The main page of BLACK SABBATH's official web site has updated with the date 11.11.11 (November 11, 2011) below the band's classic logo. All four original members of the legendary heavy metal group — Ozzy Osbourne (vocals), Tony Iommi (guitar), Geezer Butler (bass) and Bill Ward (drums) — will attend a special announcement ceremony that day. Former BLACK FLAG frontman Henry Rollins will host the private event, which will be held at the Whisky A Go Go in Hollywood, California — the same venue where the band made its Los Angeles debut on November 11, 1970 (41 years ago), opening for ALICE COOPER — at exactly 11:11 a.m.
Iommi told U.K.'s Terrorizer magazine that the four original members of BLACK SABBATH recently got together in a rehearsal room for the first time in years, adding, "[We] played some of the old stuff and to be together again was great. We're all on good terms and we're at a stage where we can play together again. It would be good if we could and I suppose it's the closest it's been to be able to do that. It could happen!"
Osbourne told Billboard.com last month that a reunion of the original BLACK SABBATH lineup was a "very, very strong possibility." He added, "It's in the very early stages, so we haven't recorded anything yet. If it works out, it'll work out. If it doesn't, I'll keep doing my thing."
The Birmingham Mail reported in August that the original SABBATH lineup had begun rehearsing and writing music in secret for a new album. The Mail based its story around remarks made by Iommi, who later said the comments were off the record and taken out of context. Iommi's manager, however, did not deny that a reunion was underway.
Speculation about a reunion was fueled later that month when Ozzy skipped the Hollywood premiere of the documentary about his life, "God Bless Ozzy Osbourne". Both his son Jack and daughter Kelly hinted at the time that their dad was "doing something that is very, very exciting."
SABBATH did try to record a new album 12 years ago, the original lineup's first since 1978, but abandoned the attempt after just a couple of songs. The original lineup has not toured together since summer 2005 and last appeared together when they were inducted into the Rock And Roll Hall Of Fame in 2006.
Osbourne and Iommi last year amicably resolved their problems over the ownership of the BLACK SABBATH name and court proceedings in New York were discontinued.
Ozzy filed a lawsuit against Iommi in May 2009, claiming that Iommi illegally took sole ownership of the band's name in a filing with the U.S. Patent and Trademark Office.
Osbourne sued Iommi for a 50 percent interest in the "Black Sabbath" trademark, along with a portion of Iommi's profits from use of the name.
The Manhattan federal court suit also charged that Osbourne's "signature lead vocals" are largely responsible for the band's "extraordinary success," noting that its popularity plummeted during his absence from 1980 through 1996.
Lawyer Andrew DeVore argued that Osbourne signed away all his rights to the BLACK SABBATH trademark after he quit the band in 1979.
Osbourne's lawyer, Howard Shire, called that agreement a "red herring" that was "repudiated" when the singer rejoined in 1997 and took over "quality control" of the band's merchandise, tours and recordings.
Iommi told U.K.'s Terrorizer magazine that the four original members of BLACK SABBATH recently got together in a rehearsal room for the first time in years, adding, "[We] played some of the old stuff and to be together again was great. We're all on good terms and we're at a stage where we can play together again. It would be good if we could and I suppose it's the closest it's been to be able to do that. It could happen!"
Osbourne told Billboard.com last month that a reunion of the original BLACK SABBATH lineup was a "very, very strong possibility." He added, "It's in the very early stages, so we haven't recorded anything yet. If it works out, it'll work out. If it doesn't, I'll keep doing my thing."
The Birmingham Mail reported in August that the original SABBATH lineup had begun rehearsing and writing music in secret for a new album. The Mail based its story around remarks made by Iommi, who later said the comments were off the record and taken out of context. Iommi's manager, however, did not deny that a reunion was underway.
Speculation about a reunion was fueled later that month when Ozzy skipped the Hollywood premiere of the documentary about his life, "God Bless Ozzy Osbourne". Both his son Jack and daughter Kelly hinted at the time that their dad was "doing something that is very, very exciting."
SABBATH did try to record a new album 12 years ago, the original lineup's first since 1978, but abandoned the attempt after just a couple of songs. The original lineup has not toured together since summer 2005 and last appeared together when they were inducted into the Rock And Roll Hall Of Fame in 2006.
Osbourne and Iommi last year amicably resolved their problems over the ownership of the BLACK SABBATH name and court proceedings in New York were discontinued.
Ozzy filed a lawsuit against Iommi in May 2009, claiming that Iommi illegally took sole ownership of the band's name in a filing with the U.S. Patent and Trademark Office.
Osbourne sued Iommi for a 50 percent interest in the "Black Sabbath" trademark, along with a portion of Iommi's profits from use of the name.
The Manhattan federal court suit also charged that Osbourne's "signature lead vocals" are largely responsible for the band's "extraordinary success," noting that its popularity plummeted during his absence from 1980 through 1996.
Lawyer Andrew DeVore argued that Osbourne signed away all his rights to the BLACK SABBATH trademark after he quit the band in 1979.
Osbourne's lawyer, Howard Shire, called that agreement a "red herring" that was "repudiated" when the singer rejoined in 1997 and took over "quality control" of the band's merchandise, tours and recordings.
Legendary BLACK SABBATH guitarist Tony Iommi revealed to VH1 Classic Rock Nights that SABBATH was appraoched years ago with the idea of using the band's catalog to create a musical. It is a concept that has proven to be quite successful in recent years, with QUEEN's "We Will Rock You" and ABBA's "Mamma Mia" being two of the most notable examples.
"I remember years ago when we were approached to do a BLACK SABBATH [musical], like 'We Will Rock You', many years ago," Iommi said. "The chap who'd done THE WHO, I forgot his name now, who'd done 'Tommy', the producer, he wanted to do something with us many years ago. We never did, because we thought, 'Oh, that's a weird idea.' Of course now, he was way ahead of his time."
So would the guys ever agree to it today? "Well, I don't know," Tony said. "Maybe. We might be jumping on the bandwagon then at that point."
Iommi's memoir, "Iron Man: My Journey Through Heaven And Hell With Black Sabbath", was released in the United States on November 1 in hardback by Perseus Books/DeCapo Press.
"I remember years ago when we were approached to do a BLACK SABBATH [musical], like 'We Will Rock You', many years ago," Iommi said. "The chap who'd done THE WHO, I forgot his name now, who'd done 'Tommy', the producer, he wanted to do something with us many years ago. We never did, because we thought, 'Oh, that's a weird idea.' Of course now, he was way ahead of his time."
So would the guys ever agree to it today? "Well, I don't know," Tony said. "Maybe. We might be jumping on the bandwagon then at that point."
Iommi's memoir, "Iron Man: My Journey Through Heaven And Hell With Black Sabbath", was released in the United States on November 1 in hardback by Perseus Books/DeCapo Press.
JUDAS PRIEST singer Rob Halford will guest on this weekend's (November 4-6) edition of Full Metal Jackie's nationally syndicated radio show.
To see a full list of stations carrying the program and when it airs, go to FullMetalJackieRadio.com.
As previously reported, Halford, other PRIEST members, and the band's management team are being sued for breach of contract by Rob's longtime manager John Baxter to the tune of around $50 million. Rolling Stone reported that Baxter's suit — which can be found as a PDF document at this location — alleges "fraud, breach of contract, and intentional interference with contractual relations." Shortly after Halford fired Baxter in August, Baxter claims that he realized that the PRIEST frontman owes him millions due to "contract breaches, including failure to pay commissions, salary and expenses dating back to 1992." He says that Halford misled him by saying that he was unable to pay Baxter the monies owed him — but promised to do so when he had the money at hand.
Baxter was fired on August 9 by a letter from a U.K. law firm stating, in part, "It has become clear over recent weeks that the relationships between our parties has run its course and that you are not acting in our clients' best interests. . . (Your actions have) placed an intolerable strain upon our clients' ability to maintain constructive and professional relations with the remaining members of JUDAS PRIEST and their representatives at this crucial time."
Baxter's lawyer Barry K. Rothman told Rolling Stone: "It was wrongful termination because there's no basis to have terminated. They have their own agenda. Baxter has been managing (Halford) for decades. JUDAS PRIEST was coming to an end and the JUDAS PRIEST people wanted to engage Halford in his solo endeavor and to continue to have a relationship with him which was not possible with Baxter in the middle. There's a whole reason why this all of the sudden abruptly came to an end."
Rob Halford told The Pulse Of Radio a while back that PRIEST wouldn't have sustained such a lengthy career without the support of their fans. "It's an ongoing metal love affair that's been solid and kept us going and motivated, quite frankly," he said. "Bands don't exist without the people that support them, and so it is with PRIEST, you know? Without our fans we're nothing, so we love our fans dearly, and we do as much as we can to keep that bond strong and solid."
To see a full list of stations carrying the program and when it airs, go to FullMetalJackieRadio.com.
As previously reported, Halford, other PRIEST members, and the band's management team are being sued for breach of contract by Rob's longtime manager John Baxter to the tune of around $50 million. Rolling Stone reported that Baxter's suit — which can be found as a PDF document at this location — alleges "fraud, breach of contract, and intentional interference with contractual relations." Shortly after Halford fired Baxter in August, Baxter claims that he realized that the PRIEST frontman owes him millions due to "contract breaches, including failure to pay commissions, salary and expenses dating back to 1992." He says that Halford misled him by saying that he was unable to pay Baxter the monies owed him — but promised to do so when he had the money at hand.
Baxter was fired on August 9 by a letter from a U.K. law firm stating, in part, "It has become clear over recent weeks that the relationships between our parties has run its course and that you are not acting in our clients' best interests. . . (Your actions have) placed an intolerable strain upon our clients' ability to maintain constructive and professional relations with the remaining members of JUDAS PRIEST and their representatives at this crucial time."
Baxter's lawyer Barry K. Rothman told Rolling Stone: "It was wrongful termination because there's no basis to have terminated. They have their own agenda. Baxter has been managing (Halford) for decades. JUDAS PRIEST was coming to an end and the JUDAS PRIEST people wanted to engage Halford in his solo endeavor and to continue to have a relationship with him which was not possible with Baxter in the middle. There's a whole reason why this all of the sudden abruptly came to an end."
Rob Halford told The Pulse Of Radio a while back that PRIEST wouldn't have sustained such a lengthy career without the support of their fans. "It's an ongoing metal love affair that's been solid and kept us going and motivated, quite frankly," he said. "Bands don't exist without the people that support them, and so it is with PRIEST, you know? Without our fans we're nothing, so we love our fans dearly, and we do as much as we can to keep that bond strong and solid."
The Ronnie James Dio Stand Up and Shout Cancer Fund hosted its first Awards Gala on Tuesday evening (November 1) at the famed Playboy Mansion in Los Angeles to raise funds for its commitment to cancer prevention, research and education. Founded in memory of Ronnie James Dio, the world-renowned voice of DIO, RAINBOW, BLACK SABBATH and HEAVEN & HELL who died of gastric cancer last year, the Dio Cancer Fund has already raised more than $500,000 in its short history.
Wendy Dio, widow of the late singer and Fund Founder/President, and Gloria Butler, Chairman of the Board of the Ronnie James Dio Stand Up and Shout Cancer Fund, will present the Dio Cancer Fund's latest pledge to the T.J. Martell Foundation for Cancer, AIDS and Leukemia Research at their annual dinner in New York this week. Additionally, the Fund has committed monies to the gastric cancer research unit of the M.D. Anderson Cancer Center in Houston, where Ronnie was treated during the last six months of his life.
Awards named after songs written by Ronnie James Dio were presented to honorees in recognition of their support of the Fund's important work. Eddie Trunk, host of VH1 Classic's "That Metal Show", served as special guest emcee and, after introducing each honoree, was surprised by Wendy Dio with the final award of the evening, the Long Live Rock 'N Roll Award.
The Killing the Dragon Award went to Danny Zelisko, a cancer survivor and President of Phoenix-based Danny Zelisko Presents concert promotions, who remarked that "not a day goes by that I don't miss Ronnie." The King of Rock 'n Roll Award went to Ronnie James Dio's longtime bandmate and friend Terry "Geezer" Butler, bassist for BLACK SABBATH and HEAVEN & HELL. Mike Carden, a cancer survivor and President, North America, Eagle Rock Entertainment, a leading independent record label which has released several Dio recordings, accepted the Rainbow in the Dark Award, calling Wendy Dio "the hero of this evening."
In accepting the Sacred Heart Award, television medical expert Sandeep "Sandy" Kapoor, M.D., Medical Director/Co-Founder of the Ronnie James Dio Stand Up and Shout Cancer Fund, spoke poignantly about the need for better ways to screen for cancers and the public's need to demand better access to health care and treatment. "We have to help each other," he said, "'stand up and shout' to stopping cancer before it starts."
Rita Haney, a tireless fund-raiser, Founder of Dimebash in memory of her late boyfriend "Dimebag" Darrell Abbott of the band PANTERA, accepted the Stand Up and Shout Award for her continuous contributions to the Dio Cancer Fund. Tony Martell, founder of the T.J. Martell Foundation, which has funded innovative medical research to find cures and treatments for leukemia, cancer and AIDS for nearly 40 years, spoke via videotape from New York. His Man on the Silver Mountain Award was accepted on his behalf by T.J. Martell Foundation CEO Laura Heatherly.
Among the guests in attendance were "L.A. Ink"'s Kat von D and rockers Slash, Glenn Hughes, Frankie Banali, Keith Emerson, Alex Kane, Marc Ferrari and members of the DIO band Rudy Sarzo, Craig Goldy, Scott Warren and Simon Wright as well as record producers Roy Thomas Baker and Mike Fraser and various other celebrities who popped in to show their support.
Event sponsors and guests were treated to cocktails, hors d'oeuvres and various gourmet food stations created by renowned chef William S. Bloxsom-Carter and a performance by the rock band ASIA featuring John Payne in addition to escorted tours of the Mansion grounds and world-famous grotto and commemorative photos, some with Playboy Bunnies. Silent and live auctions, with items such as guitars signed by THE ROLLING STONES and U2, among others, and one-of-a-kind sports memorabilia including Mohammed Ali's signed robe and boxing gloves, proved to be an exciting addition to the evening's festivities.
Wendy Dio, widow of the late singer and Fund Founder/President, and Gloria Butler, Chairman of the Board of the Ronnie James Dio Stand Up and Shout Cancer Fund, will present the Dio Cancer Fund's latest pledge to the T.J. Martell Foundation for Cancer, AIDS and Leukemia Research at their annual dinner in New York this week. Additionally, the Fund has committed monies to the gastric cancer research unit of the M.D. Anderson Cancer Center in Houston, where Ronnie was treated during the last six months of his life.
Awards named after songs written by Ronnie James Dio were presented to honorees in recognition of their support of the Fund's important work. Eddie Trunk, host of VH1 Classic's "That Metal Show", served as special guest emcee and, after introducing each honoree, was surprised by Wendy Dio with the final award of the evening, the Long Live Rock 'N Roll Award.
The Killing the Dragon Award went to Danny Zelisko, a cancer survivor and President of Phoenix-based Danny Zelisko Presents concert promotions, who remarked that "not a day goes by that I don't miss Ronnie." The King of Rock 'n Roll Award went to Ronnie James Dio's longtime bandmate and friend Terry "Geezer" Butler, bassist for BLACK SABBATH and HEAVEN & HELL. Mike Carden, a cancer survivor and President, North America, Eagle Rock Entertainment, a leading independent record label which has released several Dio recordings, accepted the Rainbow in the Dark Award, calling Wendy Dio "the hero of this evening."
In accepting the Sacred Heart Award, television medical expert Sandeep "Sandy" Kapoor, M.D., Medical Director/Co-Founder of the Ronnie James Dio Stand Up and Shout Cancer Fund, spoke poignantly about the need for better ways to screen for cancers and the public's need to demand better access to health care and treatment. "We have to help each other," he said, "'stand up and shout' to stopping cancer before it starts."
Rita Haney, a tireless fund-raiser, Founder of Dimebash in memory of her late boyfriend "Dimebag" Darrell Abbott of the band PANTERA, accepted the Stand Up and Shout Award for her continuous contributions to the Dio Cancer Fund. Tony Martell, founder of the T.J. Martell Foundation, which has funded innovative medical research to find cures and treatments for leukemia, cancer and AIDS for nearly 40 years, spoke via videotape from New York. His Man on the Silver Mountain Award was accepted on his behalf by T.J. Martell Foundation CEO Laura Heatherly.
Among the guests in attendance were "L.A. Ink"'s Kat von D and rockers Slash, Glenn Hughes, Frankie Banali, Keith Emerson, Alex Kane, Marc Ferrari and members of the DIO band Rudy Sarzo, Craig Goldy, Scott Warren and Simon Wright as well as record producers Roy Thomas Baker and Mike Fraser and various other celebrities who popped in to show their support.
Event sponsors and guests were treated to cocktails, hors d'oeuvres and various gourmet food stations created by renowned chef William S. Bloxsom-Carter and a performance by the rock band ASIA featuring John Payne in addition to escorted tours of the Mansion grounds and world-famous grotto and commemorative photos, some with Playboy Bunnies. Silent and live auctions, with items such as guitars signed by THE ROLLING STONES and U2, among others, and one-of-a-kind sports memorabilia including Mohammed Ali's signed robe and boxing gloves, proved to be an exciting addition to the evening's festivities.
Gary Graff of Billboard.com recently conducted an interview with legendary guitarist Slash (VELVET REVOLVER, GUNS N' ROSES). A couple of excerpts from the chat follow below.
On his next solo album, which is being recorded with the same Myles Kennedy-fronted band he took on tour to promote 2010's "Slash" and with whom he recorded the upcoming live set "Made in Stoke 24/7/11":
Slash: "Based on the relationship that we've developed and the chemistry we've got going, I started writing material with Myles and the guys in the band in mind . . It's very different from the last one. There's a lot of freedom on this record; it's very diverse, but it's definitely the sound of one band with a lot of different ideas. This is probably the most 'live' recorded album I've ever done, too. The way I like to do records is rehearse, rehearse, rehears and then go in and get to know the song like the back of your hand and then go in and bang it out. That's how we're doing it."
On the current status of VELVET REVOLVER, which has been singer-less since parting ways with Scott Weiland in April 2008:
Slash: "[We will get together in December to] spend some time with a couple of singers — that's all I can tell you."
On havings taken ownership of all the music he's played on over the years:
Slash: "I realized that I actually have a catalog at this point. There's a body of work that I can refer to. And I just pulled stuff that I wanted to play, a lot of stuff that I hadn't played in a really long time. Playing 'Nightrain' was a gas; that's something I hadn't done since the mid-90s. I just had this freedom to do whatever I wanted, so it was really fun and there was a lot of material to pull from."
On GUNS N' ROSES' nomination for the Rock And Roll
Hall Of Fame's class of 2012:
Slash: "It's become very prestigious over the years, and it's become a huge honor for anybody to be inducted into it — or even nominated, for that matter. It's a cool accolade, I suppose. Obviously we're in really, really great company . . . Of course, you have those thoughts of how it might work in case it does happen, but with GUNS 'N ROSES, there's really no guessing exactly how it will go. I suppose if it happens, everybody will get some sort of ducks in order. But I think the first thing to do is wait and see if we actually get inducted, because you know how unpredictable that is."
On his next solo album, which is being recorded with the same Myles Kennedy-fronted band he took on tour to promote 2010's "Slash" and with whom he recorded the upcoming live set "Made in Stoke 24/7/11":
Slash: "Based on the relationship that we've developed and the chemistry we've got going, I started writing material with Myles and the guys in the band in mind . . It's very different from the last one. There's a lot of freedom on this record; it's very diverse, but it's definitely the sound of one band with a lot of different ideas. This is probably the most 'live' recorded album I've ever done, too. The way I like to do records is rehearse, rehearse, rehears and then go in and get to know the song like the back of your hand and then go in and bang it out. That's how we're doing it."
On the current status of VELVET REVOLVER, which has been singer-less since parting ways with Scott Weiland in April 2008:
Slash: "[We will get together in December to] spend some time with a couple of singers — that's all I can tell you."
On havings taken ownership of all the music he's played on over the years:
Slash: "I realized that I actually have a catalog at this point. There's a body of work that I can refer to. And I just pulled stuff that I wanted to play, a lot of stuff that I hadn't played in a really long time. Playing 'Nightrain' was a gas; that's something I hadn't done since the mid-90s. I just had this freedom to do whatever I wanted, so it was really fun and there was a lot of material to pull from."
On GUNS N' ROSES' nomination for the Rock And Roll
Hall Of Fame's class of 2012:Slash: "It's become very prestigious over the years, and it's become a huge honor for anybody to be inducted into it — or even nominated, for that matter. It's a cool accolade, I suppose. Obviously we're in really, really great company . . . Of course, you have those thoughts of how it might work in case it does happen, but with GUNS 'N ROSES, there's really no guessing exactly how it will go. I suppose if it happens, everybody will get some sort of ducks in order. But I think the first thing to do is wait and see if we actually get inducted, because you know how unpredictable that is."
During a brand new interview with the Too Famous To Get Fully Dressed blog, Duff McKagan's (VELVET REVOLVER, GUNS N' ROSES, DUFF MCKAGAN'S LOADED) was asked about how the search for a new VELVET REVOLVER lead singer is going more than three years since the band parted ways with Scott Weiland. "I think we may be looking at somebody in December, which is fun to think about," he said. "I believe in my heart of hearts it'll happen."
Duff told OC Weekly, last month that he "played in New York [in Setember as part of the Road Recovery benefit concert] and Matt Sorum [VELVET REVOLVER/ex-GUNS N' ROSES drummer] was there. There was a singer there [possibly referring to Jimmy Gnecco of OURS. — Ed.] we might write some songs with."
He continued, "None of us have really tried [to find anyone] in the last few years. We've all been busy with other things.
"I think once that whole thing went down with Scott, we thought we'd find a guy right away. Once a few months went by, it was like, 'Oh fuck.'"
He added, "We didn't give up on the band but you can't force a singer into a situation. It's got to just kind of happen. So playing a few weeks ago with that singer, it seemed really natural. So we'll see. I'll come back to you on that."
Jimmy Gnecco of OURS sang lead vocals on three songs ("Slither" by VELVET REVOLVER, "It's So Easy" by GUNS N' ROSES and "Hey Joe" by JIMI HENDRIX) during the Road Recovery concert with Slash, McKagan, Sorum, Gilby Clarke (ex-GUNS N' ROSES) and Dave Kushner (VELVET REVOLVER). Fan-filmed video footage of his performance can be seen below.
VELVET REVOLVER has been more or less on hiatus since its split with Weiland, although it was recently revealed that the group recorded an album's worth of material with STONE SOUR and SLIPKNOT frontman Corey Taylor.
In a recent interview with Brazil's "Lokaos Rock Show", VELVET REVOLVER drummer Matt Sorum said about the band's current status, "After [we parted ways with] Scott Weiland [in 2008]… We had such a great first record, especially. The second album is still a good album, but… It's hard to replace Scott for that particular band, I think.
"When we did VELVET REVOLVER, we wanted to make a modern rock album, and we had to figure out a way to make that work. We didn't wanna be like GUNS N' ROSES. We knew we had that in us anyway, especially the Slash and Duff sound was the initial sound of [GN'R's classic debut album] 'Appetite For Destruction', the way they played together and everything. Part of that chemistry was there, and when we added Scott, it brought it into a more modern rock element. He came more from grunge — the Seattle [sound like] SOUNDGARDEN, PEARL JAM and bands like that. So it took it sort of forward. We became more of a modern rock band and we were on modern rock radio."
Duff told OC Weekly, last month that he "played in New York [in Setember as part of the Road Recovery benefit concert] and Matt Sorum [VELVET REVOLVER/ex-GUNS N' ROSES drummer] was there. There was a singer there [possibly referring to Jimmy Gnecco of OURS. — Ed.] we might write some songs with."
He continued, "None of us have really tried [to find anyone] in the last few years. We've all been busy with other things.
"I think once that whole thing went down with Scott, we thought we'd find a guy right away. Once a few months went by, it was like, 'Oh fuck.'"
He added, "We didn't give up on the band but you can't force a singer into a situation. It's got to just kind of happen. So playing a few weeks ago with that singer, it seemed really natural. So we'll see. I'll come back to you on that."
Jimmy Gnecco of OURS sang lead vocals on three songs ("Slither" by VELVET REVOLVER, "It's So Easy" by GUNS N' ROSES and "Hey Joe" by JIMI HENDRIX) during the Road Recovery concert with Slash, McKagan, Sorum, Gilby Clarke (ex-GUNS N' ROSES) and Dave Kushner (VELVET REVOLVER). Fan-filmed video footage of his performance can be seen below.
VELVET REVOLVER has been more or less on hiatus since its split with Weiland, although it was recently revealed that the group recorded an album's worth of material with STONE SOUR and SLIPKNOT frontman Corey Taylor.
In a recent interview with Brazil's "Lokaos Rock Show", VELVET REVOLVER drummer Matt Sorum said about the band's current status, "After [we parted ways with] Scott Weiland [in 2008]… We had such a great first record, especially. The second album is still a good album, but… It's hard to replace Scott for that particular band, I think.
"When we did VELVET REVOLVER, we wanted to make a modern rock album, and we had to figure out a way to make that work. We didn't wanna be like GUNS N' ROSES. We knew we had that in us anyway, especially the Slash and Duff sound was the initial sound of [GN'R's classic debut album] 'Appetite For Destruction', the way they played together and everything. Part of that chemistry was there, and when we added Scott, it brought it into a more modern rock element. He came more from grunge — the Seattle [sound like] SOUNDGARDEN, PEARL JAM and bands like that. So it took it sort of forward. We became more of a modern rock band and we were on modern rock radio."
Man, I'm turning 50 this year," Megadeth's Dave Mustaine declares. He seems as surprised to be uttering these words as any metal fan must be to see him reach the big Five-O. Few would have bet on it happening. Mustaine has always seemed one of those rock stars fated not to make it past 27. Chronic issues with alcohol bounced him out of his first band, Metallica, in 1983. But that only made Mustaine get mad—and get even. He launched Megadeth in 1984, establishing the band as a linchpin in the thrash metal movement of the Eighties and beyond.
Mustaine seems to thrive on adversity. In 2002, he underwent a difficult recovery from a severe injury to his left arm and came back stronger than ever. He's also seen Megadeth through more lineup changes than even the most diehard trainspotter would care to track. Still, he has always come out on top.
Now he's back with Megadeth's newest album, TH1RT3EN, a disc whose title unites a host of numerological convergences. Not only is it the 13th Megadeth studio album but Mustaine was also born on September 13. He says he started playing guitar at age 13 as well. But like many people these days, he also seems fixated on the ancient Aztec calendar, which has firmly penciled in the End of the World for 2012.
So it's not surprising that the new Megadeth album comes on like an armored tank, propelled by brutal Megadeth thrash metal rhythms, barbed-wire tangles of guitar mayhem and Mustaine's croaking Nostradamus vocal assault. Standout tracks include the metal meltdown "Sudden Death," featured in Guitar Hero: Warriors of Rock. As if that weren't enough, TH1RT3EN unites Mustaine with longtime Megadeth bass player David Ellefson, who left the band in 2002 and subsequently sued Mustaine to the tune of $18.5 million. The bassist returned to the fold early in 2010, just in time to take part in the Rust in Peace 20th Anniversary Tour.
"We just met and had dinner," Mustaine says of the rapprochement. "Dave said he was sorry, I said 'I forgive you,' we hugged, and that started the road of reconciliation. And once we got back in the studio, it was apparent that there was no other person to play bass with me anymore; that no matter what, we would work out our differences, because we were best friends. And we still are. That's important stuff when you're playing together. Because if guys don't make that connection, you can feel that in the music."
Turbocharging the primordial rhythmic bond between the "two Daves" is guitarist Chris Broderick, a manic shredder who joined Megadeth in 2008. His entry into the band was something of a whirlwind affair, precipitated by the departure of guitarist Glen Drover on the eve of Megadeth's Tour of Duty outing in Europe. "I knew I had to get 22 songs down in less than a month, so I started working on them," Broderick says. "That was really my mindset. I'd always been more into the shredder guys—the more instrumental stuff. But when [guitarist] Marty Friedman joined Megadeth, I started to follow him when they came out with Rust in Peace. And then I started getting into their back catalog, and of course followed them moving forward. That's how I got into Megadeth."
Weaned on Eighties Shrapnel Records shredders, Broderick is a metal guitar monster. Blindingly fast, and deeply steeped in the legacy of guitar virtuosity, he's the razor-sharp edge of the present-day, apocalyptic Megadeth juggernaut. "People used to say Marty Friedman and I were like fire and ice," Mustaine says with a laugh, "although I always said it was more like love and hate. But I think with me and Chris, it's more like thunder and lightning."
With drummer Shawn Drover completing the quartet, Mustaine feels he's fronting the best Megadeth lineup ever. "I can honestly tell you that it's gotten to a point now where I've accomplished everything I've wanted to in this world. That includes playing with my old band again, being friends with them, being able to get onstage and do solos with my old band, the fact that I've got my old bass player back, and the fact that we've made what I believe is our best record ever."
And if anything could possibly top that, Megadeth will once again share the stage with Metallica, Anthrax and Slayer as the Big 4 tour rolls into Yankee Stadium on September 14. Mustaine finds it a kind of vindication to be included in this august company.
"For years," he says, "if someone read your fine magazine or any of the other guitar mags, no one would never mention Megadeth as an influence. But then something happened where it just started to change for us. I attribute a lot of that, personally, to my finding God and getting my head on straight. Because I was heading down a very bad road. And I think that's made it a lot easier for people to look nto what we're about, 'cause it doesn't seem like I'm so pissed off all the time anymore."
Far from pissed off, Mustaine and Broderick were quite pleasant and professional as they recently fielded Guitar World's questions about TH1RT3EN and their guitar craft.
Did you guys do "Sudden Death" knowing it was going to be for Guitar Hero?
CHRIS BRODERICK: Yes.
So you sat down and said, "Hey, this needs to have a lot of notes"?
BRODERICK: Exactly. We knew that's what we had to do for that song.
How did you approach dividing up the guitar work—leads and rhythms?
DAVE MUSTAINE: It's a real simple formula we have. If the rhythm's easy, I'll solo over it; and if the rhythm is hard, Chris will solo over it. There are two reasons for that: I'm a better rhythm player than he is, so I can handle the more difficult rhythms, but the flipside of that is he's a better soloist than I am. So the more difficult the rhythm, the harder it will be to play a solo on top of it. But then the simpler rhythms are something he can easily handle, and I can solo over those because my lead skills are a little more limited. I mean, I can play what I know how to do pretty well, but I'm not as exotic as Chris. So I play over the simpler stuff. And it's easier for him, because his rhythm skills aren't as good as mine.
BRODERICK: But our approach is really based on what the song needs. Where there's a lot of area for solos, there's usually a trading back and forth, which I really like. It adds diversity, and it's this kind of cool musical dance.
Is that how it was on "Sudden Death"?
BRODERICK: That one was interesting. Because it was the first song of the new CD that was written and recorded, it was coming together as we were working on it. So Dave soloed over the whole thing, and I soloed over the whole thing. Then we mixed and matched the solos we had done and picked the best bits. That's how that was balanced out.
There's a similar trade-off on "Public Enemy Number One." One or two of the solos seem like more of a rock solo, less metal.
BRODERICK: Right. There's four of them total. Two are mine and two are Dave's. Dave will always have more of a classic pentatonic kind of sound in his playing. Mine will typically sound a little more composed.
An obvious but probably necessary question, Chris: how the hell do you play so fast?
BRODERICK: [laughs] Lots of practice. That's really what it is. I think when you start to get up to speed, you almost have to quit questioning things and just let your hands do what they know how to do. I'll spend a lot of time practicing fast stuff 30 bpm slower—down to a level where I can visualize and keep up with it mentally. But when it comes time to perform it, then I'll just play it up to speed and let my hands do what they know how to do.
I've read that, as a teenager, you didn't have a life and just practiced guitar all day long.
BRODERICK: That's true. It was pretty tortuous, actually, this self-imposed "I want to be the best" thing. It definitely helped my chops. I'm sure of that. But I do think there are better reasons to practice the instrument. I love fast playing, but there's a point where it can get away from the musicality of things. Creativity gets lost. Now I practice more just for the love of the instrument and love of music. But back then it was like I had to practice because I knew I needed to get good.
But it was totally self-imposed? There was no, like, stage mother or anything?
BRODERICK: No.
Wow. That's really a lot of discipline for an adolescent.
BRODERICK: Discipline or self-loathing, I guess.
Was it that kind of thing? "People won't like me unless I play the guitar really great?"
BRODERICK: No, no. It wasn't that at all. It's just that all the players I was into, like Jason Becker and Paul Gilbert, were all so good when I first heard them. I just felt, "That's what I've gotta be."
By the same token, how does Megadeth get those incredibly tight rhythms down? Do you record drums first and then record the rhythm guitar parts?
MUSTAINE: Actually, we'll record the guitar first, then we'll cut the drums, and we'll come back later and replace the drums. The simplest form of what we do is, we'll create a Pro Tools session and we'll make a grid. We'll set the tempo that we want and then import the files that have the pieces on it that we like. Like if I demoed something, we'll import those files in there, and then we'll time-compress or expand them as necessary to make it fit that grid at that particular tempo. Any additional parts that need to go in there, I'll just punch them in real quick to make that existing track. We'll listen to the track, see if that's what we want to do, and then I'll just play a real quick scratch track from beginning to end, and that will be our guide. At that point what you have is the two tracks of guitar—one track with all the bits and pieces, and the second track, which is the scratch track from beginning to end. And then from there, the third track that would come down is the entire tracking of drums. And then we just go from there—drums, bass, rhythms, solos, vocals, ear candy, mix, master.
It's really cool that the rhythm guitar is almost the metronome for the whole thing. That's what's driving the train.
MUSTAINE: Yeah. It totally is. This is a guitar band.
This is the first Megadeth album since Dave Ellefson rejoined early last year. What has that been like?
BRODERICK: It's awesome. He's such a professional. He came in, laid down his bass lines and just nailed it. To talk about what he's done for the CD is to talk about the way he is in every other aspect. He's always on it. Very accurate, very meticulous player. He's got great tone, and he's just easy to work with. It's great to work with another iconic musician.
MUSTAINE: The amazing thing about Dave Ellefson is that he's a better bass player now than when we parted. I don't know if he spent the last eight years woodshedding while we were apart, but when he started playing again it was great on a lot of different levels, because he was my bassist. James MacDonough and James LoMenzo are good bass players, a good fit with the band, and we had a wonderful time together. But Dave, he's my bassist. It's like peanut butter and jelly. You just expect the two Daves to be together. Dave has been through a lot of personal changes in his life, and he's really become a rock for us. Things have progressed so rapidly with our getting back our stature and status and everything that goes with that. Had Dave not been there to help me take it all in, I don't know if I would have been able to put it in perspective and have a good run. Usually in the past, something would come up. Somebody would crash or somebody would burn. But here we are.
That said, what are your long-range plans for Megadeth? Where do you see yourselves going from here? Any thoughts of retirement?
MUSTAINE: I know I've alluded to stopping at some point, but then it's always gotten real good and discouraged me from wanting to hang my harps up. But I'll tell you right now, if this lineup changes, I don't want to break anybody else in. I love Chris, Shawn and Dave. I just don't think I could do it again. And I can honestly tell you I don't want to do it again. I want this to be my band and stay this way.
Here is the Alex Jones show interview with Dave Mustaine
http://youtu.be/i_yoFLEBOeI
http://youtu.be/tykQobtpFkY
MOTORHEAD hellraiser Lemmy has revealed groupies no longer stalk his legendary rock trio.
The 65-year old frontman - renowned as the epitome of the sex, drugs and rock 'n' roll lifestyle - says his group members are now too old and too ugly to tempt the ladies backstage.
As Motorhead prepare to play Scotland tomorrow night as part of a massive UK and European tour, the man with the trademark mutton-chop sideburns reveals things aren't what they used to be.
He said: "It's the funny thing. I have never heard a man in a band say the word groupie.
"It is usually something women call other women.
"I've always said the enemy of women is not guys. It is other women. But that was the old days when the women went out of their way for Motorhead.
"Women don't go to extreme lengths to get at Motorhead no more. We're too ugly and old.
"I don't think anybody ever went to extremes to get to me but luckily I went to extreme lengths to get to them so it worked out."
Lemmy may be eligible for his bus pass, but the man who confessed to sleeping with 1000 women vows never to settle down – because he wouldn't be able to stay faithful.
He said: "I once said that I slept with 1000 women and the Press said it was 2000.
"I don't know why you would need to exaggerate that or why people think it ridiculous to sleep with 1000 women.
"Gene Simmons of Kiss slept with 5000 and took pictures of them all and put them on his fridge.
"I didn't take pictures of all of mine because I started before there was Polaroids.
"Why would I settle down? It is not a good job to get settled down in this industry because you're away seven months of the year.
"Be real, nobody's going to stay faithful all that time out of every year so it is best not to pretend.
"I'm sure there are some guys that don't run around.
"I always found it impossible. When faced with temptation I always gave
in immediately."
in immediately."
The rocker formed Motorhead in 1975, after being sacked by his old band, Hawkwind, best known for space-rock hit Silver Machine.
They dumped him when he spent five days in prison charged with cocaine possession.
He was later released by the Canadian authorities because the drug they had confiscated was in fact speed.
Now, 36 years on, Motorhead are still going strong and Hawkwind are largely forgotten, but Lemmy has never let go of what he believes was the ultimate betrayal.
"It was death," he said of the moment Hawkwind sacked him. "But there is life after death. I thought it was really low because they were supposed to be the most stoned band in the world and they turned on me for getting busted.
"It didn't do them any good. But there is no point in looking back.
"That just makes you wish you had done things differently.
"And there is no point in regrets in your life because that means you are just worrying about the first bit."
Rocking as hard as ever, the trio – Lemmy, Phil Campbell and Mikkey Dee - are back with a new live album and DVD 'The World Is Ours Vol 1 - Everywhere Further Than Everyplace Else.
"For a start, the world is not ours, it belongs to the banks and they screwed it," Lemmy, who has an opinion on the recent protests on Wall Street and The City, said when asked about the releases.
"You can't fight the b******s. Occupying The City won't help. If you occupy the bank, that might do something. But they'll shoot you before then."
Meanwhile, the man born Ian Fraser Kilmister is gearing up for the concert at Glasgow's O2 Academy that will likely see him belting out favourites such as Ace Of Spades and Overkill.
But there will be no frills - just rock 'n' roll thrills.
"We more or less just hang a couple of banners up and hit them really hard.That's about it," Lemmy said, before enjoying a little dig at Whitesnake's David Coverdale.
"We're just a rock 'n' roll band.
"We're not going to turn into David Coverdale. I never needed props. The music speaks for itself.
"We've been very lucky in Scotland. The most we've played there is the Glasgow Barrowland.
"We played there for years before we got into other places. If it was up to me I'd rather play the Barrowland for two days.
"The crowd broke the spring floor on one occasion from jumping up and down so much.
"We've always had a really good time in Glasgow.
He added: "You just can't fault it. The Scottish audience is probably the best in Britain.
"They are faithful. That's a great thing because we never let them down and they never let us down."
And Lemmy has no intention of breaking up the band, as long as he can physically play. He said: "When we started out it wasn't a certainty we would even carry on.
"The band went straight down the toilet as it happens.
"We made the first album to leave something behind. We're still here. But everybody is destructible.
"It's like you have to hang on the best you can and be the best you can while you're doing it.
"I look at the Stone Roses though and think the reunion must be awkward for them.
"There they are after everything they said about each other and it must be terrible on that bus."
Renowned for once drinking a bottle of Jack Daniels a day, Lemmy still tries to keep up that lifestyle as best he can.
He said: "If you are in the band it is quite easy being on the road because you get perks. The rider is crackers and cheese, two bottles of Jack Daniels, a bottle of wine, and beer. I do my best."
Seattle progressive rockers QUEENSRŸCHE are rumored to be planning to perform their 1986 album, "Rage For Order", in its entirety again at an upcoming hometown show. More details will be made available soon.
QUEENSRŸCHE played all of "Rage For Order" for the first time this past Halloween (October 31) at the Highline Ballroom in New York City. The band also played other QUEENSRŸCHE hits and favorites that night.
"'Rage For Order' was only our second full studio album and it's hard to believe it's been 25 years," lead singer Geoff Tatestated before the concert. "We plan to let the good times roll on Monday night and hope you come join us in the Big Apple for what we promise to be a memorable show."
"Rage For Order" introduced a much more polished look and sound for QUEENSRŸCHE. The album featured keyboards as prominently as guitars, and the group adopted an image more closely associated with glam rock or glam metal than with heavy metal (of which glam metal was a subgenre). A video was filmed for the song "Gonna Get Close to You", originally recorded in 1984 by DALBELLO. A song titled "Rage For Order" was written and demoed for the album, but it was not included on the final release. The main riff from this song was worked into an instrumental piece played during some shows on the tour in support of this album and eventually morphed into the track "Anarchy-X" on the "Operation: Mindcrime" album.
"Rage For Order" was ranked #88 on Kerrang! magazine's "100 Greatest Heavy Metal Albums Of All Time" in January 1989.
Although not credited, the album cover was designed by Garry Sharpe-Young. It had originally been proposed for a 12" picture disc, which never materialized, and was used by EMI Records for the album cover.
QUEENSRŸCHE played all of "Rage For Order" for the first time this past Halloween (October 31) at the Highline Ballroom in New York City. The band also played other QUEENSRŸCHE hits and favorites that night.
"'Rage For Order' was only our second full studio album and it's hard to believe it's been 25 years," lead singer Geoff Tatestated before the concert. "We plan to let the good times roll on Monday night and hope you come join us in the Big Apple for what we promise to be a memorable show."
"Rage For Order" introduced a much more polished look and sound for QUEENSRŸCHE. The album featured keyboards as prominently as guitars, and the group adopted an image more closely associated with glam rock or glam metal than with heavy metal (of which glam metal was a subgenre). A video was filmed for the song "Gonna Get Close to You", originally recorded in 1984 by DALBELLO. A song titled "Rage For Order" was written and demoed for the album, but it was not included on the final release. The main riff from this song was worked into an instrumental piece played during some shows on the tour in support of this album and eventually morphed into the track "Anarchy-X" on the "Operation: Mindcrime" album.
"Rage For Order" was ranked #88 on Kerrang! magazine's "100 Greatest Heavy Metal Albums Of All Time" in January 1989.
Although not credited, the album cover was designed by Garry Sharpe-Young. It had originally been proposed for a 12" picture disc, which never materialized, and was used by EMI Records for the album cover.
According to The Pulse Of Radio, SOUNDGARDEN singer Chris Cornell said that if he could give advice to himself at the age of 18, he would keep it simple: don't drink. In an interview on MTV2's "120 Minutes", Cornell was asked what he would write in a letter to himself at that age. He replied, "Don't drink. And that's serious. For me, that's one, because I never wrote, I was never creative while drinking, and there were these periods of not drinking and just kind of white-knuckling it and writing and recording, and then drinking a lot and coming into the studio hung over and being in the studio drunk and never being able to do anything to the level or to the degree that I thought that I should be. I'm proud of everything that I did, but I think it was a lot more difficult than it needed to be."
Cornell began using drugs and alcohol when he was 12 and told The Pulse Of Radio a while back what finally led him to check himself into rehab in 2002. "I really had to come to the conclusion, the sort of humbling conclusion that, guess what, I'm no different than anybody else, I've got to sort of ask for help — not something I ever did, ever," he said. "And then part two of that is, like, accept it when it comes and, you know, believe what people tell me. And trusting in what I have been told, and then seeing that work."
Cornell is currently in the midst of an acoustic solo tour to promote the arrival of his acoustic live album "Songbook" on November 21. Although he had to postpone a show in Nashville on Wednesday (November 2) due to illness, he is expected to perform Friday night (November 4) in Orlando, Florida.
Meanwhile, SOUNDGARDEN is finishing up its first new studio album in 15 years, with the set likely to arrive in the spring of 2012. Cornell told Billboard that the record is "the next logical step in SOUNDGARDEN, creatively."
2011 marks the 20th anniversary of the release of the band's commercial breakthrough, "Badmotorfinger", a milestone that has been somewhat overshadowed by 20th anniversary celebrations for PEARL JAM's debut "Ten" and NIRVANA's landmark "Nevermind".
Cornell said on MTV2, "It doesn't really seem like 20 years. You know I don't collect things and I don't focus on the past too much, but there's something to celebrating it, certainly."
Cornell began using drugs and alcohol when he was 12 and told The Pulse Of Radio a while back what finally led him to check himself into rehab in 2002. "I really had to come to the conclusion, the sort of humbling conclusion that, guess what, I'm no different than anybody else, I've got to sort of ask for help — not something I ever did, ever," he said. "And then part two of that is, like, accept it when it comes and, you know, believe what people tell me. And trusting in what I have been told, and then seeing that work."
Cornell is currently in the midst of an acoustic solo tour to promote the arrival of his acoustic live album "Songbook" on November 21. Although he had to postpone a show in Nashville on Wednesday (November 2) due to illness, he is expected to perform Friday night (November 4) in Orlando, Florida.
Meanwhile, SOUNDGARDEN is finishing up its first new studio album in 15 years, with the set likely to arrive in the spring of 2012. Cornell told Billboard that the record is "the next logical step in SOUNDGARDEN, creatively."
2011 marks the 20th anniversary of the release of the band's commercial breakthrough, "Badmotorfinger", a milestone that has been somewhat overshadowed by 20th anniversary celebrations for PEARL JAM's debut "Ten" and NIRVANA's landmark "Nevermind".
Cornell said on MTV2, "It doesn't really seem like 20 years. You know I don't collect things and I don't focus on the past too much, but there's something to celebrating it, certainly."
Due to laryngitis caused by flu, SOUNDGARDEN/ex-AUDIOSLAVE singer Chris Cornell is unable to perform tonight (Friday, November 4) at Hard Rock Live in Orlando, Florida and the show must be postponed. A new date will be announced as soon as possible. All tickets for tonight's concert will be honored at the rescheduled date. Refunds are available at point of purchase.
Although Cornell has been recording a new album with SOUNDGARDEN for the first time in 15 years, he continues to work as a solo artist as well. He told Spin.com how it's different from playing with a band. "An acoustic show is all about you, and any little nuance or mistake is amplified," Cornell explained. "I'm very nervous about it, but I love the intimacy. Once you sit in front of people and start playing songs, it's all on you. No matter what happens, it's entirely your responsibility the entire time. I like that intensity."
Cornell told The Pulse Of Radio that he sees working with SOUNDGARDEN again as having a positive influence on his solo career. "One thing about a solo artist is you can just be in a room way too long with yourself and your own thoughts and your own songs, and it feels really good to be working with Ben (Shepherd, bassist) and Matt (Cameron, drummer) and Kim (Thayil, guitarist) again, and it's actually a really nice reprieve also from just being alone, doing what I do," he said. "It's helping with the balance, I think, too."
Cornell has issued three solo albums. The last one, 2009's "Scream", was trashed by critics and fans for abandoning Cornell's rock roots for an urban pop sound.
Although Cornell has been recording a new album with SOUNDGARDEN for the first time in 15 years, he continues to work as a solo artist as well. He told Spin.com how it's different from playing with a band. "An acoustic show is all about you, and any little nuance or mistake is amplified," Cornell explained. "I'm very nervous about it, but I love the intimacy. Once you sit in front of people and start playing songs, it's all on you. No matter what happens, it's entirely your responsibility the entire time. I like that intensity."
Cornell told The Pulse Of Radio that he sees working with SOUNDGARDEN again as having a positive influence on his solo career. "One thing about a solo artist is you can just be in a room way too long with yourself and your own thoughts and your own songs, and it feels really good to be working with Ben (Shepherd, bassist) and Matt (Cameron, drummer) and Kim (Thayil, guitarist) again, and it's actually a really nice reprieve also from just being alone, doing what I do," he said. "It's helping with the balance, I think, too."
Cornell has issued three solo albums. The last one, 2009's "Scream", was trashed by critics and fans for abandoning Cornell's rock roots for an urban pop sound.
ICED EARTH will embark on a tour of South America and Mexico in March.
Commented ICED EARTH guitarist Jon Schaffer: "We are really excited to go back to South America and Mexico on our 'World Dystopia Tour'. We cannot wait to kick some serious ass with some of the world's greatest fans!"
The dates are as follows:
March 20 - Mexico City, Mexico - Gran Forum
March 22 - Caracas, Venezuela - Anfiteatro El Hatillo
March 24 - Sao Paulo, Brazil - Espaco Lux
March 25 - Curitiba, Brazil - Master Hall
March 27 - Porto Alegre, Brazil - Opiniao
March 28 - Buenos Aires, Argentina - El Teatro Flores
March 30 - Santiago, Chile - Teatro Teleton
ICED EARTH's new album, "Dystopia", sold around 6,100 copies in the United States in its first week of release to land at position No. 67 on The Billboard 200 chart.
ICED EARTH's previous CD, "The Crucible of Man (Something Wicked Part II)", opened with 6,700 units in September 2008 to debut at No. 79.
ICED EARTH's 10th studio offering, "Dystopia", was released in Europe on October 17 and in the U.S. on October 18 via Century Media Records. Two bonus tracks were also recorded for inclusion on special editions of the album.
ICED EARTH mainman/guitarist Jon Schaffer admitted the recording of "Dystopia" was especially challenging because of the band's summer festival gigs requiring him to criss-cross the ocean numerous times.
Despite the challenges, Schaffer said working with new vocalist Stu Block was "a pleasure."
"You just can't ask for a better attitude," said Schaffer. "Stu is so excited to be here. He brings a youthful exuberance to the band, which is a lot of fun. And he's a real dude. He's down to earth, and willing to try anything that Jim [Morris, co-producer, engineer] or I throw at him. He's stepping into the shoes in a very natural way."
Schaffer continued: "We're opening up a part of his voice and a style of singing that he didn't even really know he had. We're exploring this whole new range. And we're just getting started. I believe Stu will continue to grow — and has the potential to grow — into one of the greats, one of the guys that will go down in metal history. If he stays on this course, with the attitude that he has, his willingness to learn, and his passion, he's destined for really great things. I firmly believe that."
Commented ICED EARTH guitarist Jon Schaffer: "We are really excited to go back to South America and Mexico on our 'World Dystopia Tour'. We cannot wait to kick some serious ass with some of the world's greatest fans!"
The dates are as follows:
March 20 - Mexico City, Mexico - Gran Forum
March 22 - Caracas, Venezuela - Anfiteatro El Hatillo
March 24 - Sao Paulo, Brazil - Espaco Lux
March 25 - Curitiba, Brazil - Master Hall
March 27 - Porto Alegre, Brazil - Opiniao
March 28 - Buenos Aires, Argentina - El Teatro Flores
March 30 - Santiago, Chile - Teatro Teleton
ICED EARTH's new album, "Dystopia", sold around 6,100 copies in the United States in its first week of release to land at position No. 67 on The Billboard 200 chart.
ICED EARTH's previous CD, "The Crucible of Man (Something Wicked Part II)", opened with 6,700 units in September 2008 to debut at No. 79.
ICED EARTH's 10th studio offering, "Dystopia", was released in Europe on October 17 and in the U.S. on October 18 via Century Media Records. Two bonus tracks were also recorded for inclusion on special editions of the album.
ICED EARTH mainman/guitarist Jon Schaffer admitted the recording of "Dystopia" was especially challenging because of the band's summer festival gigs requiring him to criss-cross the ocean numerous times.
Despite the challenges, Schaffer said working with new vocalist Stu Block was "a pleasure."
"You just can't ask for a better attitude," said Schaffer. "Stu is so excited to be here. He brings a youthful exuberance to the band, which is a lot of fun. And he's a real dude. He's down to earth, and willing to try anything that Jim [Morris, co-producer, engineer] or I throw at him. He's stepping into the shoes in a very natural way."
Schaffer continued: "We're opening up a part of his voice and a style of singing that he didn't even really know he had. We're exploring this whole new range. And we're just getting started. I believe Stu will continue to grow — and has the potential to grow — into one of the greats, one of the guys that will go down in metal history. If he stays on this course, with the attitude that he has, his willingness to learn, and his passion, he's destined for really great things. I firmly believe that."
DOWN frontman Philip Anselmo has entered his studio, dubbed Nodferatu's Lair, to begin laying down vocals for the band's next release.
DOWN guitarist Kirk Windsteintold Radio Metal in June that the group was planning to release four separate EPs over the course of the next couple of years. "We're going to do four EPs, and they'll all be different," he said. "We have many elements to our sound, so each one will have its own characteristics. Like, for example, this one we're writing right now and are about to start recording will be really hard, with heavy DOWN stuff. Then we'll have a mellow one, then a doom one — you know, slower and doomy stuff. A little bit of everything."
Regarding why the band chose to release four EPs instead of a full album, Kirk said, "The record industry sucks so bad. Nobody buys anything. We're trying to do something different, making it cheaper to buy. People want stuff for free! So six songs, it's cheaper to buy. Same thing for downloading; it will be cheaper to download. Nobody wants to go to the record store and buy stuff anymore. So we're just trying to mix it up and do something different. It will be released on physical EP and digitally as well."
In an interview with The Delaware County Daily Times, DOWN guitarist Pepper Keenan stated about the band's next studio release, "We're kinda goin' backwards now. The first record came out a long time ago, so we're feeling that vibe and heading that way; real simple: stripped down and to the point."
He added, "I think we're going to try and do four EPs, and they're all going to be connected together with artwork. This will allow us to have a frontload, heavy as [expletive] EP, and maybe the second one could showcase some of the acoustic stuff we've been saving for awhile, and then continuing the four of them with a completely different style, and obviously the fourth one would be another doom-laden heavy one."
DOWN recently parted ways with bassist Rex Brown and replaced him with Patrick Bruders of CROWBAR. Keenan stated about the band's latest addition, "[Patrick's] ass-kickin' in the same way [as Rex was]. He plays with his fingers — wh
DOWN guitarist Kirk Windsteintold Radio Metal in June that the group was planning to release four separate EPs over the course of the next couple of years. "We're going to do four EPs, and they'll all be different," he said. "We have many elements to our sound, so each one will have its own characteristics. Like, for example, this one we're writing right now and are about to start recording will be really hard, with heavy DOWN stuff. Then we'll have a mellow one, then a doom one — you know, slower and doomy stuff. A little bit of everything."
Regarding why the band chose to release four EPs instead of a full album, Kirk said, "The record industry sucks so bad. Nobody buys anything. We're trying to do something different, making it cheaper to buy. People want stuff for free! So six songs, it's cheaper to buy. Same thing for downloading; it will be cheaper to download. Nobody wants to go to the record store and buy stuff anymore. So we're just trying to mix it up and do something different. It will be released on physical EP and digitally as well."
In an interview with The Delaware County Daily Times, DOWN guitarist Pepper Keenan stated about the band's next studio release, "We're kinda goin' backwards now. The first record came out a long time ago, so we're feeling that vibe and heading that way; real simple: stripped down and to the point."
He added, "I think we're going to try and do four EPs, and they're all going to be connected together with artwork. This will allow us to have a frontload, heavy as [expletive] EP, and maybe the second one could showcase some of the acoustic stuff we've been saving for awhile, and then continuing the four of them with a completely different style, and obviously the fourth one would be another doom-laden heavy one."
DOWN recently parted ways with bassist Rex Brown and replaced him with Patrick Bruders of CROWBAR. Keenan stated about the band's latest addition, "[Patrick's] ass-kickin' in the same way [as Rex was]. He plays with his fingers — wh
Candlelight Records last month announced the signing of CORROSION OF CONFORMITY to a worldwide deal. Since early this year, the band — featuring the esteemed "Animosity" lineup of vocalist/bassist Mike Dean, guitarist Woody Weatherman, and drummer/vocalist Reed Mullin — has been working with long-time producer John Custer. Now nearly complete, their still-untitled eighth studio album is planned for release early in the New Year. Songtitles set to appear on the CD include "River Of Stone", "Psychic Vampire", "Leeches", "Rat City", "The Moneychangers" and "What We Become".
When asked if fans can expect any big changes to the band's sound, Dean told AOL's Noisecreep, "What's new is what was old. It's the three piece lineup from 'Animosity'. While we're not focusing on recreating that sound deliberately, there are some fast tempos and aggressive riffs but it's a reflection of where we're at today."
Regarding what the impetus was for wanting to record again, Dean said, "The impetus was rockers make rock and we were sitting home, busy with other shit, not making any rock, so it was time to take back the means of expression and express ourselves. It was our intention to come out with a new collection of songs last year when we started playing out again. We came out of the box playing a few of them and gradually accumulated enough to record a very good album."
He added, "My head space personally is one of trying to maintain some even-keeled excitement as we go into mixing this album. We have some work that we're really proud of and we just need to allow it to come together without over-thinking it. It's also one of gratitude to have the change to do this one more time. Whether any one gives a sshit or not, I firmly believe this will be among our best records."
Mullin co-founded CORROSION OF CONFORMITY in 1982 as a hardcore punk act alongside Weatherman and Dean before leaving the band in 2001 amidst health concerns.
CORROSION OF CONFORMITY's latest album, "In the Arms of God", came out in 2005 on Sanctuary Records. The group's first collection of new material since 2000's "America's Volume Dealer" was produced by C.O.C.'s longtime collaborator John Custer.
When asked if fans can expect any big changes to the band's sound, Dean told AOL's Noisecreep, "What's new is what was old. It's the three piece lineup from 'Animosity'. While we're not focusing on recreating that sound deliberately, there are some fast tempos and aggressive riffs but it's a reflection of where we're at today."
Regarding what the impetus was for wanting to record again, Dean said, "The impetus was rockers make rock and we were sitting home, busy with other shit, not making any rock, so it was time to take back the means of expression and express ourselves. It was our intention to come out with a new collection of songs last year when we started playing out again. We came out of the box playing a few of them and gradually accumulated enough to record a very good album."
He added, "My head space personally is one of trying to maintain some even-keeled excitement as we go into mixing this album. We have some work that we're really proud of and we just need to allow it to come together without over-thinking it. It's also one of gratitude to have the change to do this one more time. Whether any one gives a sshit or not, I firmly believe this will be among our best records."
Mullin co-founded CORROSION OF CONFORMITY in 1982 as a hardcore punk act alongside Weatherman and Dean before leaving the band in 2001 amidst health concerns.
CORROSION OF CONFORMITY's latest album, "In the Arms of God", came out in 2005 on Sanctuary Records. The group's first collection of new material since 2000's "America's Volume Dealer" was produced by C.O.C.'s longtime collaborator John Custer.
W.A.S.P. has been confirmed for next year's installment of the Metalfest festival.
Metalfest 2012 festival billing so far:
ALESTORM
BEHEMOTH
BLIND GUARDIAN
DEATH ANGEL
ENSIFERUM
HYPOCRISY
IN EXTREMO
KREATOR
LEGION OF THE DAMNED
POWERWOLF
SALTATIO MORTIS
VADER
W.A.S.P.
Metalfest 2011 was a huge success, having taken place over two weekends in five countries. Bands such as SABATON, CRADLE OF FILTH, AMON AMARTH, ARCH ENEMY and AMORPHIS rocked the Metalfest stages this year, with almost 100,000 fans in attendance.
Metalfest 2012 will be expanding to nine events in eight countries. In addition to the five locations from this year, there will be Metalfests in Italy, Poland and Croatia, with a second Metalfest in Germany set to take place in Loreley.
Metalfest 2012 dates:
May 31 - June 2, 2012 - Mining, Metalfest Austria
May 31 - June 2, 2012 - Dessau, Metalfest Germany/East
June 1 - June 3, 2012 - Jaworzno, Metalfest Poland
June 3 - June 5, 2012 - Zadar, Metalfest Croatia
June 5 - June 7, 2012 - Milan, Metalfest Italy
June 7 - June 9, 2012 - Loreley, Metalfest Germany/West
June 7 - June 10, 2012 - Pratteln, Metalfest Switzerland
June 9 - June 10, 2012 - Plzen, Metalfest Czech Republic
Note: BLIND GUARDIAN will not play Metalfest in Dessau.
For more information, visit www.metalfest.eu.
Metalfest 2012 festival billing so far:
ALESTORM
BEHEMOTH
BLIND GUARDIAN
DEATH ANGEL
ENSIFERUM
HYPOCRISY
IN EXTREMO
KREATOR
LEGION OF THE DAMNED
POWERWOLF
SALTATIO MORTIS
VADER
W.A.S.P.
Metalfest 2011 was a huge success, having taken place over two weekends in five countries. Bands such as SABATON, CRADLE OF FILTH, AMON AMARTH, ARCH ENEMY and AMORPHIS rocked the Metalfest stages this year, with almost 100,000 fans in attendance.
Metalfest 2012 will be expanding to nine events in eight countries. In addition to the five locations from this year, there will be Metalfests in Italy, Poland and Croatia, with a second Metalfest in Germany set to take place in Loreley.
Metalfest 2012 dates:
May 31 - June 2, 2012 - Mining, Metalfest Austria
May 31 - June 2, 2012 - Dessau, Metalfest Germany/East
June 1 - June 3, 2012 - Jaworzno, Metalfest Poland
June 3 - June 5, 2012 - Zadar, Metalfest Croatia
June 5 - June 7, 2012 - Milan, Metalfest Italy
June 7 - June 9, 2012 - Loreley, Metalfest Germany/West
June 7 - June 10, 2012 - Pratteln, Metalfest Switzerland
June 9 - June 10, 2012 - Plzen, Metalfest Czech Republic
Note: BLIND GUARDIAN will not play Metalfest in Dessau.
For more information, visit www.metalfest.eu.
Finnish fantasy metallers BATTLELORE have released the following statement:
"BATTLELORE played their last foreign show for the time being in Belgium, at Metal Female Voices Fest IX, on Friday, October 21st 2011. After that the band is going on an indefinite break from touring and making music. This is not the end, however, just a time-out to focus on other aspects of life and build up more creative energy for the future. The plan is to play one more show in Finland before the break to thank the Finnish fans for their support over the years. The details of the last show are not confirmed yet but will be announced as soon as the information comes.
"There's no drama behind the decision to go on break, just a need to take a step back and have a breather.
"We want to thank all of our associates and supporters for the help and work over the past nearly 12 years. We've been lucky to have met and worked with such wonderful people! The biggest thanks definitely go to our amazing fans, without whom none of this would've been possible. We are honoured to have met you all and are humbled by your generosity and support! You all have a place in our hearts and we will always cherish the amazing moments we've shared with you on and off stage. THANK YOU!"
BATTLELORE's sixth full-length album, "Doombound", was released in January via Napalm Records. The band's first conceptual effort, features lyrics which "tell the story of J.R.R. Tolkien's tragic hero Túrin Turambar and his kin," according to a press release. "One of the songs is sung completely in Finnish in appreciation to BATTLELORE's beautiful home country Finland and Kalevala, the national Finnish epic. The songs themselves are more dynamic, atmospheric and epic than ever before."
"BATTLELORE played their last foreign show for the time being in Belgium, at Metal Female Voices Fest IX, on Friday, October 21st 2011. After that the band is going on an indefinite break from touring and making music. This is not the end, however, just a time-out to focus on other aspects of life and build up more creative energy for the future. The plan is to play one more show in Finland before the break to thank the Finnish fans for their support over the years. The details of the last show are not confirmed yet but will be announced as soon as the information comes.
"There's no drama behind the decision to go on break, just a need to take a step back and have a breather.
"We want to thank all of our associates and supporters for the help and work over the past nearly 12 years. We've been lucky to have met and worked with such wonderful people! The biggest thanks definitely go to our amazing fans, without whom none of this would've been possible. We are honoured to have met you all and are humbled by your generosity and support! You all have a place in our hearts and we will always cherish the amazing moments we've shared with you on and off stage. THANK YOU!"
BATTLELORE's sixth full-length album, "Doombound", was released in January via Napalm Records. The band's first conceptual effort, features lyrics which "tell the story of J.R.R. Tolkien's tragic hero Túrin Turambar and his kin," according to a press release. "One of the songs is sung completely in Finnish in appreciation to BATTLELORE's beautiful home country Finland and Kalevala, the national Finnish epic. The songs themselves are more dynamic, atmospheric and epic than ever before."
DEATH ANGEL and TRAIL OF TEARS are the first two confirmed bands for next year's edition of the Dokk'em Open Air festival, set to take place June 29-30, 2012 at Spriens Raard in Dokkum, Netherlands. DEATH ANGEL will perform its classic 1987 debut album, "The Ultra-Violence", in its entirety at the event.
Raard is a mound in the village Dongeradeel in one of the most beautiful areas of the province of Friesland.
Raard is a mound in the village Dongeradeel in one of the most beautiful areas of the province of Friesland.
VAN HALEN is rumored to be making a "special live announcement" at the Grammy Nominations Concert Live in Los Angeles. The 54th annual Grammy Awards' nominations will be announced on Wednesday, November 30, at 10 p.m. live from Nokia Theatre L.A. Live., and will be broadcast by the CBS network.
Toward the end of yesterday's (Thursday, November 3) press release from The Recording Academy, which produces the Grammy Awards, it was revealed that the Grammy Nominations Concert Live will feature "a special, live announcement from an iconic group regarding their historic band reunion set to take place" on the Grammy stage on February 12, 2012. This was followed up by a tweet from the official Grammys Twitter account which read: "Who do u predict the reuniting band will be @ #GRAMMYnoms? Does this hint make u wanna 'Jump' & 'Dance the Night Away'?"
Grammy Nominations Concert Live will once again be hosted by the two-time Grammy winner and producer of the show LL Cool J.
The 54th annual Grammy Awards will be broadcast live on the CBS television network at Staples Center in Los Angeles on Sunday, February 12, 2012 at 8 p.m.
VAN HALEN's already completed new studio album — its first in 27 years to feature original singer David Lee Roth — is expected to arrive early next year.
Producer Ross Hogarth spoke with Ultimate-Guitar.com about the work he did on the project, saying, "The whole VAN HALEN record has been recorded and we're all excited. I'm really stoked about it, as it is the original band, Eddie and Alex with Wolf [Eddie's son] playing bass, and David Lee Roth singing, it's the killing side of VAN HALEN at the top of their game again with Diamond Dave, and the band on fire."
VAN HALEN reunited with Roth in 2007 for a successful year-long reunion tour — minus original bassist Michael Anthony, who now plays with ex-VAN HALEN singer Sammy Hagar in CHICKENFOOT.
Toward the end of yesterday's (Thursday, November 3) press release from The Recording Academy, which produces the Grammy Awards, it was revealed that the Grammy Nominations Concert Live will feature "a special, live announcement from an iconic group regarding their historic band reunion set to take place" on the Grammy stage on February 12, 2012. This was followed up by a tweet from the official Grammys Twitter account which read: "Who do u predict the reuniting band will be @ #GRAMMYnoms? Does this hint make u wanna 'Jump' & 'Dance the Night Away'?"
Grammy Nominations Concert Live will once again be hosted by the two-time Grammy winner and producer of the show LL Cool J.
The 54th annual Grammy Awards will be broadcast live on the CBS television network at Staples Center in Los Angeles on Sunday, February 12, 2012 at 8 p.m.
VAN HALEN's already completed new studio album — its first in 27 years to feature original singer David Lee Roth — is expected to arrive early next year.
Producer Ross Hogarth spoke with Ultimate-Guitar.com about the work he did on the project, saying, "The whole VAN HALEN record has been recorded and we're all excited. I'm really stoked about it, as it is the original band, Eddie and Alex with Wolf [Eddie's son] playing bass, and David Lee Roth singing, it's the killing side of VAN HALEN at the top of their game again with Diamond Dave, and the band on fire."
VAN HALEN reunited with Roth in 2007 for a successful year-long reunion tour — minus original bassist Michael Anthony, who now plays with ex-VAN HALEN singer Sammy Hagar in CHICKENFOOT.
In 1971, Norwegian singer Anita Hegerland and German artist Roy Black stormed the charts with the song "Schön Ist Es Auf Der Welt Zu Sein". The joyous tune, and especially its catchy refrain, took the heart of listeners by storm and became an instant classic.
Now, after 40 years since its original release, Anita joins forces with Chris Boltendahl of the legendary German rock band GRAVE DIGGER to present a brand-new version of this classic tune.
Hegerland explains, "Roy was a true rocker in his heart, and I wanted to do this version as a tribute to him! He would have loved it!" She adds, "He loved old American and English rock heroes like Elvis Presley, Roy Orbison (hence the name Roy Black), QUEEN, LED ZEPPELIN, etc."
The new version is now available digitally via Amazon and iTunes.
Anita and Chris Boltendahl succeed in staying respectful to the original, while infusing the song with a new-found energy. This harkens back to Roy's attitude of always "renewing yourself." Young and old should make sure to risk an ear and listen to this rockin' and rollin' tribute to Roy Black.
Now, after 40 years since its original release, Anita joins forces with Chris Boltendahl of the legendary German rock band GRAVE DIGGER to present a brand-new version of this classic tune.
Hegerland explains, "Roy was a true rocker in his heart, and I wanted to do this version as a tribute to him! He would have loved it!" She adds, "He loved old American and English rock heroes like Elvis Presley, Roy Orbison (hence the name Roy Black), QUEEN, LED ZEPPELIN, etc."
The new version is now available digitally via Amazon and iTunes.
Anita and Chris Boltendahl succeed in staying respectful to the original, while infusing the song with a new-found energy. This harkens back to Roy's attitude of always "renewing yourself." Young and old should make sure to risk an ear and listen to this rockin' and rollin' tribute to Roy Black.
Drummer Daniel Svensson of Swedish metallers IN FLAMES will take part in an online chat via Yowie this coming Monday, November 7 at 2 p.m. PST / 10 p.m. CET. He will make a major announcement for IN FLAMES' North American fans as well as take questions from everyone. Head over to this location on Monday to hear the announcement.
IN FLAMES will has scheduled signing sessions before their shows in Stockholm and Gothenburg later this month.
Friday, November 18 from 3:30 p.m. to 4:30 p.m.
Bengans Skivbutik
Drottninggatan 20
111 51 Stockholm
Saturday, November 19 from 1 p.m. to 2 p.m.
Rocks - Femmanhuset (Nordstan)
Postgatan 26-32
411 06 Göteborg
IN FLAMES will release the "Where The Dead Ships Dwell" digital single later this month containing three completely different remixes. With versions by German rapper Casper, drum-and-bass act THE QEMISTS and Kristof Bathory, vocalist of the black metal band DAWN OF ASHES, there should be something everyone can enjoy.
"The songs have already been made and the originals are as good as they can be, but what if I give them to an artist from a whole different genre, what would be there take on it?" said Anders Fridén. "I love collaborations like this and all the artists we worked with have done an awesome job. It's not meant to be taken dead serious and it's not how In Flames is gonna sound next, but I love it and I hope you'll enjoy a twist to the formula."
The track listing for the single is as follows:
01. Where The Dead Ships Dwell
02. Where The Dead Ships Dwell (Casper Remix)
03. Where The Dead Ships Dwell (The Qemists Remix)
04. Where The Dead Ships Dwell (Kristof Bathory - Dawn of Ashes Remix) (iTunes-exclusive track)
IN FLAMES' tenth album, "Sounds Of A Playground Fading", sold around 14,000 copies in the United States in its first week of release to debut at position No. 27 on The Billboard 200 chart.
IN FLAMES' previous CD, "A Sense of Purpose" (Koch) opened with 20,000 units to land at No. 28. This was slightly less than the opening tally of "Come Clarity" (Ferret), which shifted just under 24,000 copies in February 2006 to enter the chart at position No. 58.
IN FLAMES will has scheduled signing sessions before their shows in Stockholm and Gothenburg later this month.
Friday, November 18 from 3:30 p.m. to 4:30 p.m.
Bengans Skivbutik
Drottninggatan 20
111 51 Stockholm
Saturday, November 19 from 1 p.m. to 2 p.m.
Rocks - Femmanhuset (Nordstan)
Postgatan 26-32
411 06 Göteborg
IN FLAMES will release the "Where The Dead Ships Dwell" digital single later this month containing three completely different remixes. With versions by German rapper Casper, drum-and-bass act THE QEMISTS and Kristof Bathory, vocalist of the black metal band DAWN OF ASHES, there should be something everyone can enjoy.
"The songs have already been made and the originals are as good as they can be, but what if I give them to an artist from a whole different genre, what would be there take on it?" said Anders Fridén. "I love collaborations like this and all the artists we worked with have done an awesome job. It's not meant to be taken dead serious and it's not how In Flames is gonna sound next, but I love it and I hope you'll enjoy a twist to the formula."
The track listing for the single is as follows:
01. Where The Dead Ships Dwell
02. Where The Dead Ships Dwell (Casper Remix)
03. Where The Dead Ships Dwell (The Qemists Remix)
04. Where The Dead Ships Dwell (Kristof Bathory - Dawn of Ashes Remix) (iTunes-exclusive track)
IN FLAMES' tenth album, "Sounds Of A Playground Fading", sold around 14,000 copies in the United States in its first week of release to debut at position No. 27 on The Billboard 200 chart.
IN FLAMES' previous CD, "A Sense of Purpose" (Koch) opened with 20,000 units to land at No. 28. This was slightly less than the opening tally of "Come Clarity" (Ferret), which shifted just under 24,000 copies in February 2006 to enter the chart at position No. 58.
Warrant founder and guitarist Erik Turner said there will be plenty from the '80s and '90s at their concert Friday at Pechanga Resort & Casino, except one thing.
White leather outfits from the music video of their 1989 power ballad "Heaven."
Glam rock 'n' roll band Warrant (Courtesy photo)hite leather outfits from the music video for 1989's power ballad "Heaven."
But that doesn't mean the decades-old band of "Cherry Pie," "Sometimes She Cries" and "Down Boys" fame has altered their glam rock ways.
"We dress rock 'n' roll. Doesn't matter how old you are. You want to look cool," said Turner, a Murrieta resident of eight years.
Turner said the band, formed in 1984, will be playing all of their hits.
"If you grew up during that time or you're interested in music … you'll have a blast," said Turner, who noted that Skid Row, also playing at the double-billed show, will be performing all of their hits.
"I feel so lucky and so blessed that people still come out and see is," he added.
Only performing about 50 shows a year, Turner and the rest of the band — guitarist Joey Allen, bassist Jerry Dixon, front man Robert Mason, drummer Steven Sweet — will be performing more than just the Billboard-charting singles for a "real good blast of the past." The group will be taking tracks from its latest release "Rockaholic" (May 2011), their eighth studio album. Keith Olsen (Fleetwood Mac, Whitesnake, Grateful Dead) produced the album.
"(Fans) feel like (Rockaholic) could … fit in with our first two records," Turner said. "We spent a couple years writing songs. … We're all really proud of it. It's our new baby. (Olsen) brought so much to the table."
CONCERT
Warrant and Skid Row
When: 8 p.m. Friday
Where: Pechanga Resort & Casino, 45000 Pechanga Parkway, Temecula
Tickets: $30-$45, available online, at the box office or by calling 877-711-2946
More info: pechanga.com
Connect: warrantrocks.com
The latest album features Mason's vocals, the third front man of the band. Turner said Mason takes pride in his voice, as well as right measures to maintain it.
"We have a phenomenal front man," Turner said. "He really respects the catalog."
Of course, that catalog was built on the vocals of original front man Jani Lane, who died from alcohol poisoning in August at age 47.
Warrant attempted a reunion tour in 2008 with Lane, but their efforts ultimately were thwarted by Lane's continued alcoholism.
Turner, who hadn't spoken with Lane for three years since the '08 reunion, said Lane's death, like anyone's from addiction, is tragic.
"(Lane's) somebody that I spent a lot of time with," said Turner, who recalled sharing many good memories. "We had some bad times, as well. It's just sad and so awful for his family and kids. And we're sad, too. We wanted him to be in the band."
But in 2008, despite Turner hiring Dr. Drew Pinsky and facilitating three rehabs in a nine-month span amid hospital visits, Lane wasn't getting better and was found inebriated more often than not. Turner said the band stayed sober for Lane's sake. They eliminated alcohol from riders, backstage and the bus.
"We kept giving him chance after chance after chance," said Turner, who said Lane was often "drunk out of his mind" and "semi-belligerant." "This guy (didn't) even know what planet he's on. All those demons came back, and it made it impossible to function with Jani. … It was a nightmare."
Turner said the situation not only was tragic for Lane's sake, but for the band. Everyone's excitement over the reunion was soon diminished. And after facing the reality that Lane and the tour weren't getting better, Warrant realized it wasn't working for them either.
Turner said it's hard for people to understand addiction — "the tornado that it is, the hole that it is," he said.
"It's an emotional roller coaster," said Turner, who said he finally made the call for him and his family's sake that Lane wasn't going to "ruin my life, too."
Warrant recruited Mason to take Lane's place at the end of the reunion tour.
Warrant founder and guitarist Erik Turner, who lives in Murrieta (Courtesy photo)
"I can sleep at night knowing I did everything I could," Turner said. "It's really sad that Lane couldn't break his addiction."
Right now, Turner is focusing on taking Warrant into the future with the possibility of doing a live DVD with bonus features sometime next year. Warrant already has begun writing new music.
"I'm already starting to get excited for the new record," Turner said.
A new single, a ballad titled "Home," as well as its music video recently shot in Reno, will be released in January. He said audience members at Pechanga will get to hear it.
In December, Turner said the 2008 edition of their Napa-grown "Warrant Red" wine, sold via artistwine.com, should be released. He said a 2007 blend, which won a silver medal at the San Francisco Chronicle's annual wine contest, has already sold out or is close to it.
The band also is looking for writers to help put together a Warrant autobiography.
"I'd love to tell our story," Turner said.
After Friday's concert, Turner said the band is going to take a holiday break and relax until February 2012 when everyone will "fire back up."
Turner said while he remains proud of the band's accomplishments, there's still more he would like to do with the group.
"If it all finished tomorrow, I'm 90 percent satisfied, I guess. I still feel like this band has a lot to offer," Turner said. "I'm proud that we've been able to do this professionally for 23 years."
Members of HATEBREED, SHADOWS FALL and ALL THAT REMAINS have reacted to the passing of GWAR guitarist Cory Smoot (a.k.a. Flattus Maximus).
Cory was found dead as the U.S. band was about to enter Canada on Thursday morning. He was 34 years old.
Jamey Jasta (HATEBREED, KINGDOM OF SORROW): "[Rest in peace], Cory Smoot. Such a good dude. Some of my best road memories are from touring with GWAR. This is a sad day. He will be missed."
Brian Fair (SHADOWS FALL): "Incredibly saddened to hear about the passing of Cory of GWAR. I'm glad we were able to share many stages. Much love to the GWAR family."
Philip Labonte (ALL THAT REMAINS): "My condolences to the GWAR family. Cory was awesome and will be missed."
Devin Townsend: "Oh my God... [Rest in peace] Cory Smoot. See you brother, peace. ...fuck."
GWAR is two weeks into a six-week North American tour, which features three other bands — EVERY TIME I DIE, GHOUL and WARBEAST.
According to the Edmonton Journal, GWAR will still perform Friday at Edmonton Event Centre in Edmonton, Alberta, Canada.
Manager Jack Flanagan told the Associated Press there's no word yet on funeral arrangements or the rest of the tour.
GWAR lead singer Dave Brockie, also known as Oderus Urungus, said in a statement that "at this point we are just dealing with the loss of our dear friend and brother" and asked for privacy.
He called Smoot "one of the most talented guitar players in metal today."
Smoot joined GWAR in 2002 and first appeared on the band's 2004 album "War Party". He was the fifth guitarist to play the character of Flattus Maximus, known by his red face, white dreadlocks, dinosaur-head shoulder pads and reptile feet.
Born August 25, 1977, Smoot previously played in metal bands MISGUIDED and LOCUS FACTOR and continued to play with MENSREA, in addition to establishing his own solo project, THE CORY SMOOT EXPERIMENT.
Cory was found dead as the U.S. band was about to enter Canada on Thursday morning. He was 34 years old.
Jamey Jasta (HATEBREED, KINGDOM OF SORROW): "[Rest in peace], Cory Smoot. Such a good dude. Some of my best road memories are from touring with GWAR. This is a sad day. He will be missed."
Brian Fair (SHADOWS FALL): "Incredibly saddened to hear about the passing of Cory of GWAR. I'm glad we were able to share many stages. Much love to the GWAR family."
Philip Labonte (ALL THAT REMAINS): "My condolences to the GWAR family. Cory was awesome and will be missed."
Devin Townsend: "Oh my God... [Rest in peace] Cory Smoot. See you brother, peace. ...fuck."
GWAR is two weeks into a six-week North American tour, which features three other bands — EVERY TIME I DIE, GHOUL and WARBEAST.
According to the Edmonton Journal, GWAR will still perform Friday at Edmonton Event Centre in Edmonton, Alberta, Canada.
Manager Jack Flanagan told the Associated Press there's no word yet on funeral arrangements or the rest of the tour.
GWAR lead singer Dave Brockie, also known as Oderus Urungus, said in a statement that "at this point we are just dealing with the loss of our dear friend and brother" and asked for privacy.
He called Smoot "one of the most talented guitar players in metal today."
Smoot joined GWAR in 2002 and first appeared on the band's 2004 album "War Party". He was the fifth guitarist to play the character of Flattus Maximus, known by his red face, white dreadlocks, dinosaur-head shoulder pads and reptile feet.
Born August 25, 1977, Smoot previously played in metal bands MISGUIDED and LOCUS FACTOR and continued to play with MENSREA, in addition to establishing his own solo project, THE CORY SMOOT EXPERIMENT.
GWAR frontman Dave Brockie (who goes by the stage name Oderus Urungus) has released the following statement regarding the passing of the band's guitarist Cory Smoot (a.k.a. Flattus Maximus):
"After a restless night spent hurtling through the desolate Canadian wilderness, I crawled from my bunk on the tour bus to face reality, grudgingly aware that the the dark dream that gripped us would not fade with the day. We have lost a brother, a husband, a son, and one of the most talented musicians that ever slung an ax. Cory Smoot, longtime lead guitar player for the band GWAR, has passed at the age of 34.
"As the singer of GWAR and one of his best friends, I feel it is my duty to try and answer some of the questions that surround his tragic and untimely death. I know the sense of loss and pain is far greater in scope than in the insulated environment of a band on tour, and I will do my best to provide what clarity and comfort I can.
"The most glaring question is how? And unfortunately that is the hardest question to answer. The truth will not be known until the medical officials have finished their work. All I can do is relate what we saw with our own eyes.
"The last time I saw Cory was after our show in Minneapolis on Wednesday night. It was a great show at First Avenue in Minneapolis, one of our favorite places to play. Cory was happy. He was excited about the band and especially the new studio he was building in the Slave Pit back in Richmond. He was deeply in love with his wife, Jamie, and was busily planning their family and future in the beautiful home they had. As usual, after some autographs and banter, I was probably the first person in their bunk as we got ready for a big drive into Canada, and Cory and the rest of the guys were not far behind. As I fell into the slumber that only playing GWAR shows can induce, everything seemed right in the world.
"We found Cory the next morning as we collected passports for a border crossing. He was in his bunk, unresponsive, and it quickly was clear that he was dead. It was without a doubt the most horrible moment of my life. That's all I can say about it.
"Within moments, everybody was off the bus, standing in a wind-swept parking lot in the middle of nowhere, trying to come to grips with the shock of it. First the ambulance arrived, and then the police, but there was nothing that could be done other than fully investigate the scene and remove Cory with care and respect.
"We are completely devastated and shocked beyond belief. One night we had our friend and colleague, happy and healthy in the middle of our best tour in years — and the next morning, so suddenly, he was gone. Never have I seen starker proof of the fragility of life.
"Cory will be transported home to Richmond over the next few days, and an announcement regarding services will be made soon.
"We ask everyone to respect the family's wish for privacy, and especially to keep his wife, Jamie, in your thoughts and prayers.
"As we work our way through these difficult days the question is — what will GWAR do? After a lot of consideration, we have decided to carry on with the tour. Although the great temptation would be to return home, curl into a fetal position, and mourn, we can't do that. First off, Cory wouldn't want that. He would want us to go on and would be pissed if we didn't. Plus we know the fans don't want us to quit. They are going to want a chance to come to grips with their loss, and there is no better place to do that than at a GWAR show. Though it's hard to believe, I think we all would feel a lot worse if we stopped. For better or worse, we have to see this through. That doesn't mean that Cory will make his final journey without us. When the arrangements have been finalized, Cory's best friend and GWAR's music tech Dave 'Gibby' Gibson and myself will return home to attend the services and pay the proper respects to our comrade.
"Out of respect to Cory, we have officially retired the character of Flattus Maximus. Flattus has decided to return to his beloved 'Planet Home' and will never return to this mudball planet again. And this is a sadder place for that.
"Just the other day I heard Cory tell a story about how some 20 years ago he was fourteen years old, at his first GWAR show, grabbing at the rubber feet of our then-current Flattus, and how blown away he was at the fact that now HE was the one getting his feet pulled by the same kid that he used to be.
"Cory was always in awe of the patterns of life and went through it with a wide-eyed amazement that translated through his playing. I've never known anyone who could pick up literally any instrument and rock it the first time he touched it, and more than that make it look easy. Behind that rubber monster outfit, and sometimes even obscured by it, was one of the most talented and beautiful people I have ever known. I know everyone whose life was touched by Cory truly loved him, as do we, his bandmates and brothers.
"There should be some kind of announcement soon regarding services, etc. It would be great to have a memorial show at some point soon, where some of the bands that Cory worked with could come together and show their love for this truly amazing man who left us all too soon and will be sorely missed by many, many people."
GWAR is two weeks into a six-week North American tour, which features three other bands — EVERY TIME I DIE, GHOUL and WARBEAST.
Smoot joined GWAR in 2002 and first appeared on the band's 2004 album "War Party". He was the fifth guitarist to play the character of Flattus Maximus, known by his red face, white dreadlocks, dinosaur-head shoulder pads and reptile feet.
Born August 25, 1977, Smoot previously played in metal bands MISGUIDED and LOCUS FACTOR and continued to play with MENSREA, in addition to establishing his own solo project, THE CORY SMOOT EXPERIMENT.
"After a restless night spent hurtling through the desolate Canadian wilderness, I crawled from my bunk on the tour bus to face reality, grudgingly aware that the the dark dream that gripped us would not fade with the day. We have lost a brother, a husband, a son, and one of the most talented musicians that ever slung an ax. Cory Smoot, longtime lead guitar player for the band GWAR, has passed at the age of 34.
"As the singer of GWAR and one of his best friends, I feel it is my duty to try and answer some of the questions that surround his tragic and untimely death. I know the sense of loss and pain is far greater in scope than in the insulated environment of a band on tour, and I will do my best to provide what clarity and comfort I can.
"The most glaring question is how? And unfortunately that is the hardest question to answer. The truth will not be known until the medical officials have finished their work. All I can do is relate what we saw with our own eyes.
"The last time I saw Cory was after our show in Minneapolis on Wednesday night. It was a great show at First Avenue in Minneapolis, one of our favorite places to play. Cory was happy. He was excited about the band and especially the new studio he was building in the Slave Pit back in Richmond. He was deeply in love with his wife, Jamie, and was busily planning their family and future in the beautiful home they had. As usual, after some autographs and banter, I was probably the first person in their bunk as we got ready for a big drive into Canada, and Cory and the rest of the guys were not far behind. As I fell into the slumber that only playing GWAR shows can induce, everything seemed right in the world.
"We found Cory the next morning as we collected passports for a border crossing. He was in his bunk, unresponsive, and it quickly was clear that he was dead. It was without a doubt the most horrible moment of my life. That's all I can say about it.
"Within moments, everybody was off the bus, standing in a wind-swept parking lot in the middle of nowhere, trying to come to grips with the shock of it. First the ambulance arrived, and then the police, but there was nothing that could be done other than fully investigate the scene and remove Cory with care and respect.
"We are completely devastated and shocked beyond belief. One night we had our friend and colleague, happy and healthy in the middle of our best tour in years — and the next morning, so suddenly, he was gone. Never have I seen starker proof of the fragility of life.
"Cory will be transported home to Richmond over the next few days, and an announcement regarding services will be made soon.
"We ask everyone to respect the family's wish for privacy, and especially to keep his wife, Jamie, in your thoughts and prayers.
"As we work our way through these difficult days the question is — what will GWAR do? After a lot of consideration, we have decided to carry on with the tour. Although the great temptation would be to return home, curl into a fetal position, and mourn, we can't do that. First off, Cory wouldn't want that. He would want us to go on and would be pissed if we didn't. Plus we know the fans don't want us to quit. They are going to want a chance to come to grips with their loss, and there is no better place to do that than at a GWAR show. Though it's hard to believe, I think we all would feel a lot worse if we stopped. For better or worse, we have to see this through. That doesn't mean that Cory will make his final journey without us. When the arrangements have been finalized, Cory's best friend and GWAR's music tech Dave 'Gibby' Gibson and myself will return home to attend the services and pay the proper respects to our comrade.
"Out of respect to Cory, we have officially retired the character of Flattus Maximus. Flattus has decided to return to his beloved 'Planet Home' and will never return to this mudball planet again. And this is a sadder place for that.
"Just the other day I heard Cory tell a story about how some 20 years ago he was fourteen years old, at his first GWAR show, grabbing at the rubber feet of our then-current Flattus, and how blown away he was at the fact that now HE was the one getting his feet pulled by the same kid that he used to be.
"Cory was always in awe of the patterns of life and went through it with a wide-eyed amazement that translated through his playing. I've never known anyone who could pick up literally any instrument and rock it the first time he touched it, and more than that make it look easy. Behind that rubber monster outfit, and sometimes even obscured by it, was one of the most talented and beautiful people I have ever known. I know everyone whose life was touched by Cory truly loved him, as do we, his bandmates and brothers.
"There should be some kind of announcement soon regarding services, etc. It would be great to have a memorial show at some point soon, where some of the bands that Cory worked with could come together and show their love for this truly amazing man who left us all too soon and will be sorely missed by many, many people."
GWAR is two weeks into a six-week North American tour, which features three other bands — EVERY TIME I DIE, GHOUL and WARBEAST.
Smoot joined GWAR in 2002 and first appeared on the band's 2004 album "War Party". He was the fifth guitarist to play the character of Flattus Maximus, known by his red face, white dreadlocks, dinosaur-head shoulder pads and reptile feet.
Born August 25, 1977, Smoot previously played in metal bands MISGUIDED and LOCUS FACTOR and continued to play with MENSREA, in addition to establishing his own solo project, THE CORY SMOOT EXPERIMENT.
British/American grindcore pioneers NAPALM DEATH are putting the finishing touches on their 14th studio album (excluding the cover album "Leaders Not Followers"). This new piece of brutality is entitled "Utilitarian", and it will hit stores on February 27 in Europe and February 28 in North America via the band's longtime partner, Century Media Records. The cover artwork (see below) perfectly fits the album's theme and was created by the Danish artist Frode Sylthe, who is also responsible for THE HAUNTED's "rEVOLVEr" artwork.
Singer Mark "Barney" Greenway explains the album title and concept: "After some deliberation, we have decided on 'Utilitarian' as the album title. We generally try to avoid generic titles, and this seemed to have a lot of scope to it. I won't explain the full meaning of utilitarianism here because it's an ethical theory, and as ethical theories go, the depth and debate around it is quite heavy at times. It has a certain 'morality' aspect to it and that isn't something that drives me, so I also certainly have issues with it."
"So, rather than just nail that straight to the mast, of course we wanted to put our own spin on it by suggesting that those (i.e. the utilitarian in us, perhaps) who try to challenge everything, or fight against conventions, well, we go through periods of real self-doubt where we wonder if we're really making a difference. I suppose the conclusion is that, for the sake of all our freedoms, you should never stop, as even the feeling of resistance is at least a signal to those who would like to entirely control and dominate us — meaning everything from our instinctive behavior to our human entitlement to walk the earth unprovoked.
"Regarding the album overall, the final creases should be ironed out fairly soon, and immediately after that, we thought it would be good to top it off with a few U.K. dates. We've been playing one new song ('Quarantined'; see performance footage below) out on a tour of Canada and it's been well received, so we hope to perhaps throw in another one for now. Either way, we'll be bouncing off the walls again near you very soon."
Fan-filmed video footage of NAPALM DEATH performing a new song, "Quarantined", on October 17, 2011 at The Zoo in Winnipeg, Manitoba, Canada can be seen below.
NAPALM DEATH earlier in the year contributed a brand new track called "Legacy Was Yesterday" to Decibel magazine's monthly flexi disc series. The song — the band's first new material since 2009's "Time Waits for No Slave" LP — was recorded at Rapture Audio with James Walford and mastered by Russ Russell.
"Time Waits For No Slave" entered the German Media Control chart at position No. 95. The CD, which was released in the U.S. in February 2009 via Century Media Records, was recorded with producer Russ Russell. Drums were tracked at Parlour Studios in Kettering and guitars, bass and vocals were done at Foel Studios in Wales. The band then returned to Parlour for the mixing sessions.
Singer Mark "Barney" Greenway explains the album title and concept: "After some deliberation, we have decided on 'Utilitarian' as the album title. We generally try to avoid generic titles, and this seemed to have a lot of scope to it. I won't explain the full meaning of utilitarianism here because it's an ethical theory, and as ethical theories go, the depth and debate around it is quite heavy at times. It has a certain 'morality' aspect to it and that isn't something that drives me, so I also certainly have issues with it."
"So, rather than just nail that straight to the mast, of course we wanted to put our own spin on it by suggesting that those (i.e. the utilitarian in us, perhaps) who try to challenge everything, or fight against conventions, well, we go through periods of real self-doubt where we wonder if we're really making a difference. I suppose the conclusion is that, for the sake of all our freedoms, you should never stop, as even the feeling of resistance is at least a signal to those who would like to entirely control and dominate us — meaning everything from our instinctive behavior to our human entitlement to walk the earth unprovoked.
"Regarding the album overall, the final creases should be ironed out fairly soon, and immediately after that, we thought it would be good to top it off with a few U.K. dates. We've been playing one new song ('Quarantined'; see performance footage below) out on a tour of Canada and it's been well received, so we hope to perhaps throw in another one for now. Either way, we'll be bouncing off the walls again near you very soon."
Fan-filmed video footage of NAPALM DEATH performing a new song, "Quarantined", on October 17, 2011 at The Zoo in Winnipeg, Manitoba, Canada can be seen below.
NAPALM DEATH earlier in the year contributed a brand new track called "Legacy Was Yesterday" to Decibel magazine's monthly flexi disc series. The song — the band's first new material since 2009's "Time Waits for No Slave" LP — was recorded at Rapture Audio with James Walford and mastered by Russ Russell.
"Time Waits For No Slave" entered the German Media Control chart at position No. 95. The CD, which was released in the U.S. in February 2009 via Century Media Records, was recorded with producer Russ Russell. Drums were tracked at Parlour Studios in Kettering and guitars, bass and vocals were done at Foel Studios in Wales. The band then returned to Parlour for the mixing sessions.
http://www.roadrunnerrecords.com/blabbermouth.net/soulflypremiere/ndeath2012cd.jpg
Ft. Lauderdale, Florida rockers NONPOINT have parted ways with guitarist Zach Broderick and founding bassist Ken MacMillan. Replacement members have yet to be announced.
Ken and Zach are currently involved in a new project that will be revealed soon.
NONPOINT recently signed a deal with Razor & Tie. The band has been on a major roll recently, having wrapped up a two-year tour in support of their album "Miracle" with a triumphant show in front of 6,000 fans at Wisconsin's at Taste of Madison. The "Miracle" tour also saw other exciting benchmarks for the band, including performances at the Metal Hammer Awards, U.K.'s Download festival and Australia's Soundwave Festival, where they were the recipients of an MTV Soundie Award (courtesy of MTV Classic Australia). NONPOINT also re-established itself at Active Rock radio, with its hit "Miracle" breaking into the Top 15.
NONPOINT is already deep into writing its forthcoming album, having demoed over two dozen songs. The new CD is currently slated for a spring of 2012 release.
NONPOINT is managed by Izvor "Izzy" Zivkovic (Split Media) and represented for touring by Tim Borror and Anthony Paolercio for The Agency Group.
NONPOINT's latest album, "Miracle", sold around 8,000 copies in the United States in its first week of release to debut at position No. 60 on The Billboard 200 chart.
"Miracle" was released in Europe on June 14, 2010 via Powerage Records. The CD was made available in the U.S. on May 4, 2010 via the band's own 954 Records in partnership with Rocket Science Ventures / RED / Sony.
Ken and Zach are currently involved in a new project that will be revealed soon.
NONPOINT recently signed a deal with Razor & Tie. The band has been on a major roll recently, having wrapped up a two-year tour in support of their album "Miracle" with a triumphant show in front of 6,000 fans at Wisconsin's at Taste of Madison. The "Miracle" tour also saw other exciting benchmarks for the band, including performances at the Metal Hammer Awards, U.K.'s Download festival and Australia's Soundwave Festival, where they were the recipients of an MTV Soundie Award (courtesy of MTV Classic Australia). NONPOINT also re-established itself at Active Rock radio, with its hit "Miracle" breaking into the Top 15.
NONPOINT is already deep into writing its forthcoming album, having demoed over two dozen songs. The new CD is currently slated for a spring of 2012 release.
NONPOINT is managed by Izvor "Izzy" Zivkovic (Split Media) and represented for touring by Tim Borror and Anthony Paolercio for The Agency Group.
NONPOINT's latest album, "Miracle", sold around 8,000 copies in the United States in its first week of release to debut at position No. 60 on The Billboard 200 chart.
"Miracle" was released in Europe on June 14, 2010 via Powerage Records. The CD was made available in the U.S. on May 4, 2010 via the band's own 954 Records in partnership with Rocket Science Ventures / RED / Sony.
"Beneath", the fifth album from the Finnish metal/hard rock outfit AMORAL, entered the official chart in the band's home country at position No. 30. Released on October 26, the CD came equipped with a stunning 18-page poster booklet (made by Spanish artist Marta Nael), expanding the cover artwork into all its glory.
"Beneath" track listing:
01. Beneath
02. Wrapped in Barbwire
03. Silhouette
04. Things Left Unsaid
05. (Won't Go) Home
06. Closure
07. Same Difference
08. Hours of Simplicity
09. Wastelands
10. This Ever Ending Game
11. No Future
12. Of Silent Stares & Fire Lost
"Beneath" was recorded at Sound Supreme studios in Hämeenlinna, Finland, and was produced by Janne Saksa and guitarist Ben Varon.
"I'd describe the album as 'three steps forward, one step back,'" Varon previously said. "There are several nods to our past in form of long songs, intricate riffs and growling vocals. But the main focus is still on the strong melodies, big choruses and catchy riffs, just as was on our last album, 'Show Your Colors'."
"Beneath" marks the recording debut of AMORAL's new guitarist Masi Hukari. Hukari — who joined the group late in the songwriting process — immediately wrote two songs together with Varon, both which ended up on the album. Another first is that, from now on, AMORAL has two lead guitar players.
"Beneath" track listing:
01. Beneath
02. Wrapped in Barbwire
03. Silhouette
04. Things Left Unsaid
05. (Won't Go) Home
06. Closure
07. Same Difference
08. Hours of Simplicity
09. Wastelands
10. This Ever Ending Game
11. No Future
12. Of Silent Stares & Fire Lost
"Beneath" was recorded at Sound Supreme studios in Hämeenlinna, Finland, and was produced by Janne Saksa and guitarist Ben Varon.
"I'd describe the album as 'three steps forward, one step back,'" Varon previously said. "There are several nods to our past in form of long songs, intricate riffs and growling vocals. But the main focus is still on the strong melodies, big choruses and catchy riffs, just as was on our last album, 'Show Your Colors'."
"Beneath" marks the recording debut of AMORAL's new guitarist Masi Hukari. Hukari — who joined the group late in the songwriting process — immediately wrote two songs together with Varon, both which ended up on the album. Another first is that, from now on, AMORAL has two lead guitar players.
"Under The Sign Of Hell 2011", the re-recording of GORGOROTH's third album, has now finally been pressed and CD will be sold at the merchandise booth during the band's upcoming European tour. The group has only a limited amount of CDs available for sale so they will only be available for purchase while stocks last. A physical CD release date will be announced once details have been provided by Regain Records.
On "Under The Sign Of Hell 2011", Pest and Infernus repeat their roles as vocalist and guitarist/bassist, respectively, from the original 1996 recording, while Tomas Asklund handles the drums.
The track listing is as follows:
01. Revelation of Doom
02. Krig
03. Funeral Procession
04. Profetens åpenbaring
05. Ødeleggelse og undergang
06. Blood Stains the Circle
07. The Rite of Infernal Invocation
08. The Devil Is Calling
GORGOROTH's ninth album, "Quantos Possunt ad Satanitatem Trahunt", was released on October 21, 2009 in Europe via Regain Records. The CD, which was made available in the U.S. on November 11, 2009, was recorded at Monolith Studio and featured Infernus on guitar, OBITUARY's Frank Watkins (a.k.a. Bøddel) on bass, Pest on vocals and Asklund on drums.
"Quantos Possunt ad Satanitatem Trahunt" was produced by Infernus and co-produced/engineered by Tomas Asklund. It was mastered at the Cutting Room in Stockholm.
On "Under The Sign Of Hell 2011", Pest and Infernus repeat their roles as vocalist and guitarist/bassist, respectively, from the original 1996 recording, while Tomas Asklund handles the drums.
The track listing is as follows:
01. Revelation of Doom
02. Krig
03. Funeral Procession
04. Profetens åpenbaring
05. Ødeleggelse og undergang
06. Blood Stains the Circle
07. The Rite of Infernal Invocation
08. The Devil Is Calling
GORGOROTH's ninth album, "Quantos Possunt ad Satanitatem Trahunt", was released on October 21, 2009 in Europe via Regain Records. The CD, which was made available in the U.S. on November 11, 2009, was recorded at Monolith Studio and featured Infernus on guitar, OBITUARY's Frank Watkins (a.k.a. Bøddel) on bass, Pest on vocals and Asklund on drums.
"Quantos Possunt ad Satanitatem Trahunt" was produced by Infernus and co-produced/engineered by Tomas Asklund. It was mastered at the Cutting Room in Stockholm.
Swedish death metal veterans GRAVE have issued the following statement:
"As announced earlier today on Blabbermouth.net, GRAVE will not be a part of the upcoming MASSACRE European tour dubbed 'Army Of Darkness'. We are being 'replaced' by MACABRE which will be a killer addition to the already confirmed lineup of MASSACRE and MASTER.
"A lot of people have contacted us the past weeks regarding this tour, both excited about the package and gigs that were booked and announced in their hometowns and also others asking why we haven't announced any of these dates yet. Well, the answer is very simple: we were approached and asked to participate on this tour and we absolutely wanted and considered doing it. However, the organizer and GRAVE never agreed on or confirmed the terms for the tour, and for some very strange reason, they still started booking shows with us on the bill.
"The only reason that we have not gone public with this earlier is out of respect for Terry, Rick and MASSACRE in order to give them a chance to find and announce a [replacement band] for us instead of leaving them and fans in the dark without a solid bill for the tour.
"We wish them all the luck and success for the tour. GRAVE will return after finishing our 10th album."
GRAVE recently parted ways with guitarist Magnus Martinsson. According to the group, Magnus — who has played with GRAVE since 2008 — and his now-former bandmates made "this joint decision after going through plans for next year and we needed to address this within the band before we start the new album process. There aren't now, and have never been, any hard feelings between us and we wish him the best in any future endeavors."
GRAVE's next live appearance is scheduled for November 12 at Club Distortion/Kulturhuset in Stockholm, Sweden. The band will celebrate the 20th anniversary of its classic 1991 debut album, "Into The Grave", by performing the LP in its entirety, along with "another handful classic tunes." Support at the show will come from VICIOUS ART and GENERAL SURGERY. The entire concert will be filmed for release in 2012.
Commented GRAVE: "We've recruited Mika Lagreen (FACEBREAKER) for the Stockholm anniversary gig and he should fit right in since he already handled the stage left axe on our latest European tour. He will, of course, also be with us through the new album process and upcoming shows/tours."
GRAVE in September completed a North American headlining tour with support from BLOOD RED THRONE, PATHOLOGY and GIGAN.
GRAVE recently inked a new deal with Century Media Records and is preparing to enter the studio to begin recording its next album for a late spring 2012 release. The group says, "We will start writing and arranging songs in November and enter the legendary Studio Soulless again in early January. We also have a very cool idea for a special bonus disc, [but] more on this later."
GRAVE's latest album, "Burial Ground", was released on June 14, 2010 via Regain Records. The CD's cover artwork was created by Costin Chioreanu of Twilight13 Media.
"As announced earlier today on Blabbermouth.net, GRAVE will not be a part of the upcoming MASSACRE European tour dubbed 'Army Of Darkness'. We are being 'replaced' by MACABRE which will be a killer addition to the already confirmed lineup of MASSACRE and MASTER.
"A lot of people have contacted us the past weeks regarding this tour, both excited about the package and gigs that were booked and announced in their hometowns and also others asking why we haven't announced any of these dates yet. Well, the answer is very simple: we were approached and asked to participate on this tour and we absolutely wanted and considered doing it. However, the organizer and GRAVE never agreed on or confirmed the terms for the tour, and for some very strange reason, they still started booking shows with us on the bill.
"The only reason that we have not gone public with this earlier is out of respect for Terry, Rick and MASSACRE in order to give them a chance to find and announce a [replacement band] for us instead of leaving them and fans in the dark without a solid bill for the tour.
"We wish them all the luck and success for the tour. GRAVE will return after finishing our 10th album."
GRAVE recently parted ways with guitarist Magnus Martinsson. According to the group, Magnus — who has played with GRAVE since 2008 — and his now-former bandmates made "this joint decision after going through plans for next year and we needed to address this within the band before we start the new album process. There aren't now, and have never been, any hard feelings between us and we wish him the best in any future endeavors."
GRAVE's next live appearance is scheduled for November 12 at Club Distortion/Kulturhuset in Stockholm, Sweden. The band will celebrate the 20th anniversary of its classic 1991 debut album, "Into The Grave", by performing the LP in its entirety, along with "another handful classic tunes." Support at the show will come from VICIOUS ART and GENERAL SURGERY. The entire concert will be filmed for release in 2012.
Commented GRAVE: "We've recruited Mika Lagreen (FACEBREAKER) for the Stockholm anniversary gig and he should fit right in since he already handled the stage left axe on our latest European tour. He will, of course, also be with us through the new album process and upcoming shows/tours."
GRAVE in September completed a North American headlining tour with support from BLOOD RED THRONE, PATHOLOGY and GIGAN.
GRAVE recently inked a new deal with Century Media Records and is preparing to enter the studio to begin recording its next album for a late spring 2012 release. The group says, "We will start writing and arranging songs in November and enter the legendary Studio Soulless again in early January. We also have a very cool idea for a special bonus disc, [but] more on this later."
GRAVE's latest album, "Burial Ground", was released on June 14, 2010 via Regain Records. The CD's cover artwork was created by Costin Chioreanu of Twilight13 Media.
__._,_.___
MARKETPLACE
.
__,_._,___
0 comments:
Post a Comment