: dream come true. This is the best thing I ever did. And I did it with the best group I could possibly find. By definition, everybody involved was honest. This has come into the world pure. We pushed as far as we possibly could within the realms of reality."
"It's definitely not a METALLICA album, or a Lou Reed album," adds Hammett. "It's something else. It's a new animal, a hybrid."
Street Date recently conducted an interview with MEGADETH mainman Dave Mustaine. You can now watch the chat below.
Speaking of MEGADETH's upcoming touring plans (possibly as part of Gigantour, the acclaimed traveling heavy music festival launched by Mustaine), Dave said, "This year coming up we're gonna be having us, MOTÖRHEAD, a great band that's coming up called VOLBEAT and LACUNA COIL."
On the topic of his current relationship with his former bandmates in METALLICA, Mustaine said, "I'm looking forward to the time when me and Lars [Ulrich, METALLICA drummer] and James [Hetfield, guitar/vocals] and David Ellefson [MEGADETH bassist] make a record together.
"I remember when Cliff [Burton, METALLICA bassist] died [in 1986], there was a moment where Dave's [Ellefson] name had come up [as a possible replacement]. And I was a little concerned; I didn't wanna lose my bassist and I certainly didn't wanna have another reason to be upset [with the METALLICA guys]. God knows I had my reasons [for being angry], even though they weren't all real. A lot of them were caused by myself. I just don't think I would have done well if I would have known that that happened. And fortunately, I think those guys took that into account and just said, 'Let's find someone else,' and they found Jason [Newsted]."
Speaking of MEGADETH's upcoming touring plans (possibly as part of Gigantour, the acclaimed traveling heavy music festival launched by Mustaine), Dave said, "This year coming up we're gonna be having us, MOTÖRHEAD, a great band that's coming up called VOLBEAT and LACUNA COIL."
On the topic of his current relationship with his former bandmates in METALLICA, Mustaine said, "I'm looking forward to the time when me and Lars [Ulrich, METALLICA drummer] and James [Hetfield, guitar/vocals] and David Ellefson [MEGADETH bassist] make a record together.
"I remember when Cliff [Burton, METALLICA bassist] died [in 1986], there was a moment where Dave's [Ellefson] name had come up [as a possible replacement]. And I was a little concerned; I didn't wanna lose my bassist and I certainly didn't wanna have another reason to be upset [with the METALLICA guys]. God knows I had my reasons [for being angry], even though they weren't all real. A lot of them were caused by myself. I just don't think I would have done well if I would have known that that happened. And fortunately, I think those guys took that into account and just said, 'Let's find someone else,' and they found Jason [Newsted]."
MEGADETH frontman Dave Mustaine is suffering from a neck and spine condition called stenosis and he struggled to keep his commitment to join his bandmates at the "Big Four" concert at Yankee Stadium on September 14.
In an interview conducted at the festival, he told Rolling Stone that he had will power and determination and his God to help him through the performance.
Mustaine and formerly estranged MEGADETH bassist David Ellefson have reconciled in part thanks to their changed lives and newfound spirituality. However, some fans have not appreciated the musicians' new personal direction.
Artisan News Service asked Ellefson about his and Mustaine's beliefs and fans who get angry about the MEGADETH members' Christian faith (see video below).
"My attitude is, with any lifestyle or faith beliefs or any of that, it's sort of like, 'Look, if you don't like the music that's on the dial, change the dial,'" he said.
"MEGADETH had a [VH1] 'Behind The Music' special that came out about 10 years ago. In fact, we have a remastered on that's gonna be coming out on November 11 — just a week or so after our new album comes out, on November 1 — and anybody who's seen that and then sees Dave and I make life changes and adjustments and life transitions to come over to a more positive, more fruitful, productive way of life, quite honestly so we can continue to make music for our fans, if someone can't appreciate that, then shame on them. And they don't have to agree with it, and they don't even have to go along with it, but at least acknowledge that a change had to be made, and as two men on this planet, we made those changes. And that, ultimately, is… If you're heading down a road and you keep bumping into a wall, you might wanna try going down a different road; it's really that simple for me."
In a 2009 interview with Metal Hammer magazine, Mustaine stated about his faith, "Yeah, I'm a Christian, but I don't push it on anybody. There are enough hyper-Christians in the world that push their ideas on people. And what they're pushing… it ain't what Jesus taught.
"I have no idea how many people think that Jesus was that dude in the dress, but he was a bad-ass, he really was.
"I keep [my faith] to myself.
"I've been a Christian for a long time, I said it on 'Peace Sells But Who's Buying…?' — the lyrics: 'Whaddaya mean I don't believe in God, I talk to him every day!' I mean, come on! Hello! Second record? Surprise! I was mocked and ridiculed big-time when I first got saved, but you know what? I'm still the same guy, and I think people eventually realized that I wasn't going to be one of these holy-roller type guys. I also think they realized… they didn't lose 'Dave.' I'm still here, and I'm a better musician because of it. I want to be a better friend, a better frontman, a better singer; I want to be a better producer… I want to be a better client. I completely attribute all of that to having a changed life. It's like somebody went in with one of those cling-free sheets and rubbed it all over my brain, you know what I mean? It was like, ahhh, a sigh of relief… all the static is gone… oh my gosh!"
In an interview conducted at the festival, he told Rolling Stone that he had will power and determination and his God to help him through the performance.
Mustaine and formerly estranged MEGADETH bassist David Ellefson have reconciled in part thanks to their changed lives and newfound spirituality. However, some fans have not appreciated the musicians' new personal direction.
Artisan News Service asked Ellefson about his and Mustaine's beliefs and fans who get angry about the MEGADETH members' Christian faith (see video below).
"My attitude is, with any lifestyle or faith beliefs or any of that, it's sort of like, 'Look, if you don't like the music that's on the dial, change the dial,'" he said.
"MEGADETH had a [VH1] 'Behind The Music' special that came out about 10 years ago. In fact, we have a remastered on that's gonna be coming out on November 11 — just a week or so after our new album comes out, on November 1 — and anybody who's seen that and then sees Dave and I make life changes and adjustments and life transitions to come over to a more positive, more fruitful, productive way of life, quite honestly so we can continue to make music for our fans, if someone can't appreciate that, then shame on them. And they don't have to agree with it, and they don't even have to go along with it, but at least acknowledge that a change had to be made, and as two men on this planet, we made those changes. And that, ultimately, is… If you're heading down a road and you keep bumping into a wall, you might wanna try going down a different road; it's really that simple for me."
In a 2009 interview with Metal Hammer magazine, Mustaine stated about his faith, "Yeah, I'm a Christian, but I don't push it on anybody. There are enough hyper-Christians in the world that push their ideas on people. And what they're pushing… it ain't what Jesus taught.
"I have no idea how many people think that Jesus was that dude in the dress, but he was a bad-ass, he really was.
"I keep [my faith] to myself.
"I've been a Christian for a long time, I said it on 'Peace Sells But Who's Buying…?' — the lyrics: 'Whaddaya mean I don't believe in God, I talk to him every day!' I mean, come on! Hello! Second record? Surprise! I was mocked and ridiculed big-time when I first got saved, but you know what? I'm still the same guy, and I think people eventually realized that I wasn't going to be one of these holy-roller type guys. I also think they realized… they didn't lose 'Dave.' I'm still here, and I'm a better musician because of it. I want to be a better friend, a better frontman, a better singer; I want to be a better producer… I want to be a better client. I completely attribute all of that to having a changed life. It's like somebody went in with one of those cling-free sheets and rubbed it all over my brain, you know what I mean? It was like, ahhh, a sigh of relief… all the static is gone… oh my gosh!"
Ronald S. Beinstock, an attorney for progressive metal giants DREAM THEATER, has contacted BLABBERMOUTH.NET to make it clear that there is currently "no pending litigation" between the current members of DREAM THEATER and the band's former drummer, Mike Portnoy.
Courthouse News Service reported on April 28 that Portnoy filed a document listing his former bandmates as defendants in which he claimed that they "wrongfully excluded" him from the group and were "wrongfully using the name of the band in connection with [their] recording of an album without the participation or consent of [Portnoy]." In addition, the document alleged that the defendants — John Petrucci (guitar), John Myung (bass), Jordan Rudess (keyboards), James LaBrie (vocals), along with associated companies Ytse Jam, Inc. and Infinity Tours, Inc. — were "wrongfully using the name of the band in connection with the promotion of live performances by the individual defendants, without the participation or consent of [Portnoy]."
In a letter to BLABBERMOUTH.NET dated earlier today (Tuesday, September 20) Bienstock wrote, "On or around April 27, 2011, Mr. Portnoy filed a 'Notice With Summons.' This document is not a formal complaint. Further, the document was never served on any of the named defendants, rendering it moot. There is no pending litigation between DREAM THEATER and Mr. Portnoy."
Writing on his official forum earlier today, Portnoy commented, "I did NOT sue them [referring to the current members of DREAM THEATER. — Ed.] ....and second of all, I DESPERATELY tried to discuss matters with them personally to avoid ANYTHING LIKE THIS and yet THEY insisted on only using lawyers...so my lawyers filed those papers (BACK IN APRIL, mind you) as that was the position they chose to take...if the band would've talked to me, it would've NEVER come to that!!!
"All that aside, this was 6 months ago....so yes indeed, we have all moved on since then...
"I'm still really not allowed to discuss any of this publicly, but I feel everybody's hasty and half-truth filled witchhunt yesterday deserves to be addressed to help at least try to clear my name and reputation that was so wrongly tainted by yesterday's false conclusions...
"The fact is, when you have a band (or a corporation or marriage) for 25 years, there are business and financial things that need to be sorted out behind the scenes...however, it was incredibly LAME of Blabbermouth to exploit these private issues and divulge personal information that is clearly nobody's business other than our own. They are creating hate and negative propaganda and poisoning the minds and spirits of music fans around the world...shame on them."
In an August 2011 interview with the Greek edition of Rock Hard magazine, Portnoy stated about his departure from DREAM THEATER, "I didn't make the decision to leave DREAM THEATER before [hooking up with] AVENGED SEVENFOLD [as their touring drummer], but I knew that something had to change in the DREAM THEATER camp. It's unfortunate that it was me that had to change, because I never wanted to leave the band — it was never my intention; I never wanted the split. I just merely thought that the band really could use a break, because I think the romance was really dying — backstage and between [the members] personally. 25 years without a break is a very, very, very long time and sometimes these relationships need a break from each other to rekindle the flame. So that's all I suggested. And even before I [went on the road] with AVENGED SEVENFOLD, I remember touring with [the progressive rock project] TRANSATLANTIC at the beginning of 2010 and already knowing that something was wrong in the DREAM THEATER world and that I really needed a break from the guys and the whole DREAM THEATER machine. I knew something was brewing and I knew that I was unhappy, and as has been well documented elsewhere, I merely just wanted a break. But unfortunately, those guys [the rest of DREAM THEATER] didn't see it that way and didn't respect my request for time off. It's unfortunate [that it turned out that way]."
Portnoy, who co-founded DREAM THEATER more than 20 years ago, announced his departure from the band in September 2010 while on tour with AVENGED SEVENFOLD. He has since been replaced by Mike Mangini (ANNIHILATOR, EXTREME, JAMES LABRIE, STEVE VAI).
Portnoy played on AVENGED SEVENFOLD's latest album, "Nightmare", following the death of that band's drummer, Jimmy "The Rev" Sullivan, and toured with them for the entire second half of 2010.
DREAM THEATER's new album, "A Dramatic Turn Of Events", was released on September 13 via Roadrunner Records.
Courthouse News Service reported on April 28 that Portnoy filed a document listing his former bandmates as defendants in which he claimed that they "wrongfully excluded" him from the group and were "wrongfully using the name of the band in connection with [their] recording of an album without the participation or consent of [Portnoy]." In addition, the document alleged that the defendants — John Petrucci (guitar), John Myung (bass), Jordan Rudess (keyboards), James LaBrie (vocals), along with associated companies Ytse Jam, Inc. and Infinity Tours, Inc. — were "wrongfully using the name of the band in connection with the promotion of live performances by the individual defendants, without the participation or consent of [Portnoy]."
In a letter to BLABBERMOUTH.NET dated earlier today (Tuesday, September 20) Bienstock wrote, "On or around April 27, 2011, Mr. Portnoy filed a 'Notice With Summons.' This document is not a formal complaint. Further, the document was never served on any of the named defendants, rendering it moot. There is no pending litigation between DREAM THEATER and Mr. Portnoy."
Writing on his official forum earlier today, Portnoy commented, "I did NOT sue them [referring to the current members of DREAM THEATER. — Ed.] ....and second of all, I DESPERATELY tried to discuss matters with them personally to avoid ANYTHING LIKE THIS and yet THEY insisted on only using lawyers...so my lawyers filed those papers (BACK IN APRIL, mind you) as that was the position they chose to take...if the band would've talked to me, it would've NEVER come to that!!!
"All that aside, this was 6 months ago....so yes indeed, we have all moved on since then...
"I'm still really not allowed to discuss any of this publicly, but I feel everybody's hasty and half-truth filled witchhunt yesterday deserves to be addressed to help at least try to clear my name and reputation that was so wrongly tainted by yesterday's false conclusions...
"The fact is, when you have a band (or a corporation or marriage) for 25 years, there are business and financial things that need to be sorted out behind the scenes...however, it was incredibly LAME of Blabbermouth to exploit these private issues and divulge personal information that is clearly nobody's business other than our own. They are creating hate and negative propaganda and poisoning the minds and spirits of music fans around the world...shame on them."
In an August 2011 interview with the Greek edition of Rock Hard magazine, Portnoy stated about his departure from DREAM THEATER, "I didn't make the decision to leave DREAM THEATER before [hooking up with] AVENGED SEVENFOLD [as their touring drummer], but I knew that something had to change in the DREAM THEATER camp. It's unfortunate that it was me that had to change, because I never wanted to leave the band — it was never my intention; I never wanted the split. I just merely thought that the band really could use a break, because I think the romance was really dying — backstage and between [the members] personally. 25 years without a break is a very, very, very long time and sometimes these relationships need a break from each other to rekindle the flame. So that's all I suggested. And even before I [went on the road] with AVENGED SEVENFOLD, I remember touring with [the progressive rock project] TRANSATLANTIC at the beginning of 2010 and already knowing that something was wrong in the DREAM THEATER world and that I really needed a break from the guys and the whole DREAM THEATER machine. I knew something was brewing and I knew that I was unhappy, and as has been well documented elsewhere, I merely just wanted a break. But unfortunately, those guys [the rest of DREAM THEATER] didn't see it that way and didn't respect my request for time off. It's unfortunate [that it turned out that way]."
Portnoy, who co-founded DREAM THEATER more than 20 years ago, announced his departure from the band in September 2010 while on tour with AVENGED SEVENFOLD. He has since been replaced by Mike Mangini (ANNIHILATOR, EXTREME, JAMES LABRIE, STEVE VAI).
Portnoy played on AVENGED SEVENFOLD's latest album, "Nightmare", following the death of that band's drummer, Jimmy "The Rev" Sullivan, and toured with them for the entire second half of 2010.
DREAM THEATER's new album, "A Dramatic Turn Of Events", was released on September 13 via Roadrunner Records.
Canadian metal innovators VOIVOD will release their original demo tape from 1984.
Entitled "To the Death 84", the set will include material that was recorded in the band's Quebec jam space in January 1984. The lineup for this record includes Snake (Denis Bélanger) on vocals, Piggy (Denis D'Amour) on guitar, Blacky (Jean-Yves Thériault) on bass and Away (Michel Langevin) on drums.
In addition to material that would later appear on the band's "War And Pain" debut, this collection includes several other early VOIVOD offerings, as well as covers of MERCYFUL FATE and VENOM.
"To The Death 1984" will be released on November 22 as a CD or double LP via Alternative Tentacles.
The track listing is as follows:
01. Voivod
02. Condemned To The Gallows
03. Hell Driver
04. Live For Violence
05. War And Pain
06. Incantation
07. Buried Alive / Suck Your Bone
08. Blower
09. Slaughter In A Grave
10. Nuclear War
11. Black City
12. Iron Gang
13. Evil
14. Bursting Out
15. Warriors Of Ice
Entitled "To the Death 84", the set will include material that was recorded in the band's Quebec jam space in January 1984. The lineup for this record includes Snake (Denis Bélanger) on vocals, Piggy (Denis D'Amour) on guitar, Blacky (Jean-Yves Thériault) on bass and Away (Michel Langevin) on drums.
In addition to material that would later appear on the band's "War And Pain" debut, this collection includes several other early VOIVOD offerings, as well as covers of MERCYFUL FATE and VENOM.
"To The Death 1984" will be released on November 22 as a CD or double LP via Alternative Tentacles.
The track listing is as follows:
01. Voivod
02. Condemned To The Gallows
03. Hell Driver
04. Live For Violence
05. War And Pain
06. Incantation
07. Buried Alive / Suck Your Bone
08. Blower
09. Slaughter In A Grave
10. Nuclear War
11. Black City
12. Iron Gang
13. Evil
14. Bursting Out
15. Warriors Of Ice
BlogsNRoses.com recently conducted an interview with former SKID ROW singer Sebastian Bach. A couple of excerpts from the chat follow below.
BlogsNRoses.com: How was the songwriting process [for your new album, "Kicking & Screaming"] with [your new guitarist] Nick [Sterling]?
Bach: They say you have your whole life to write your first album and he came in with all these incredible ideas that he had. This is first worldwide, big-time record release. He's had all his life to get riffs and stuff. He just came in and crushed me with ideas — incredible new ideas. This is the easiest record I have ever made. It was very simple to make this record. We wrote some songs together, "Lost In The Light" and "One Good Reason". Then we wrote some other songs with [producer] Bob Marlette, like "Dirty Power" and "Kicking & Screaming". And I wrote "TunnelVision" with John 5. I had a lot of different people contributing ideas to the record and this is the result. I think it came out incredible.
BlogsNRoses.com: Can you compare the sound to "Angel Down", which I thought was one of the best albums released that year?
Bach: Thank you, buddy. I think with [former guitarist] Metal Mike [HALFORD] in the band, I mean, his name is "Metal", so you know it's going to be a metal record. [laughs] I love that record; it came out really amazing. Those guys, Metal Mike, Steve DiGiorgio, Bobby [Jarzombek] and Johnny Chromatic, I'd say our favorite band was JUDAS PRIEST. On "Kicking & Screaming" with Nick, our favorite music that we listened to is CHEAP TRICK, JEFF BUCKLEY, SLY AND THE FAMILY STONE. He listens to a lot of melodic stuff. A song like "Lost In The Light", the chorus is Jeff Buckley sounding, but still heavy as fuck. But we have different influences, I'd say.
BlogsNRoses.com: How did the John 5 [ROB ZOMBIE, MARILYN MANSON] collaboration come about?
Bach: John 5 has always been a big fan of me and old SKID ROW. He said, "Sebastian, I'd love to write a song that gets your voice back on the radio in 2011." So he sent me the music for "TunnelVision". I don't know if it's going to get on the radio. I don't really care; I don't listen to the radio. But I love the song and it came out amazing. He's a really talented guy and I [was] lucky to jam with him.
BlogsNRoses.com: The cover art for "Kicking & Screaming" is awesome. It is a window into my brain. What was the inspiration for that art for Richard Villa?
Bach: I wanted a cover that would reflect the lyrics. A lot of the lyrics on this record are about losing love and finding new love. It is the goddess Kali, who is pulling me kicking and screaming into hell. She's cutting me with knives and she has eight arms! I am kicking and screaming to not be drug into hell. I have been called the bad boy of rock so maybe she is dragging me into hell for my sins. It is fun to come up with a concept and then execute it artistically. The cover looks like it is moving to me almost animated. It's fucking heavy and I love it.
BlogsNRoses.com: How was the songwriting process [for your new album, "Kicking & Screaming"] with [your new guitarist] Nick [Sterling]?
Bach: They say you have your whole life to write your first album and he came in with all these incredible ideas that he had. This is first worldwide, big-time record release. He's had all his life to get riffs and stuff. He just came in and crushed me with ideas — incredible new ideas. This is the easiest record I have ever made. It was very simple to make this record. We wrote some songs together, "Lost In The Light" and "One Good Reason". Then we wrote some other songs with [producer] Bob Marlette, like "Dirty Power" and "Kicking & Screaming". And I wrote "TunnelVision" with John 5. I had a lot of different people contributing ideas to the record and this is the result. I think it came out incredible.
BlogsNRoses.com: Can you compare the sound to "Angel Down", which I thought was one of the best albums released that year?
Bach: Thank you, buddy. I think with [former guitarist] Metal Mike [HALFORD] in the band, I mean, his name is "Metal", so you know it's going to be a metal record. [laughs] I love that record; it came out really amazing. Those guys, Metal Mike, Steve DiGiorgio, Bobby [Jarzombek] and Johnny Chromatic, I'd say our favorite band was JUDAS PRIEST. On "Kicking & Screaming" with Nick, our favorite music that we listened to is CHEAP TRICK, JEFF BUCKLEY, SLY AND THE FAMILY STONE. He listens to a lot of melodic stuff. A song like "Lost In The Light", the chorus is Jeff Buckley sounding, but still heavy as fuck. But we have different influences, I'd say.
BlogsNRoses.com: How did the John 5 [ROB ZOMBIE, MARILYN MANSON] collaboration come about?
Bach: John 5 has always been a big fan of me and old SKID ROW. He said, "Sebastian, I'd love to write a song that gets your voice back on the radio in 2011." So he sent me the music for "TunnelVision". I don't know if it's going to get on the radio. I don't really care; I don't listen to the radio. But I love the song and it came out amazing. He's a really talented guy and I [was] lucky to jam with him.
BlogsNRoses.com: The cover art for "Kicking & Screaming" is awesome. It is a window into my brain. What was the inspiration for that art for Richard Villa?
Bach: I wanted a cover that would reflect the lyrics. A lot of the lyrics on this record are about losing love and finding new love. It is the goddess Kali, who is pulling me kicking and screaming into hell. She's cutting me with knives and she has eight arms! I am kicking and screaming to not be drug into hell. I have been called the bad boy of rock so maybe she is dragging me into hell for my sins. It is fun to come up with a concept and then execute it artistically. The cover looks like it is moving to me almost animated. It's fucking heavy and I love it.
Former METAL CHURCH singer Ronny Munroe will release his new solo album, "Lords Of The Edge", on October 18 via Rat Pak Records. The CD features the guitar mastery of Stu Marshall (EMPIRES OF EDEN), Chris Caffery (TRANS-SIBERIAN ORCHESTRA, SAVATAGE), and Michael Wilton (QUEENSRŸCHE) and is described in a press release as "a true metal offering that delivers an onslaught of fist-pumping, guitar-driven heavy metal."
"We wanted to create something that was totally new, but at the same time, true metal fans could hear everything that we were influenced by growing up in the classic metal era," says Ronny. "'Lords Of The Edge' sounds a little bit like what would happen if you put METAL CHURCH's 'Light In The Dark' CD into a blender with QUEENSRŸCHE's first EP and JUDAS PRIEST's 'Painkiller', then mixed it with some present-day themes and a shot of pure adrenaline."
The opening tracks, "Just Breathe" and "Full Circle", offer fast and furious guitar assaults with high-energy vocals, while tracks like "The Vision" and "Touched By A Demon" take on a more haunting melodic approach that set up the listener for the gritty, power-metal influenced tracks like "Let Them Feed" and "Rock And A Hard Place".
"Lords Of The Edge" track listing:
01. Just Breathe
02. Full Circle
03. Pierced By The Maiden
04. The Vision
05. The Fear Of What's To Come
06. Let Them Feed
07. Rock And A Hard Place
08. Blood Red Skies
09. Lords Of The Edge
10. Touched By A Demon
11. Still Alive
12. Goodbye To The Black
"We wanted to create something that was totally new, but at the same time, true metal fans could hear everything that we were influenced by growing up in the classic metal era," says Ronny. "'Lords Of The Edge' sounds a little bit like what would happen if you put METAL CHURCH's 'Light In The Dark' CD into a blender with QUEENSRŸCHE's first EP and JUDAS PRIEST's 'Painkiller', then mixed it with some present-day themes and a shot of pure adrenaline."
The opening tracks, "Just Breathe" and "Full Circle", offer fast and furious guitar assaults with high-energy vocals, while tracks like "The Vision" and "Touched By A Demon" take on a more haunting melodic approach that set up the listener for the gritty, power-metal influenced tracks like "Let Them Feed" and "Rock And A Hard Place".
"Lords Of The Edge" track listing:
01. Just Breathe
02. Full Circle
03. Pierced By The Maiden
04. The Vision
05. The Fear Of What's To Come
06. Let Them Feed
07. Rock And A Hard Place
08. Blood Red Skies
09. Lords Of The Edge
10. Touched By A Demon
11. Still Alive
12. Goodbye To The Black
Italian rock/metal band LACUNA COIL will release its new album, "Dark Adrenaline", on January 24 via Century Media Records.
Commented LACUNA COIL's female singer Cristina Scabbia, "As some of you know, the release for 'Dark Adrenaline' was postponed a bit... and this made me even more nervous because I had to wait even more to spit it out! I am so thrilled I can finally say something about this album — ha! I simply love it. I feel this is the best work we have ever done, and it absolutely captures the essence of who we are. The atmosphere of the record will make a lot of old-school fans very happy, and the newer fans will enjoy the vibrant energy and the dark blood running through the songs. I really believe the 'Dark Adrenaline' will wake you up. Ladies and gentlemen, get ready to enjoy the trip!"
"Dark Adrenaline" track listing:
01. Trip The Darkness
02. Against You
03. Kill the Light
04. Give Me Something More
05. Upsidedown
06. End of Time
07. I Don't Believe in Tomorrow
08. Intoxicated
09. The Army Inside
10. Losing My Religion
11. Fire
12. My Spirit
In a recent interview with U.K.'s Terrorizer magazine, Scabbia stated about "Dark Adrenaline", "I can definitely say that it's heavier and more obscure. I think that during the songwriting, we go with the flow and do whatever we like, and we realized that what we enjoy the most when we perform is the heaviness and that melancholic feeling of the darker songs. That's us, and that's what came out in this album."
LACUNA COIL's new single, "Trip The Darkness", will be released digitally on October 17.
The band will hit the road in late October in support of "Dark Adrenaline", with an extensive tour of Italy and the U.K. under the banner "Darkness Rising".
After spending many months in the recording studio, the band is dying to get on the road again and perform songs from "Dark Adrenaline" live.
LACUNA COIL co-vocalist Andrea Ferro recently told Revolver magazine about the sound of the new CD, "We have different kinds of songs — some are pretty heavy with a really powerful groove and some killer riffs, some have a darker vibe a bit more in our traditional style, and some others are more anthemic. In my opinion, it's a great collection of metal and rock songs."
When asked if the band is trying anything different with the material this time around, Ferro said, "There's a variety of moods; some things which are new, and some which sound like more traditional LACUNA COIL. We were experimenting with the previous album and we learned a lot from that about what is the essence of our 'sound.' We usually never repeat the same record, and that will again be the case this time around. It's 100 percent a LACUNA COIL album, with the benefit of some great inspiration during the songwriting process."
Regarding the band's renewed collaboration with producer Don Gilmore (PEARL JAM, LINKIN PARK, BULLET FOR MY VALENTINE), Ferro said, "After you've spent a few months constantly working on the songs, it's important to have someone like Don come in and give you a sincere opinion of the songs. He is helping us in keeping things fresh, and getting our sound together for 2011. Most of the songs haven't really changed in essence, but he is really good at outlining the most important and interesting details of the music and the lyrics. He also creates a really great vibe while recording."
Commented LACUNA COIL's female singer Cristina Scabbia, "As some of you know, the release for 'Dark Adrenaline' was postponed a bit... and this made me even more nervous because I had to wait even more to spit it out! I am so thrilled I can finally say something about this album — ha! I simply love it. I feel this is the best work we have ever done, and it absolutely captures the essence of who we are. The atmosphere of the record will make a lot of old-school fans very happy, and the newer fans will enjoy the vibrant energy and the dark blood running through the songs. I really believe the 'Dark Adrenaline' will wake you up. Ladies and gentlemen, get ready to enjoy the trip!"
"Dark Adrenaline" track listing:
01. Trip The Darkness
02. Against You
03. Kill the Light
04. Give Me Something More
05. Upsidedown
06. End of Time
07. I Don't Believe in Tomorrow
08. Intoxicated
09. The Army Inside
10. Losing My Religion
11. Fire
12. My Spirit
In a recent interview with U.K.'s Terrorizer magazine, Scabbia stated about "Dark Adrenaline", "I can definitely say that it's heavier and more obscure. I think that during the songwriting, we go with the flow and do whatever we like, and we realized that what we enjoy the most when we perform is the heaviness and that melancholic feeling of the darker songs. That's us, and that's what came out in this album."
LACUNA COIL's new single, "Trip The Darkness", will be released digitally on October 17.
The band will hit the road in late October in support of "Dark Adrenaline", with an extensive tour of Italy and the U.K. under the banner "Darkness Rising".
After spending many months in the recording studio, the band is dying to get on the road again and perform songs from "Dark Adrenaline" live.
LACUNA COIL co-vocalist Andrea Ferro recently told Revolver magazine about the sound of the new CD, "We have different kinds of songs — some are pretty heavy with a really powerful groove and some killer riffs, some have a darker vibe a bit more in our traditional style, and some others are more anthemic. In my opinion, it's a great collection of metal and rock songs."
When asked if the band is trying anything different with the material this time around, Ferro said, "There's a variety of moods; some things which are new, and some which sound like more traditional LACUNA COIL. We were experimenting with the previous album and we learned a lot from that about what is the essence of our 'sound.' We usually never repeat the same record, and that will again be the case this time around. It's 100 percent a LACUNA COIL album, with the benefit of some great inspiration during the songwriting process."
Regarding the band's renewed collaboration with producer Don Gilmore (PEARL JAM, LINKIN PARK, BULLET FOR MY VALENTINE), Ferro said, "After you've spent a few months constantly working on the songs, it's important to have someone like Don come in and give you a sincere opinion of the songs. He is helping us in keeping things fresh, and getting our sound together for 2011. Most of the songs haven't really changed in essence, but he is really good at outlining the most important and interesting details of the music and the lyrics. He also creates a really great vibe while recording."
Frontiers Records has set a November 1 North American release date (three days later in Europe) for "Alloy", the debut album from TRILLIUM, the new metal project masterminded by American singer/songwriter Amanda Somerville.
"Alloy" is a collection of songs that's charged with emotion and exploration and a very personal statement from Amanda.
"Since I'm an eclectic and diverse person and musician, that certainly comes out in this album," the singer states in a press release. "I think that the diversity is what is going to set this album apart from other stuff that's out there right now. It's got big choruses and epic symphonic hits, guitar solos you could imagine being played on a mountain top with an aerial camera view, but it's also got a lot of soul added to the raise-your-fists-in-the-air-and-make-a-mean-face vibe".
Musically, TRILLIUM melts rock and metal in a new, interesting and different way from anything Amanda has worked on so far. "Alloy" is also graced with the talents of several musicians with whom Amanda had the honor of working in the past. Sander Gommans (AFTER FOREVER, HDK) and Sascha Paeth (KAMELOT, AVANTASIA, EPICA, AFTER FOREVER) were the main songwriters along with the American singer on this album. They have brought a lot to the project and have certainly allowed the sound to be a lot richer and stronger.
"Sander is all around an awesome songwriter and guitar player, and he's especially good at coming up with riffs and movements of a song, while Sascha is a fantastic producer who can play any instrument there is — and play the hell out of it — and his sense of songwriting is really strong!" says Amanda.
Other contributing musicians include Miro Rodenberg, who handled all of the orchestral and keyboard arrangements, Robert Hunecke on drums, Olaf Reitmeier on acoustic guitar, Simon Oberender on keyboards (and mastering). But there are more surprises are on the record.
"Working with Mat Sinner on KISKE-SOMERVILLE established a solid professional relationship and I also found a good friend in him," says Amanda. "We co-wrote 'Love Is An Illusion' together for this album and it was a pleasure working with him once again!"
And last, but in no way least, Jorn Lande has lent his epic voice to the song "Scream It". Somerville tells the story: "I actually wrote that song with Jorn in mind not for his status in the scene, but because I absolutely love his voice, he's a wonderful friend of mine through working together on AVANTASIA and he was the perfect 'actor' to play the character in the song. And he nailed it!"
"Alloy" will be released in a lavish digipack CD edition and will include the following songs:
01. Machine Gun
02. Coward
03. Purge
04. Utter Descension
05. Bow To The Ego
06. Mistaken
07. Scream It
08. Justifiable Casualty
09. Path Of Least Resistance
10. Into The Dissonance
11. Slow It Down
12. Love Is An Illusion *
* bonus track
"Alloy" is a collection of songs that's charged with emotion and exploration and a very personal statement from Amanda.
"Since I'm an eclectic and diverse person and musician, that certainly comes out in this album," the singer states in a press release. "I think that the diversity is what is going to set this album apart from other stuff that's out there right now. It's got big choruses and epic symphonic hits, guitar solos you could imagine being played on a mountain top with an aerial camera view, but it's also got a lot of soul added to the raise-your-fists-in-the-air-and-make-a-mean-face vibe".
Musically, TRILLIUM melts rock and metal in a new, interesting and different way from anything Amanda has worked on so far. "Alloy" is also graced with the talents of several musicians with whom Amanda had the honor of working in the past. Sander Gommans (AFTER FOREVER, HDK) and Sascha Paeth (KAMELOT, AVANTASIA, EPICA, AFTER FOREVER) were the main songwriters along with the American singer on this album. They have brought a lot to the project and have certainly allowed the sound to be a lot richer and stronger.
"Sander is all around an awesome songwriter and guitar player, and he's especially good at coming up with riffs and movements of a song, while Sascha is a fantastic producer who can play any instrument there is — and play the hell out of it — and his sense of songwriting is really strong!" says Amanda.
Other contributing musicians include Miro Rodenberg, who handled all of the orchestral and keyboard arrangements, Robert Hunecke on drums, Olaf Reitmeier on acoustic guitar, Simon Oberender on keyboards (and mastering). But there are more surprises are on the record.
"Working with Mat Sinner on KISKE-SOMERVILLE established a solid professional relationship and I also found a good friend in him," says Amanda. "We co-wrote 'Love Is An Illusion' together for this album and it was a pleasure working with him once again!"
And last, but in no way least, Jorn Lande has lent his epic voice to the song "Scream It". Somerville tells the story: "I actually wrote that song with Jorn in mind not for his status in the scene, but because I absolutely love his voice, he's a wonderful friend of mine through working together on AVANTASIA and he was the perfect 'actor' to play the character in the song. And he nailed it!"
"Alloy" will be released in a lavish digipack CD edition and will include the following songs:
01. Machine Gun
02. Coward
03. Purge
04. Utter Descension
05. Bow To The Ego
06. Mistaken
07. Scream It
08. Justifiable Casualty
09. Path Of Least Resistance
10. Into The Dissonance
11. Slow It Down
12. Love Is An Illusion *
* bonus track
Guitarist "Metal" Mike Chlasciak (HALFORD, PAINMUSEUM, TESTAMENT, SEBASTIAN BACH) will be one of several guests attending the grand opening of a new School Of Rock location in Farmingdale, New York.
The grand opening will take place on Saturday, September 24 at noon.
School Of Rock
540 Smith St.
Farmingdale, NY 11735
"I am going to crank up some Marshalls and have a jam with Billy Rymer from THE DILLINGER ESCAPE PLAN on drums and Joe Meyer from FOR THE TAKING on bass," stated Mike. "I also plan on doing a mini guitar clinic most likely covering some things from my Guitar World 'Metal For Life' columns. Everything promises to be a lot of fun.
"I am a believer in helping kids as well as spreading the word about rock and heavy metal.
"I'm very happy that another location of School Of Rock is opening its doors. It is absolutely awesome that kids can get an instrument and have opportunities such as this to grow creatively. I will always support that."
The grand opening will take place on Saturday, September 24 at noon.
School Of Rock
540 Smith St.
Farmingdale, NY 11735
"I am going to crank up some Marshalls and have a jam with Billy Rymer from THE DILLINGER ESCAPE PLAN on drums and Joe Meyer from FOR THE TAKING on bass," stated Mike. "I also plan on doing a mini guitar clinic most likely covering some things from my Guitar World 'Metal For Life' columns. Everything promises to be a lot of fun.
"I am a believer in helping kids as well as spreading the word about rock and heavy metal.
"I'm very happy that another location of School Of Rock is opening its doors. It is absolutely awesome that kids can get an instrument and have opportunities such as this to grow creatively. I will always support that."
PARADISE LOST and WATAIN have been confirmed for next year's edition of the Bloodstock Open Air festival, set to take place August 10-12 at Catton Hall in Walton On Trent, Derbyshire, England.
Commented PARADISE LOST guitarist Greg Mackintosh: "We had the pleasure of playing the first-ever Bloodstock Open Air way back in 2005 when it was quite an intimate affair. It's an honor to be asked back to Bloodstock Open Air 2012, which looks to be shaping up to be a blinding festival. Since we last played, we have seen Bloodstock Open Air grow into the great British metal festival it is today. We look forward to seeing you all down the front."
Said WATAIN: "The United Kingdom has spawned many a thing inspirational to WATAIN, be it druidic sorcery, VENOM or JUDAS PRIEST. Our performances there have always been spiced with a nameless sensation of raw power, and this is the main reason why we have chosen Bloodstock to be one of the very few festival shows we will perform next year. As always, expect something very far from the ordinary."
The festival billing is shaping up as follows:
Ronnie James Dio Stage
ANVIL
WATAIN
PARADISE LOST
Sophie Lancaster Stage
ORANGE GOBLIN
For more information, go to this location.
Commented PARADISE LOST guitarist Greg Mackintosh: "We had the pleasure of playing the first-ever Bloodstock Open Air way back in 2005 when it was quite an intimate affair. It's an honor to be asked back to Bloodstock Open Air 2012, which looks to be shaping up to be a blinding festival. Since we last played, we have seen Bloodstock Open Air grow into the great British metal festival it is today. We look forward to seeing you all down the front."
Said WATAIN: "The United Kingdom has spawned many a thing inspirational to WATAIN, be it druidic sorcery, VENOM or JUDAS PRIEST. Our performances there have always been spiced with a nameless sensation of raw power, and this is the main reason why we have chosen Bloodstock to be one of the very few festival shows we will perform next year. As always, expect something very far from the ordinary."
The festival billing is shaping up as follows:
Ronnie James Dio Stage
ANVIL
WATAIN
PARADISE LOST
Sophie Lancaster Stage
ORANGE GOBLIN
For more information, go to this location.
HELL, VIRUS, EVIL SCARECROW, HAMMER OF THE GODS and HOLOSADE are the latest confirmed bands for Hammerfest IV, set to take place March 15-18, 2012 in Prestatyn, North Wales.
The festival billing is shaping up as follows:
ANTERIOR
ANTHRAX
CHIMAIRA
EVIL SCARECROW
FURY UK
HAMMER OF THE GODS
HEAVEN'S BASEMENT
HELL
HOLOSADE
LAWNMOWER DETH
MORTAD
PARADISE LOST
SCI-FI MAFIA
SKINDRED
VIRUS
For more information, go to this location.
The festival billing is shaping up as follows:
ANTERIOR
ANTHRAX
CHIMAIRA
EVIL SCARECROW
FURY UK
HAMMER OF THE GODS
HEAVEN'S BASEMENT
HELL
HOLOSADE
LAWNMOWER DETH
MORTAD
PARADISE LOST
SCI-FI MAFIA
SKINDRED
VIRUS
For more information, go to this location.
Swedish melodic metallers ASTRAL DOORS have been forced to cancel their previously announced "The Desert Forces Of Rock Tour 2011". The band states, "The reason why the tour is postponed is: Too many clubs cancelled the gigs. This situation really sucks! But everyone must realize that it's impossible to go out on a tour with only 'off days'. We have been rehearsing in months for this and we're really sad now. More info as soon as we know anything. Hopefully this tour will take place sometime around late winter/early spring time 2012."
ASTRAL DOORS's new album, "Jerusalem", will be released on October 21 via Metalville. The CD, which will be made available as a jewelcase, digipack and on vinyl, was mixed by Daniel Bergstrand, who has previously worked with BEHEMOTH, MESHUGGAH, DIMMU BORGIR, STRAPPING YOUNG LAD and SOILWORK, among others. The cover art was designed by Mattias Eriksson and can be seen below.
Commented the band: "Daniel Bergstrand and Rickard Sporrong made an incredible mix and we just can't wait to share this album with the world."
"Jerusalem" track listing:
01. Seventh Crusade
02. With A Stranger's Eye
03. Child Of Rock 'N' roll
04. Pearl Harbor
05. Lost Crucifix
06. Babylon Rise
07. Suicide Rime
08. The Battle Of Jacob's Ford
09. Operation Freedom
10. The Day After Yesterday
11. Jerusalem
ASTRAL DOORS's new album, "Jerusalem", will be released on October 21 via Metalville. The CD, which will be made available as a jewelcase, digipack and on vinyl, was mixed by Daniel Bergstrand, who has previously worked with BEHEMOTH, MESHUGGAH, DIMMU BORGIR, STRAPPING YOUNG LAD and SOILWORK, among others. The cover art was designed by Mattias Eriksson and can be seen below.
Commented the band: "Daniel Bergstrand and Rickard Sporrong made an incredible mix and we just can't wait to share this album with the world."
"Jerusalem" track listing:
01. Seventh Crusade
02. With A Stranger's Eye
03. Child Of Rock 'N' roll
04. Pearl Harbor
05. Lost Crucifix
06. Babylon Rise
07. Suicide Rime
08. The Battle Of Jacob's Ford
09. Operation Freedom
10. The Day After Yesterday
11. Jerusalem
"Beneath", the fifth album from the Finnish metal/hard rock outfit AMORAL, will be released on October 26. Visit the official AMORAL webshop to see the different bundle options of the CD with all-new shirt designs. All pre-ordered albums will be signed by the whole band. The album comes equipped with a stunning 18-page poster booklet (made by Spanish artist Marta Nael), expanding the cover artwork into all its glory.
"Beneath" track listing:
01. Beneath
02. Wrapped in Barbwire
03. Silhouette
04. Things Left Unsaid
05. (Won't Go) Home
06. Closure
07. Same Difference
08. Hours of Simplicity
09. Wastelands
10. This Ever Ending Game
11. No Future
12. Of Silent Stares & Fire Lost
"(Won't Go) Home" can be streamed using the SoundCloud player below. Whereas the CD's first single, "Same Difference", leaned towards hard rock, "(Won't Go) Home", with its riff-oriented structure and growling vocals, represents the heavier side of the new LP.
"'(Won't Go) Home' is a heavy and technical track through and through," singer Ari Koivunen said. "Masi's [Hukari, guitar] Indian-flavored solo is also one of my favorites. Vocal-wise, this song was the hardest to pull off, as my voice was pretty blown after two weeks of singing in the studio. I ended up recording the vocals by myself during the small hours, and I'm very happy with the results."
"Beneath" was recorded at Sound Supreme studios in Hämeenlinna, Finland, and was produced by Janne Saksa and guitarist Ben Varon.
"I'd describe the album as 'three steps forward, one step back,'" Varon previously said. "There are several nods to our past in form of long songs, intricate riffs and growling vocals. But the main focus is still on the strong melodies, big choruses and catchy riffs, just as was on our last album, 'Show Your Colors'."
"Beneath" marks the recording debut of AMORAL's new guitarist Masi Hukari. Hukari — who joined the group late in the songwriting process — immediately wrote two songs together with Varon, both which ended up on the album. Another first is that, from now on, AMORAL has two lead guitar players.
"Masi is such a talent, it would have been a crime to make him 'just' the rhythm guitarist," Ben explained. "It's been killer to be able to do lead trade-off for the first time in the band's history, for example. Masi is responsible for many of the guitar highlights of the album."
"Beneath" track listing:
01. Beneath
02. Wrapped in Barbwire
03. Silhouette
04. Things Left Unsaid
05. (Won't Go) Home
06. Closure
07. Same Difference
08. Hours of Simplicity
09. Wastelands
10. This Ever Ending Game
11. No Future
12. Of Silent Stares & Fire Lost
"(Won't Go) Home" can be streamed using the SoundCloud player below. Whereas the CD's first single, "Same Difference", leaned towards hard rock, "(Won't Go) Home", with its riff-oriented structure and growling vocals, represents the heavier side of the new LP.
"'(Won't Go) Home' is a heavy and technical track through and through," singer Ari Koivunen said. "Masi's [Hukari, guitar] Indian-flavored solo is also one of my favorites. Vocal-wise, this song was the hardest to pull off, as my voice was pretty blown after two weeks of singing in the studio. I ended up recording the vocals by myself during the small hours, and I'm very happy with the results."
"Beneath" was recorded at Sound Supreme studios in Hämeenlinna, Finland, and was produced by Janne Saksa and guitarist Ben Varon.
"I'd describe the album as 'three steps forward, one step back,'" Varon previously said. "There are several nods to our past in form of long songs, intricate riffs and growling vocals. But the main focus is still on the strong melodies, big choruses and catchy riffs, just as was on our last album, 'Show Your Colors'."
"Beneath" marks the recording debut of AMORAL's new guitarist Masi Hukari. Hukari — who joined the group late in the songwriting process — immediately wrote two songs together with Varon, both which ended up on the album. Another first is that, from now on, AMORAL has two lead guitar players.
"Masi is such a talent, it would have been a crime to make him 'just' the rhythm guitarist," Ben explained. "It's been killer to be able to do lead trade-off for the first time in the band's history, for example. Masi is responsible for many of the guitar highlights of the album."
JANE'S ADDICTION will release its new album, "The Great Escape Artist", on Tuesday, October 18 via Capitol. Spun through a kaleidoscope of tightly wound riffs, hypnotic harmonies, booming beats, and an unmistakable howl, the record announces the beginning of the next chapter for the alternative rock torchbearers.
The writing process began in 2010 and by early 2011 the band entered a Los Angeles studio with producer Rich Costey. Their intent was to travel a different road, and consequentially they paved an entirely new path for alternative music at large. Costey introduced Perry Farrell, Dave Navarro and Stephen Perkins to TV ON THE RADIO's Dave Sitek with the hopes of getting him involved somehow. After a couple of lab sessions, the chemistry was obvious. Sitek stepped into the role of a songwriter and a bass player for the album with Navarro, and touring bassist Chris Chaney, also sharing four-string duties.
Sitek helped the band evolve their alchemy, expanding the sound even more. Farrell described Sitek's distillation of electronic textures, bombastic rock, and crazed punk to Rolling Stone magazine declaring, "He's like a scientist, and he's not afraid of making a monster."
Now, that monster is something of a multi-headed musical hydra. On the album, "Twisted Tales" emerges from a haze of orchestral electronics and intriguing, infectious fretwork. A dystopian lyrical picture comes into focus as Farrell sings, "I had no mother, no trust, under the stars is where I would eat." There's a cinematic intensity to the frontman's storytelling that reverberates throughout the song, especially as Navarro's acoustic guitar floats alongside it during the bridge. Elsewhere on "Underground", the singer asserts, "I'm a hustler. I'll never give up the underground."
That underground still heavily figures into the mythos surrounding the music. And it was that "underground" that spawned JANE'S ADDICTION in the first place. They hail from the underbelly of Los Angeles, a carnival of freaks, hustlers, miscreants, and street corner visionaries of all kinds that lies below the glistening veneer of Hollywood's lights; a counter culture driven by escapism. Whether it's via carnal, mental, physical, chemical, or aural pleasures, the denizens of this quirky court thrive on escape. And it's from this underground that JANE'S ADDICTION rose up, escaping out of it because of their unwillingness to compromise and adhere to the zeitgeist.
JANE'S ADDICTION opened up the gateway to "The Great Escape Artist" in a unique fashion on the first single, "End To The Lies", a song that slides from an elegantly entrancing exorcism of distortion into Farrell's transcendent croon about "a composite of assholes" he knows. In order to conjure the otherworldly sounds of "End To The Lies", the band collaborated with the master musicians of Joujouka, Sufi trance musicians from northern Morocco.
Even with the experimentation, it's still classic JANE'S ADDICTION. Talking about the song, Navarro reveals, "The band hails from Los Angeles. We come from the street. I think the combination of angst, the street element, the artistic element, and the love of sexuality and sensuality fuse together. It's pretty much what this band has been about since day one."
However, this time around, they transmute those stylistic and sonic hallmarks into a cavalcade of warm psychedelic synths and effects wizardry. The music nods to the movements of modern alternative rather than clinging to classic conventions. In the late '80s, the band bent the blueprint of rock to its whim. Now, they're laying the framework for another phase altogether. "We wanted to cast a spell," smiles Farrell.
That spell takes hold tight on "Irresistible Force". Sparse soundscapes drop into calculated percussive chaos as ominous keyboards entwine with a screeching lead. Further songs cast that spell wider and wider with each listen.
"I'll Hit You Back" punches with a punky intensity before spiraling off into another ethereal lead, while the epic six-minute ballad "Splash a Little Water On It" glides across distorted darkness before breaking into another dreamy deluge of electronics and organics. And then, employing a powerful acoustic tone, "Broken People" is a heartbreaking sonic chronicle of celebrity meltdowns — you can practically feel the cracks forming on the line, "She's really a good girl from a good family."
Nothing is what you would expect, and that's exactly what will bring you back to "The Great Escape Artist". "The music that I listen to and love isn't necessarily rock-oriented anymore," Navarro explicated to Rolling Stone. "There is a beauty in simplicity that I'm really embracing. To me, that's evolution as an artist."
The writing process began in 2010 and by early 2011 the band entered a Los Angeles studio with producer Rich Costey. Their intent was to travel a different road, and consequentially they paved an entirely new path for alternative music at large. Costey introduced Perry Farrell, Dave Navarro and Stephen Perkins to TV ON THE RADIO's Dave Sitek with the hopes of getting him involved somehow. After a couple of lab sessions, the chemistry was obvious. Sitek stepped into the role of a songwriter and a bass player for the album with Navarro, and touring bassist Chris Chaney, also sharing four-string duties.
Sitek helped the band evolve their alchemy, expanding the sound even more. Farrell described Sitek's distillation of electronic textures, bombastic rock, and crazed punk to Rolling Stone magazine declaring, "He's like a scientist, and he's not afraid of making a monster."
Now, that monster is something of a multi-headed musical hydra. On the album, "Twisted Tales" emerges from a haze of orchestral electronics and intriguing, infectious fretwork. A dystopian lyrical picture comes into focus as Farrell sings, "I had no mother, no trust, under the stars is where I would eat." There's a cinematic intensity to the frontman's storytelling that reverberates throughout the song, especially as Navarro's acoustic guitar floats alongside it during the bridge. Elsewhere on "Underground", the singer asserts, "I'm a hustler. I'll never give up the underground."
That underground still heavily figures into the mythos surrounding the music. And it was that "underground" that spawned JANE'S ADDICTION in the first place. They hail from the underbelly of Los Angeles, a carnival of freaks, hustlers, miscreants, and street corner visionaries of all kinds that lies below the glistening veneer of Hollywood's lights; a counter culture driven by escapism. Whether it's via carnal, mental, physical, chemical, or aural pleasures, the denizens of this quirky court thrive on escape. And it's from this underground that JANE'S ADDICTION rose up, escaping out of it because of their unwillingness to compromise and adhere to the zeitgeist.
JANE'S ADDICTION opened up the gateway to "The Great Escape Artist" in a unique fashion on the first single, "End To The Lies", a song that slides from an elegantly entrancing exorcism of distortion into Farrell's transcendent croon about "a composite of assholes" he knows. In order to conjure the otherworldly sounds of "End To The Lies", the band collaborated with the master musicians of Joujouka, Sufi trance musicians from northern Morocco.
Even with the experimentation, it's still classic JANE'S ADDICTION. Talking about the song, Navarro reveals, "The band hails from Los Angeles. We come from the street. I think the combination of angst, the street element, the artistic element, and the love of sexuality and sensuality fuse together. It's pretty much what this band has been about since day one."
However, this time around, they transmute those stylistic and sonic hallmarks into a cavalcade of warm psychedelic synths and effects wizardry. The music nods to the movements of modern alternative rather than clinging to classic conventions. In the late '80s, the band bent the blueprint of rock to its whim. Now, they're laying the framework for another phase altogether. "We wanted to cast a spell," smiles Farrell.
That spell takes hold tight on "Irresistible Force". Sparse soundscapes drop into calculated percussive chaos as ominous keyboards entwine with a screeching lead. Further songs cast that spell wider and wider with each listen.
"I'll Hit You Back" punches with a punky intensity before spiraling off into another ethereal lead, while the epic six-minute ballad "Splash a Little Water On It" glides across distorted darkness before breaking into another dreamy deluge of electronics and organics. And then, employing a powerful acoustic tone, "Broken People" is a heartbreaking sonic chronicle of celebrity meltdowns — you can practically feel the cracks forming on the line, "She's really a good girl from a good family."
Nothing is what you would expect, and that's exactly what will bring you back to "The Great Escape Artist". "The music that I listen to and love isn't necessarily rock-oriented anymore," Navarro explicated to Rolling Stone. "There is a beauty in simplicity that I'm really embracing. To me, that's evolution as an artist."
http://www.roadrunnerrecords.com/blabbermouth.net/soulflypremiere/janeescape.jpg
The new episode of "Death Valley", which aired last night (Monday, September 19), included a new track by SOCIETY 1, entitled "Breathe In Me". The song, which features Tina Guo, will be made available for free download on MTV.com in the "Death Valley" show section of the site where music from the episode is featured in the "Songs From The Show" tab. "Breathe In Me" will be available throughout the week and "Death Valley"'s Facebook and Twitter will also post and tweet about the song during the episodes when airing.
"Death Valley" is a show about vampires, werewolves and zombies mysteriously descending upon the streets of California's San Fernando Valley. It is a dark comedy that follows the cops that capture the monsters, and the camera crew that captures the cops.
"I love the concept of this show and to have a SOCIETY 1 track on there just makes a lot of sense to me," explains SOCIETY 1 vocalist Lord Zane. "There is a line in 'Breathe In Me' where I say, we will never escape from our fire-induced fate, and I can just imagine the cops in the show feeling like this especially considering the San Fernando Valley is so hot. If hell was going to break loose with monsters anywhere, I think the Valley would be the epicenter."
In other SOCIETY 1-related news, the band just made 300 pre-release signed copies of its new album, "A Journey From Exile", available through Society1music.com. The limited edition of the disc has two bonus tracks and after purchasing another two are made available through download.
"Death Valley" is a show about vampires, werewolves and zombies mysteriously descending upon the streets of California's San Fernando Valley. It is a dark comedy that follows the cops that capture the monsters, and the camera crew that captures the cops.
"I love the concept of this show and to have a SOCIETY 1 track on there just makes a lot of sense to me," explains SOCIETY 1 vocalist Lord Zane. "There is a line in 'Breathe In Me' where I say, we will never escape from our fire-induced fate, and I can just imagine the cops in the show feeling like this especially considering the San Fernando Valley is so hot. If hell was going to break loose with monsters anywhere, I think the Valley would be the epicenter."
In other SOCIETY 1-related news, the band just made 300 pre-release signed copies of its new album, "A Journey From Exile", available through Society1music.com. The limited edition of the disc has two bonus tracks and after purchasing another two are made available through download.
DISTURBED has set a November 8 release date for its upcoming B-sides compilation album, "The Lost Children".
The track listing for the collection is as follows:
01. Hell
02. A Welcome Burden
03. This Moment
04. Old Friend
05. Monster
06. Run
07. Leave It Alone
08. Two Worlds
09. God of The Mind
10. Sickened
11. Mine
12. Parasite
13. Dehumanized
14. 3
15. Midlife Crisis (FAITH NO MORE cover)
16. Living After Midnight (JUDAS PRIEST cover)
DISTURBED frontman David Draiman recently spoke out on the speculation regarding the band's future, which he himself started in July when he hinted that the group's current tour could be its last for a while — if not for good. Draiman confirmed to The Pulse Of Radio that DISTURBED plans to take an indefinite hiatus, and gave some hints about the "personal reasons" behind the decision. "Many of those reasons are have to do with the state of the music industry in general and, you know, the demise of hard rock and heavy metal right now, and I think it's just a good time for DISTURBED, after 10 to 12 years straight of touring, to go away for a little while and kind of wait for the phoenix to rise from the ashes here," he said. "It's frightening times right now, and it's just a good time for us to go away."
But Draiman also admitted that DISTURBED may in fact never come back. "It could be a concern," he said. "You don't know. We don't know. I can't definitively tell you one way or the other at this point. We really haven't gotten that far in our discussions. We all agree that we are going to step away for an indefinite period of time."
Draiman told Billboard that one thing the hiatus is not about is any personal strife between the four band members, saying, "This is really not due to any animosity — I want to make that very clear. In fact, we just had dinner together last night. Believe me, it's not like we can't work with each other anymore or we don't get along."
The singer said that all four members of the group have other creative endeavors they'd like to pursue, with both he and guitarist Dan Donegan interested in producing other acts.
Draiman added that he doesn't think a solo album is in his future. But he also told Billboard, "Depending on how far those individual interests end up taking us, and depending on how much we end up missing (the band) over the course of time — which, of course, at some point I'm sure we will — that will determine if and when we return."
The track listing for the collection is as follows:
01. Hell
02. A Welcome Burden
03. This Moment
04. Old Friend
05. Monster
06. Run
07. Leave It Alone
08. Two Worlds
09. God of The Mind
10. Sickened
11. Mine
12. Parasite
13. Dehumanized
14. 3
15. Midlife Crisis (FAITH NO MORE cover)
16. Living After Midnight (JUDAS PRIEST cover)
DISTURBED frontman David Draiman recently spoke out on the speculation regarding the band's future, which he himself started in July when he hinted that the group's current tour could be its last for a while — if not for good. Draiman confirmed to The Pulse Of Radio that DISTURBED plans to take an indefinite hiatus, and gave some hints about the "personal reasons" behind the decision. "Many of those reasons are have to do with the state of the music industry in general and, you know, the demise of hard rock and heavy metal right now, and I think it's just a good time for DISTURBED, after 10 to 12 years straight of touring, to go away for a little while and kind of wait for the phoenix to rise from the ashes here," he said. "It's frightening times right now, and it's just a good time for us to go away."
But Draiman also admitted that DISTURBED may in fact never come back. "It could be a concern," he said. "You don't know. We don't know. I can't definitively tell you one way or the other at this point. We really haven't gotten that far in our discussions. We all agree that we are going to step away for an indefinite period of time."
Draiman told Billboard that one thing the hiatus is not about is any personal strife between the four band members, saying, "This is really not due to any animosity — I want to make that very clear. In fact, we just had dinner together last night. Believe me, it's not like we can't work with each other anymore or we don't get along."
The singer said that all four members of the group have other creative endeavors they'd like to pursue, with both he and guitarist Dan Donegan interested in producing other acts.
Draiman added that he doesn't think a solo album is in his future. But he also told Billboard, "Depending on how far those individual interests end up taking us, and depending on how much we end up missing (the band) over the course of time — which, of course, at some point I'm sure we will — that will determine if and when we return."
Portland, Oregon metal-punk warriors TOXIC HOLOCAUST have teamed up with Cleveland's MIDNIGHT for a split seven-inch single to benefit Japanese victims of the tsunami disaster.
The single is limited to a one-time pressing of 1,000 copies on Japanese-flag-colored heavyeight vinyl, and features tracks from both bands ("A.T.O.M.I.C." by TOXIC HOLOCAUST, "Destroy Tsunami's Power" by MIDNIGHT) exclusive to this release. The split also features exclusive artwork by Daniel "Sawblade" Shaw (TOXIC HOLOCAUST, INSECT WARFARE, COFFINS). All proceeds will go to the Red Cross relief efforts for victims of the tsunami disaster.
TOXIC HOLOCAUST's new album, "Conjure And Command", is out now internationally and available on a variety of formats, including a limited-edition deluxe CD and DVD set that includes a full TOXIC HOLOCAUST live set.
TOXIC HOLOCAUST will head to Europe for a five-week winter tour alongside KVELERTAK, TRAP THEM and WOLVES LIKE US.
The single is limited to a one-time pressing of 1,000 copies on Japanese-flag-colored heavyeight vinyl, and features tracks from both bands ("A.T.O.M.I.C." by TOXIC HOLOCAUST, "Destroy Tsunami's Power" by MIDNIGHT) exclusive to this release. The split also features exclusive artwork by Daniel "Sawblade" Shaw (TOXIC HOLOCAUST, INSECT WARFARE, COFFINS). All proceeds will go to the Red Cross relief efforts for victims of the tsunami disaster.
TOXIC HOLOCAUST's new album, "Conjure And Command", is out now internationally and available on a variety of formats, including a limited-edition deluxe CD and DVD set that includes a full TOXIC HOLOCAUST live set.
TOXIC HOLOCAUST will head to Europe for a five-week winter tour alongside KVELERTAK, TRAP THEM and WOLVES LIKE US.
Vocalist Sharon den Adel and guitarist Robert Westerholt of Dutch symphonic metallers WITHIN TEMPTATION have released the following statement:
"As you know, in recent years we were blessed with the birth of three children. Since then not only our kids but also WITHIN TEMPTATION has been growing fast and we are touring in more countries than ever before.
"To be able to fulfill the needs of our children but just as much the needs of the band for now and also in the future, we decided Robert will step down from touring live, (except for the occasional show). With this change we can give stability to our children and from the home studio Robert will have more time writing new music and developing new creative ideas for the live show, the comic and future movies.
"What makes the decision easier is the fact that Stefan Helleblad is willing to take Robert's place in the band on stage. Stefan has been working with the band behind the scenes for some years. As a sound engineer he was involved in the production of our latest three records. Next to being a great sound engineer, mixing engineer and producer he is also a very gifted guitar player. On our latest album, 'The Unforgiving', you can already hear him play some special guitar parts. His first show will be on [September] 21st in Heerhugowaard.
"So this is not a goodbye but a new step, or actually two steps in a very exciting new and inspiring time for our band.
"We hope you keep joining and enjoying this adventure together with us and our paths will keep crossing each other."
WITHIN TEMPTATION's fifth studio album, "The Unforgiving", sold around 12,000 copies in the United States in its first week of release to debut at position No. 50 on The Billboard 200 chart.
Released on March 29, "The Unforgiving" was produced by Daniel Gibson and is based on a comic book story written by script writer Steven O'Connell (BloodRayne, Dark 48). The band asked comic artist Romano Molenaar (Witchblade, Darkness, X-Men) to draw the characters and scenery of "The Unforgiving", which was made available via Sony Music in Continental Europe and Roadrunner Records in the U.S., U.K. and Ireland, Japan and Australia.
"As you know, in recent years we were blessed with the birth of three children. Since then not only our kids but also WITHIN TEMPTATION has been growing fast and we are touring in more countries than ever before.
"To be able to fulfill the needs of our children but just as much the needs of the band for now and also in the future, we decided Robert will step down from touring live, (except for the occasional show). With this change we can give stability to our children and from the home studio Robert will have more time writing new music and developing new creative ideas for the live show, the comic and future movies.
"What makes the decision easier is the fact that Stefan Helleblad is willing to take Robert's place in the band on stage. Stefan has been working with the band behind the scenes for some years. As a sound engineer he was involved in the production of our latest three records. Next to being a great sound engineer, mixing engineer and producer he is also a very gifted guitar player. On our latest album, 'The Unforgiving', you can already hear him play some special guitar parts. His first show will be on [September] 21st in Heerhugowaard.
"So this is not a goodbye but a new step, or actually two steps in a very exciting new and inspiring time for our band.
"We hope you keep joining and enjoying this adventure together with us and our paths will keep crossing each other."
WITHIN TEMPTATION's fifth studio album, "The Unforgiving", sold around 12,000 copies in the United States in its first week of release to debut at position No. 50 on The Billboard 200 chart.
Released on March 29, "The Unforgiving" was produced by Daniel Gibson and is based on a comic book story written by script writer Steven O'Connell (BloodRayne, Dark 48). The band asked comic artist Romano Molenaar (Witchblade, Darkness, X-Men) to draw the characters and scenery of "The Unforgiving", which was made available via Sony Music in Continental Europe and Roadrunner Records in the U.S., U.K. and Ireland, Japan and Australia.
THE MAN-EATING TREE — the atmospheric metal band featuring former SENTENCED drummer Vesa Ranta alongside current/former members of POISONBLACK, REFLEXION and EMBRAZE — will release its sophomore album, "Harvest", on November 28 via Century Media Records. The CD was once again helmed by producer Hiili Hiilesmaa (HIM, SENTENCED, AMORPHIS) and marks the recording debut of guitarist Antti Karhu.
THE MAN-EATING TREE will support AMORPHIS on a European tour which will kick off on December 26 in Jens, Germany. Also scheduled to appear on the bill is LEPROUS.
Commented vocalist Tuomas Tuominen: "Some of you already got the chance to meet [Antti] briefly on our late summer shows. The fine young man was welcomed to our lineup during the spring to play some mean guitar. He brings a style of playing that ranges through the far reaches of our music with ease. Soulful in one moment, packing all the needed punch in the next.
"The new recording and the strengthened lineup are not the only things that have come to a completion during the past few months.
"The album will be released worldwide through Century Media Records, with whom we inked a record deal in the summer.
"Good to work with the Century Media people; the warmth and dedication in their work matches that of ours."
THE MAN-EATING TREE's debut album, "Vine", was released in Finland on September 22, 2010 via Cobra Records and in other territories through Century Media Records. The CD was recorded at Mastervox Studio in Oulu, Finland with producer Hiili Hiilesmaa (HIM, SENTENCED, AMORPHIS).
According to the group's official bio, THE MAN-EATING TREE was formed when "Vesa Ranta, having taken a break from music after SENTENCED, began to overcome his post-SENTENCED battle fatigue and lack of musical motivation. The idea of a new band — or bands — was eventually brainstormed over a period of time between Vesa and his friends, including gentlemen Miika Tenkula, Aaron Rantonen, Janne Markus and Mikko Uusimaa. Plans were made reality in 2009; the outfit was completed by the addition of Tuomas Tuominen as a vocalist and Heidi Määttä as a keyboard player. First demo recordings were made in the spring and summer of 2009.
THE MAN-EATING TREE is:
Tuomas Tuominen (ex-FALL OF THE LEAFE) - Vocals
Janne Markus (POISONBLACK) – Guitar
Antti Karhu - Guitar
Mikko Uusimaa (REFLEXION) - Bass
Heidi Määttä (ex-EMBRAZE) - Keyboards
Vesa Ranta (ex-SENTENCED) - Drums
For more information, visit www.themaneatingtree.com.
THE MAN-EATING TREE will support AMORPHIS on a European tour which will kick off on December 26 in Jens, Germany. Also scheduled to appear on the bill is LEPROUS.
Commented vocalist Tuomas Tuominen: "Some of you already got the chance to meet [Antti] briefly on our late summer shows. The fine young man was welcomed to our lineup during the spring to play some mean guitar. He brings a style of playing that ranges through the far reaches of our music with ease. Soulful in one moment, packing all the needed punch in the next.
"The new recording and the strengthened lineup are not the only things that have come to a completion during the past few months.
"The album will be released worldwide through Century Media Records, with whom we inked a record deal in the summer.
"Good to work with the Century Media people; the warmth and dedication in their work matches that of ours."
THE MAN-EATING TREE's debut album, "Vine", was released in Finland on September 22, 2010 via Cobra Records and in other territories through Century Media Records. The CD was recorded at Mastervox Studio in Oulu, Finland with producer Hiili Hiilesmaa (HIM, SENTENCED, AMORPHIS).
According to the group's official bio, THE MAN-EATING TREE was formed when "Vesa Ranta, having taken a break from music after SENTENCED, began to overcome his post-SENTENCED battle fatigue and lack of musical motivation. The idea of a new band — or bands — was eventually brainstormed over a period of time between Vesa and his friends, including gentlemen Miika Tenkula, Aaron Rantonen, Janne Markus and Mikko Uusimaa. Plans were made reality in 2009; the outfit was completed by the addition of Tuomas Tuominen as a vocalist and Heidi Määttä as a keyboard player. First demo recordings were made in the spring and summer of 2009.
THE MAN-EATING TREE is:
Tuomas Tuominen (ex-FALL OF THE LEAFE) - Vocals
Janne Markus (POISONBLACK) – Guitar
Antti Karhu - Guitar
Mikko Uusimaa (REFLEXION) - Bass
Heidi Määttä (ex-EMBRAZE) - Keyboards
Vesa Ranta (ex-SENTENCED) - Drums
For more information, visit www.themaneatingtree.com.
http://www.roadrunnerrecords.com/blabbermouth.net/soulflypremiere/heatingtreeharvest.jpg
Southern California metallers WINDS OF PLAGUE will hit the road in November as part of the "Thrash And Burn" tour with CHELSEA GRIN, AS BLOOD RUNS BLACK, FOR THE FALLEN DREAMS, UPON A BURNING BODY, IN THE MIDST OF LIONS, LIKE MOTHS TO FLAMES and VOLUMES.
Commented WINDS OF PLAGUE vocalist Johnathan "Johnny Plague" Cooke: "We are very excited that our first U.S. headlining tour in support of our new record, 'Against The World', will carry the Thrash And Burn brand. In my opinion, this year's lineup is one of the heaviest lineups I've seen in a while. Each band will deliver their unique brand of crushing metal, and it will prove to be one hell of an evening for fans of heavy music. Our set will consist of an even balance of songs between our three records. We are pulling out all the stops for this tour — if you have seen us before, you've never seen us like how we will be on this tour."
"Thrash And Burn" tour dates:
Nov. 10 - San Diego, CA @ Soma (no FOR THE FALLEN DREAMS)
Nov. 11 - Sacramento, CA @ Ace of Spades
Nov. 12 - Salt Lake City, UT @ [to be announced]
Nov. 13 - Denver, CO @ Summit Music Hall
Nov. 15 - St Paul, MN @ Station 4
Nov. 16 - Joliet, IL @ Mojoes
Nov. 17 - Indianapolis, IN @ Emerson Theatre
Nov. 18 - Detroit, MI @ Harpos
Nov. 19 - Dayton, OH @ The Attic
Nov. 20 - Louisville, KY @ [to be announced]
Nov. 21 - Atlanta, GA @ The Masquerade
Nov. 22 - St Petersburg, FL @ The State Theatre
Nov. 23 - Ft. Lauderdale, FL @ TBA
Nov. 25 - Richmond, VA @ Kingdom
Nov. 26 - Allentown, PA @ Crocodile Rock
Nov. 27 - Baltimore, MD @ Sonar
Nov. 28 - New York, NY @ Gramercy Theatre
Nov. 29 - Worcester, MA @ The Palladium
Nov. 30 - Portland, ME @ [to be announced]
Dec. 01 - Clifton Park, NY @ Northern Lights (w/ HATEBREED) (WINDS OF PLAGUE, CHELSEA GRIN, AS BLOOD RUNS BLACK only)
Dec. 02 - Montreal, QC @ Tulipe
Dec. 03 - Toronto, ON @ Opera House
Dec. 04 - Cleveland, OH @ Peabody's
Dec. 05 - Pittsburgh, PA @ Altar Bar
Dec. 07 - St. Louis, MO @ [to be announced]
Dec. 08 - Tulsa, OK @ Marquee Theatre
Dec. 09 - San Antonio, TX @ White Rabbit
Dec. 10 - Dallas, TX @ Unsilent Night Fest
Dec. 11 - Houston, TX @ Warehouse Live
Dec. 12 - Corpus Christi, TX @ House of Rock
Dec. 13 - Austin, TX @ Emo's East
Dec. 14 - El Paso, TX @ Tricky Falls
WINDS OF PLAGUE's third full-length album, "Against The World", which sold 8,700 copies in the United States in its first week of release to debut at position No. 60 on The Billboard 200 chart. Released on April 19 via Century Media Records, the CD features guest appearances from members of HATEBREED, TERROR, FOR TODAY, STRAY FROM THE PATH and former world heavyweight wrestling champion and sports entertainment legend Ultimate Warrior (who performs an epic spoken-word track entitled "The Warrior Code"). It is described in a press release as "the heaviest-hitting record of the band's already heralded career."
WINDS OF PLAGUE created exclusive editions of "Against The World" for both Hot Topic and FYE, each with its own artwork. Fans who purchased from FYE received a free bonus live CD, recorded at the Glass House in Pomona, California by John Montes at Small City Studios. The Hot Topic special edition features a DVD full of more than an hour of content including a live performance from the Glass House, tour footage from around the world, the making-of footage from the "Against The World" sessions and more produced by Jeremy Schott for MentalSuplex Productions.
Commented WINDS OF PLAGUE vocalist Johnathan "Johnny Plague" Cooke: "We are very excited that our first U.S. headlining tour in support of our new record, 'Against The World', will carry the Thrash And Burn brand. In my opinion, this year's lineup is one of the heaviest lineups I've seen in a while. Each band will deliver their unique brand of crushing metal, and it will prove to be one hell of an evening for fans of heavy music. Our set will consist of an even balance of songs between our three records. We are pulling out all the stops for this tour — if you have seen us before, you've never seen us like how we will be on this tour."
"Thrash And Burn" tour dates:
Nov. 10 - San Diego, CA @ Soma (no FOR THE FALLEN DREAMS)
Nov. 11 - Sacramento, CA @ Ace of Spades
Nov. 12 - Salt Lake City, UT @ [to be announced]
Nov. 13 - Denver, CO @ Summit Music Hall
Nov. 15 - St Paul, MN @ Station 4
Nov. 16 - Joliet, IL @ Mojoes
Nov. 17 - Indianapolis, IN @ Emerson Theatre
Nov. 18 - Detroit, MI @ Harpos
Nov. 19 - Dayton, OH @ The Attic
Nov. 20 - Louisville, KY @ [to be announced]
Nov. 21 - Atlanta, GA @ The Masquerade
Nov. 22 - St Petersburg, FL @ The State Theatre
Nov. 23 - Ft. Lauderdale, FL @ TBA
Nov. 25 - Richmond, VA @ Kingdom
Nov. 26 - Allentown, PA @ Crocodile Rock
Nov. 27 - Baltimore, MD @ Sonar
Nov. 28 - New York, NY @ Gramercy Theatre
Nov. 29 - Worcester, MA @ The Palladium
Nov. 30 - Portland, ME @ [to be announced]
Dec. 01 - Clifton Park, NY @ Northern Lights (w/ HATEBREED) (WINDS OF PLAGUE, CHELSEA GRIN, AS BLOOD RUNS BLACK only)
Dec. 02 - Montreal, QC @ Tulipe
Dec. 03 - Toronto, ON @ Opera House
Dec. 04 - Cleveland, OH @ Peabody's
Dec. 05 - Pittsburgh, PA @ Altar Bar
Dec. 07 - St. Louis, MO @ [to be announced]
Dec. 08 - Tulsa, OK @ Marquee Theatre
Dec. 09 - San Antonio, TX @ White Rabbit
Dec. 10 - Dallas, TX @ Unsilent Night Fest
Dec. 11 - Houston, TX @ Warehouse Live
Dec. 12 - Corpus Christi, TX @ House of Rock
Dec. 13 - Austin, TX @ Emo's East
Dec. 14 - El Paso, TX @ Tricky Falls
WINDS OF PLAGUE's third full-length album, "Against The World", which sold 8,700 copies in the United States in its first week of release to debut at position No. 60 on The Billboard 200 chart. Released on April 19 via Century Media Records, the CD features guest appearances from members of HATEBREED, TERROR, FOR TODAY, STRAY FROM THE PATH and former world heavyweight wrestling champion and sports entertainment legend Ultimate Warrior (who performs an epic spoken-word track entitled "The Warrior Code"). It is described in a press release as "the heaviest-hitting record of the band's already heralded career."
WINDS OF PLAGUE created exclusive editions of "Against The World" for both Hot Topic and FYE, each with its own artwork. Fans who purchased from FYE received a free bonus live CD, recorded at the Glass House in Pomona, California by John Montes at Small City Studios. The Hot Topic special edition features a DVD full of more than an hour of content including a live performance from the Glass House, tour footage from around the world, the making-of footage from the "Against The World" sessions and more produced by Jeremy Schott for MentalSuplex Productions.
Becko of Australia's Triple Mradio station recently asked POISON singer Bret Michaels about his band's feud in the 198os with Axl Rose and GUNS N' ROSES and whether it has continued to this day.
"Let me be very straight with that," Bret replied. "That was more of a feud in the media than it was in real life.
"GUNS N' ROSES, MÖTLEY CRÜE and POISON were rock bands that were really passionate about what they did. Without a doubt there's a certain amount of competition. You wanna go out there and put on the best show but that friendly competition is good.
"It helped to sell records back then. GUNS N' ROSES and POISON were touring, doing the same stadiums and both record labels — Capitol and Geffen — they'd go back and forth with these big publicity releases and then I would see the guys, I'd go to their shows and hang out with them — and I'm thinking 'in the media we're fighting but in the real world we're friends.' 'Appetite For Destruction' is one of my Top 10 ever favorite records."
"Let me be very straight with that," Bret replied. "That was more of a feud in the media than it was in real life.
"GUNS N' ROSES, MÖTLEY CRÜE and POISON were rock bands that were really passionate about what they did. Without a doubt there's a certain amount of competition. You wanna go out there and put on the best show but that friendly competition is good.
"It helped to sell records back then. GUNS N' ROSES and POISON were touring, doing the same stadiums and both record labels — Capitol and Geffen — they'd go back and forth with these big publicity releases and then I would see the guys, I'd go to their shows and hang out with them — and I'm thinking 'in the media we're fighting but in the real world we're friends.' 'Appetite For Destruction' is one of my Top 10 ever favorite records."
89.5 FM WSOU, Seton Hall Pirate Radio, announced today its 25 Years Of Metal concert, set to take place on Friday, November 18 at the Starland Ballroom in Sayerville, New Jersey. The 25 Years Of Metal show will feature high-profile metal acts CHIMAIRA and UNEARTH, with support from SKELETONWITCH, MOLOTOV SOLUTION and others. The concert is in celebration of the 25th anniversary of WSOU's current loud active rock format, which features metal, punk, hardcore and post-hardcore music.
"One reason that WSOU has a national reputation is that as students, we get a chance to learn by doing," student Station Manager Omar Ahmad says. "Helping to produce a large concert gives us the opportunity to learn new skills while also sharpening our existing ones. It is one of the reasons that WSOU is such a great place for students to learn about broadcasting, media, and the music business."
Since flipping to its current format in 1986, WSOU has become an industry leader in breaking new bands and nurturing new broadcast talent. WSOU gave the first area airtime, and in some cases the first-ever radio time, to KORN, INCUBUS, PEARL JAM, SMASHING PUMPKINS, RAGE AGAINST THE MACHINE, LINKIN PARK, MY CHEMICAL ROMANCE, THURSDAY and FIVE FINGER DEATH PUNCH, just to name a few.
In the last 25 years, scores of station alumni have gone on to professional success, including WDHA's Kim Mulligan, WEMP's Dave Packer, Mike DePippa of Sony/Epic Records, Atlantic Records' Anthony Delia and nationally syndicated music host Jackie Kajzer (a.k.a. Full Metal Jackie).
"WSOU has remained a key innovator in college radio and the New York market," said Mark Maben, the station's General Manager. "As the only station of its kind in the metro area, the 25th anniversary of our active rock format is something to celebrate. WSOU has remained at the forefront of the industry since the 1950s, and we look forward to partnering with the Starland Ballroom to create a show that produces the loudest rock, just as we have been doing for 25 years."
In announcing its anniversary concert, the station also unveiled a new logo celebrating WSOU's milestone. For the logo, WSOU turned to Framework Media Strategies' Peter Kelly, a station alumnus and former DJ, to craft just the right logo for the show and format's anniversary.
"As a former student of Seton Hall University and member of WSOU I wanted this logo to truly embody what the station is all about," Kelly says. "I wanted it to have an edge, something that makes you think 'this station is going to rock my face off!'"
Tickets will be available for purchase for $17 per ticket beginning at noon on Friday, September 23 at www.starlandballroom.com and the Starland Ballroom box office. Tickets will also be available to win in station giveaways in the weeks leading up to the show.
In addition to its 25 Years Of Metal concert, WSOU will be celebrating its anniversary in other ways. The station will air a student-produced documentary that examines how Seton Hall Pirate Radio became a world-renown metal station. WSOU alumni will return as guests DJs. WSOU Sports will feature interviews with alumni who have gone on to broadcasting fame, including Matt Loughlin, Bob Picozzi and Bob Ley.
"One reason that WSOU has a national reputation is that as students, we get a chance to learn by doing," student Station Manager Omar Ahmad says. "Helping to produce a large concert gives us the opportunity to learn new skills while also sharpening our existing ones. It is one of the reasons that WSOU is such a great place for students to learn about broadcasting, media, and the music business."
Since flipping to its current format in 1986, WSOU has become an industry leader in breaking new bands and nurturing new broadcast talent. WSOU gave the first area airtime, and in some cases the first-ever radio time, to KORN, INCUBUS, PEARL JAM, SMASHING PUMPKINS, RAGE AGAINST THE MACHINE, LINKIN PARK, MY CHEMICAL ROMANCE, THURSDAY and FIVE FINGER DEATH PUNCH, just to name a few.
In the last 25 years, scores of station alumni have gone on to professional success, including WDHA's Kim Mulligan, WEMP's Dave Packer, Mike DePippa of Sony/Epic Records, Atlantic Records' Anthony Delia and nationally syndicated music host Jackie Kajzer (a.k.a. Full Metal Jackie).
"WSOU has remained a key innovator in college radio and the New York market," said Mark Maben, the station's General Manager. "As the only station of its kind in the metro area, the 25th anniversary of our active rock format is something to celebrate. WSOU has remained at the forefront of the industry since the 1950s, and we look forward to partnering with the Starland Ballroom to create a show that produces the loudest rock, just as we have been doing for 25 years."
In announcing its anniversary concert, the station also unveiled a new logo celebrating WSOU's milestone. For the logo, WSOU turned to Framework Media Strategies' Peter Kelly, a station alumnus and former DJ, to craft just the right logo for the show and format's anniversary.
"As a former student of Seton Hall University and member of WSOU I wanted this logo to truly embody what the station is all about," Kelly says. "I wanted it to have an edge, something that makes you think 'this station is going to rock my face off!'"
Tickets will be available for purchase for $17 per ticket beginning at noon on Friday, September 23 at www.starlandballroom.com and the Starland Ballroom box office. Tickets will also be available to win in station giveaways in the weeks leading up to the show.
In addition to its 25 Years Of Metal concert, WSOU will be celebrating its anniversary in other ways. The station will air a student-produced documentary that examines how Seton Hall Pirate Radio became a world-renown metal station. WSOU alumni will return as guests DJs. WSOU Sports will feature interviews with alumni who have gone on to broadcasting fame, including Matt Loughlin, Bob Picozzi and Bob Ley.
VICIOUS ART — the Swedish death/thrash metal band featuring former DARK FUNERAL members Matias Mäkelä and Robert Lundin, along with Jörgen Sandström (THE PROJECT HATE, ex-ENTOMBED, GRAVE) on bass — has issued the following update:
"To keep it short since it is not a very long story to tell: VICIOUS ART as a band has decided that after the November 12th gig, the band will exist no longer. Reason is shortly that Tobbe [Sillman; guitar] doesn't wanna be a part of VICIOUS ART anymore. No hard feelings, is based on the decision or any other member rejects Tobbe out of our family, we all totally respect his decision. It is just a case of lack of motivation, nothing else. Due to that decision, we all agreed to pull the plug. There is no VICIOUS ART if it is not the five of us in the band.
"Our last gig will be in Stockholm on November 12th, together with GRAVE and GENERAL SURGERY and we do hope that you all can come there and join us!
"Thanks to all of you for supporting that band over the years!! We love you!"
"To keep it short since it is not a very long story to tell: VICIOUS ART as a band has decided that after the November 12th gig, the band will exist no longer. Reason is shortly that Tobbe [Sillman; guitar] doesn't wanna be a part of VICIOUS ART anymore. No hard feelings, is based on the decision or any other member rejects Tobbe out of our family, we all totally respect his decision. It is just a case of lack of motivation, nothing else. Due to that decision, we all agreed to pull the plug. There is no VICIOUS ART if it is not the five of us in the band.
"Our last gig will be in Stockholm on November 12th, together with GRAVE and GENERAL SURGERY and we do hope that you all can come there and join us!
"Thanks to all of you for supporting that band over the years!! We love you!"
Released in Scandinavia in November 2007 (early 2008 elsewhere), "Pick Up This Sick Child" was recorded at Offbeat studios in Jakobsberg, Sweden and was mastered in Denmark by Jacob Hansen. The album artwork was created by Kristian Karlberg.
VICIOUS ART's debut album, "Fire Falls and the Waiting Waters", came out in October 2004 through Threeman Recordings in Europe (Candlelight Records in the U.S.).
VICIOUS ART is:
Jocke Widfeldt (DOMINION CALIGULA) - Vocals
Matti Mäkelä (DARK FUNERAL) - Guitar
Tobbe Sillman (GUIDANCE OF SIN) - Guitar
Jörgen Sandström (ENTOMBED, GRAVE, KRUX, THE PROJECT HATE) - Bass and Vocals
Robert Lundin (DARK FUNERAL) – Drums
VICIOUS ART's debut album, "Fire Falls and the Waiting Waters", came out in October 2004 through Threeman Recordings in Europe (Candlelight Records in the U.S.).
VICIOUS ART is:
Jocke Widfeldt (DOMINION CALIGULA) - Vocals
Matti Mäkelä (DARK FUNERAL) - Guitar
Tobbe Sillman (GUIDANCE OF SIN) - Guitar
Jörgen Sandström (ENTOMBED, GRAVE, KRUX, THE PROJECT HATE) - Bass and Vocals
Robert Lundin (DARK FUNERAL) – Drums
Amy Harris recently conducted an interview with PAPA ROACH frontman Jacoby Shaddix. A couple of excerpts from the chat follow below.
Amy: When I spoke to you last year, your album had just come out, "Time For Annihilation", so you guys are still rocking that album. What have you been up to in the last year?
Jacoby: Just touring. We have been to Europe multiple times, a few American tours and just having a good time supporting the record. Plus, we wanted to go out and prove with this record we could be a valid rock n roll band with an independent record company. That was the point of doing the EP mixed with the live album and just getting right back out on the road. It's proved to do really well for us in Europe especially, it's cracking off the fucking hinges. We actually do better in the U.K. and Germany than we do in America.
Amy: A lot of hard rock bands do that I have talked to.
Jacoby: The hard rock scene is just way more alive over there. It seems like Americans are into hard rock but it's not as passionate.
Amy: Do you prefer the festivals or the headlining shows?
Jacoby: I like both of them. The festivals are awesome over there because you get to hang out with dudes from RAMMSTEIN, (in German accent) "we talk about the things we do in Germany together." Hanging out with those guys and my boys in SKINDRED. It's a cool way to cross paths with a lot of people you haven't seen in a long time. Then also the headliner gigs, we did one at Brixton Academy, which is like a legendary venue in the U.K. and it was like 5,000 people going absolutely fucking bananas the whole time. When you step off the stage from that, dude, that's my drug of choice.
Amy: You guys working on any new music yet?
Jacoby: Oh yeah. Right on this thing. Just plug in to that. (Pointing to his Mac Book)
Amy: I'm sure we will get a sneak peek right now.
Jacoby: No. Will not do it. The jams, the music is sick. We want to separate ourselves from the pack again. When we came out in '99 and 2000, we were like part of an underground movement and then that was really cool. Then that movement kind of fell apart and there weren't many bands still out there doing it. So we evolved and separated ourselves again and evolved into more of a rock band. Now we have been lumped into all these rock bands and we are like, "Cool we like that. We like that sense of community in rock." But I want to evolve it into something more even of our own sound.
Amy: Are you going back to rapping?
Jacoby: I wouldn't necessarily say that is the move to make it creatively original. I just think the music we have been listening to, we have been listening to everything from honkytonk country music to electronic music to heavy metal to punk rock. I don't want to make an average white-guy rock record. I want to make a fucking record that inspires people to fuck, fight, love, forgive. An inspiring album that makes people want to move, makes people want to do something.
Amy: When I spoke to you last year, your album had just come out, "Time For Annihilation", so you guys are still rocking that album. What have you been up to in the last year?
Jacoby: Just touring. We have been to Europe multiple times, a few American tours and just having a good time supporting the record. Plus, we wanted to go out and prove with this record we could be a valid rock n roll band with an independent record company. That was the point of doing the EP mixed with the live album and just getting right back out on the road. It's proved to do really well for us in Europe especially, it's cracking off the fucking hinges. We actually do better in the U.K. and Germany than we do in America.
Amy: A lot of hard rock bands do that I have talked to.
Jacoby: The hard rock scene is just way more alive over there. It seems like Americans are into hard rock but it's not as passionate.
Amy: Do you prefer the festivals or the headlining shows?
Jacoby: I like both of them. The festivals are awesome over there because you get to hang out with dudes from RAMMSTEIN, (in German accent) "we talk about the things we do in Germany together." Hanging out with those guys and my boys in SKINDRED. It's a cool way to cross paths with a lot of people you haven't seen in a long time. Then also the headliner gigs, we did one at Brixton Academy, which is like a legendary venue in the U.K. and it was like 5,000 people going absolutely fucking bananas the whole time. When you step off the stage from that, dude, that's my drug of choice.
Amy: You guys working on any new music yet?
Jacoby: Oh yeah. Right on this thing. Just plug in to that. (Pointing to his Mac Book)
Amy: I'm sure we will get a sneak peek right now.
Jacoby: No. Will not do it. The jams, the music is sick. We want to separate ourselves from the pack again. When we came out in '99 and 2000, we were like part of an underground movement and then that was really cool. Then that movement kind of fell apart and there weren't many bands still out there doing it. So we evolved and separated ourselves again and evolved into more of a rock band. Now we have been lumped into all these rock bands and we are like, "Cool we like that. We like that sense of community in rock." But I want to evolve it into something more even of our own sound.
Amy: Are you going back to rapping?
Jacoby: I wouldn't necessarily say that is the move to make it creatively original. I just think the music we have been listening to, we have been listening to everything from honkytonk country music to electronic music to heavy metal to punk rock. I don't want to make an average white-guy rock record. I want to make a fucking record that inspires people to fuck, fight, love, forgive. An inspiring album that makes people want to move, makes people want to do something.
Guitarist/vocalist Jim Malone of Virginia-based melodic tech death metallers ARSIS will be forced to sit out the band's "Frets Of Fury" tour with FIREWIND, WHITE WIZARD and NIGHTRAGE in October.
Commented Malone: "Due to professional and personal commitments I am unable to tour with ARSIS at this time. For the upcoming tour with FIREWIND, rather than drop off the tour entirely, we've decided to hire live musicians, some of whom have long been associated with my band. I have given Nick and Noah my blessing and am certain the lineup will be great.
"My sincerest apologies to anyone who is annoyed or disappointed by my absence. Please go and support ARSIS and check out some of our new songs, which they will be playing every night!"
A video statement from guitarist Nick Cordle that includes clips of pre-production demos of brand new songs can be seen below.
ARSIS' latest album, "Starve For The Devil", sold 1,800 copies in the United States in its first week of release. The CD landed at No. 13 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.
"Starve For The Devil" was released in North America on February 9, 2010 via Nuclear Blast Records. The album was recorded at Planet Z Studios in Hadley, Massachusetts with producer Chris "Zeuss" Harris, who has previously worked with MUNICIPAL WASTE, AGNOSTIC FRONT and HATEBREED, among others.
Commented Malone: "Due to professional and personal commitments I am unable to tour with ARSIS at this time. For the upcoming tour with FIREWIND, rather than drop off the tour entirely, we've decided to hire live musicians, some of whom have long been associated with my band. I have given Nick and Noah my blessing and am certain the lineup will be great.
"My sincerest apologies to anyone who is annoyed or disappointed by my absence. Please go and support ARSIS and check out some of our new songs, which they will be playing every night!"
A video statement from guitarist Nick Cordle that includes clips of pre-production demos of brand new songs can be seen below.
ARSIS' latest album, "Starve For The Devil", sold 1,800 copies in the United States in its first week of release. The CD landed at No. 13 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.
"Starve For The Devil" was released in North America on February 9, 2010 via Nuclear Blast Records. The album was recorded at Planet Z Studios in Hadley, Massachusetts with producer Chris "Zeuss" Harris, who has previously worked with MUNICIPAL WASTE, AGNOSTIC FRONT and HATEBREED, among others.
Belgian death metalers ABORTED have completed work on their seventh studio album, "Global Flatline", for a January 2012 release via Century Media Records. The CD was recorded, mixed, and mastered by the Jacob Hansen (VOLBEAT, PESTILENCE, HATESPHERE) at Hansen Studios in Ribe, Denmark. The artwork was once again created by Justin Osbourn from Slasher Design.
"Global Flatline" track listing:
01. Omega Mortis
02. Global Flatline
03. The Origin Of Disease
04. Coronary Reconstruction
05. Fecal Forgery
06. Of Scabs And Boils
07. Vermicular, Obscene, Obese
08. Expurgation Euphoria
09. From A Tepid Whiff
10. The Kallinger Theory
11. Our Father, Who Art Of Feces
12. Grime
13. Endstille
Century Media will release a digital single of the title track, "Global Flatline", on October 15.
The regular jewel-case edition of "Global Flatline" will include 12 tracks while the limited-edition digipack will have 14 tracks.
"Global Flatline" features several guest vocalists, such as Trevor Strnad (THE BLACK DAHLIA MURDER), Julien Truchan (BENIGHTED), Jason Netherton (MISERY INDEX), and Keiijo Niinima (ROTTEN SOUND). Their comments follow below.
Trevor Strnad: "It's a pleasure to offer my vocals to Sven and the guys... The new material is fucking sick and I'm glad they would let me be a small part of it. Cheers to the masters of gore, ABORTED!"
Julien Truchan: "I'm so honored to be a part of ABORTED's new baby! So far, what I heard sounds absolutely devastating, sick and furious. Their best album for sure!"
Jason Netherton: "When I got the track for the guest vocals, we loaded the files up and immediately our ears melted! A face-ripping, next-level entry for a new decade of death metal-it was a sheer pleasure to contribute some screams, and I am completely stoked to hear the entire album as soon as it drops!"
A video for the track "Origin Of Disease" was shot in the U.K. this summer with director Phil Berridge (CEREBRAL BORE).
"Global Flatline" track listing:
01. Omega Mortis
02. Global Flatline
03. The Origin Of Disease
04. Coronary Reconstruction
05. Fecal Forgery
06. Of Scabs And Boils
07. Vermicular, Obscene, Obese
08. Expurgation Euphoria
09. From A Tepid Whiff
10. The Kallinger Theory
11. Our Father, Who Art Of Feces
12. Grime
13. Endstille
Century Media will release a digital single of the title track, "Global Flatline", on October 15.
The regular jewel-case edition of "Global Flatline" will include 12 tracks while the limited-edition digipack will have 14 tracks.
"Global Flatline" features several guest vocalists, such as Trevor Strnad (THE BLACK DAHLIA MURDER), Julien Truchan (BENIGHTED), Jason Netherton (MISERY INDEX), and Keiijo Niinima (ROTTEN SOUND). Their comments follow below.
Trevor Strnad: "It's a pleasure to offer my vocals to Sven and the guys... The new material is fucking sick and I'm glad they would let me be a small part of it. Cheers to the masters of gore, ABORTED!"
Julien Truchan: "I'm so honored to be a part of ABORTED's new baby! So far, what I heard sounds absolutely devastating, sick and furious. Their best album for sure!"
Jason Netherton: "When I got the track for the guest vocals, we loaded the files up and immediately our ears melted! A face-ripping, next-level entry for a new decade of death metal-it was a sheer pleasure to contribute some screams, and I am completely stoked to hear the entire album as soon as it drops!"
A video for the track "Origin Of Disease" was shot in the U.K. this summer with director Phil Berridge (CEREBRAL BORE).
Sick Drummer Magazine has added legendary extreme-metal drummer Gene ''The Atomic Clock" Hoglan (DETHKLOK, FEAR FACTORY, TESTAMENT, DEATH, DARK ANGEL, STRAPPING YOUNG LAD) to its star-studded Sick Drummer Camp. It will be a five-day event featuring some of extreme metal's biggest names, including Gus Rios (MALEVOLENT CREATION), Dirk Verbeuren (SOILWORK), George Kollias (NILE), Derek Roddy (HATE ETERNAL, NILE, TODAY IS THE DAY), Sean Reinert (CYNIC, DEATH) and Danny Walker (INTRONAUT).
The Camp is open to those 18 and older and will be held the first week of October in Northern California, about an hour north of San Francisco on a five-acre private retreat. This retreat is amazing and offers seclusion, various class/performance spaces, lounge areas, hot tubs, an inground pool, billiards, hiking trails and much more. You will be close to nearby stores, shopping, restaurants, wineries, a casino and many other attractions.
For more details, go to SickDrummerCamp.com.
Gene Hoglan recently released his long-awaited instructional DVD, "The Atomic Clock". Available on Hoglan Industries in the U.S. and on Reversed Records in Canada, the disc showcases Hoglan's three decades of experience of performing and recording with the world's most well-known metal bands such as DEVIN TOWNSEND, DARK ANGEL, DEATH, DETHKLOK, STRAPPING YOUNG LAD, TESTAMENT, ZIMMER'S HOLE, and most recently FEAR FACTORY, along with many others on his resume.
The Camp is open to those 18 and older and will be held the first week of October in Northern California, about an hour north of San Francisco on a five-acre private retreat. This retreat is amazing and offers seclusion, various class/performance spaces, lounge areas, hot tubs, an inground pool, billiards, hiking trails and much more. You will be close to nearby stores, shopping, restaurants, wineries, a casino and many other attractions.
For more details, go to SickDrummerCamp.com.
Gene Hoglan recently released his long-awaited instructional DVD, "The Atomic Clock". Available on Hoglan Industries in the U.S. and on Reversed Records in Canada, the disc showcases Hoglan's three decades of experience of performing and recording with the world's most well-known metal bands such as DEVIN TOWNSEND, DARK ANGEL, DEATH, DETHKLOK, STRAPPING YOUNG LAD, TESTAMENT, ZIMMER'S HOLE, and most recently FEAR FACTORY, along with many others on his resume.
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