You know something you drive my point home.
Thank you.
There were so many know and lesser know that should be given credit.
Of the bunch from the 50's you might agree berry was perhaps the most reconizable to the masses.
I dont know if I buy hendrix stole from beck. Beck was one of the most influential guitarist of the 60's only behind hendrix. Beck was only with the yardbids for 18 months. weather music was stolen or not hendrix displayed such skill in his play that I am not sure I have seen anyone make it look so easy. Just a side note yardbirds were great.
You are correct black sabbath formed in 69. I love you really got me but that is rock not metal. At least to me.
Mike
--- In Classic_Rock_Forever@yahoogroups.com, howl dog <howldogg@...> wrote:
>
>
>
> --- On Mon, 1/31/11, cougarc <cougarc@...> wrote:
>
> > In the
> > 50's was there anyone who changed guitar playing more than
> > chuck berry,
>
>
> -----------
>
> arguably Chet Atkins, who was huge; Hank Marvin, James Burton, Eddie Cochran, Scottie Moore, Link wray and Duane Eddy, all those guys were enormously influential onto the crop of guitar players who later came to fame in the 60s and 70s. Berry, sure, is a giant. but not the only one. It was obviously a mix. Otherwsie everybody in the 70s would sound just like ChuckBerry.
>
> -----------
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>
> or in the 60's who changed the sound of guitar
> > more than jimi hendrix and tony iommi.
>
> -----------
>
> Iommi didnt really come on the scene until 1970 or so. Even before him, ask Jimmy Page, the guy who got the whole "les paul+Marshall" amp sound was none other than Eric Clapton, in about 1966, the Beano album
>
> and before that you had Dave Davies slitting the speaker on his amp to get arguably the first "power chord distortion" on You Really Got Me, about 1964.
>
> there are guys within the old Yardbirds camp that claim half of what Hendrix did, he stole from Jeff Beck; ie Hendrix's use of the early Mayer fuzzboxes, Dallas Rangemasters, Arbiters, etc
>
> You can also take into account townshend and entwistles relationship with amp maker Jim Marshall and his early shop, about 1965 or 66. those guys together all invented the 4x12 amp stack, which had an enormous effect on the overall guitar community
>
> so, see, what you are saying, isnt exactly supported by historical chronology of the "development" of "the rock and roll sound"
>
> the point is, by 1969, you already had all kinds of guys stacking up cabinets and running trebleboosters as preamps to do exactly what Iommi did a couple of years later.
>
> ------------------
>
>
> Personal preferences
> > is just a popularity contest that tend to be biased and
> > sometimes prejudice, often over looking the true merits of
> > some while hypeing whats popular.
> >
> ----------
>
> and sometimes personal preference is just somebody saying "I like this" without really knowing why or much about the subject, and theres nothing wrong with that.. unless you're selling that opinion and you want people to buy it.
>
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